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Catching the Torch examines contemporary novels and plays written about Canada’s participation in World War I. Exploring such works as Jane Urquhart’s The Underpainter and The Stone Carvers, Jack Hodgins’s Broken Ground, Kevin Kerr’s Unity (1918), Stephen Massicotte’s Mary’s Wedding, and Frances Itani’s Deafening, the book considers how writers have dealt with the compelling myth that the Canadian nation was born in the trenches of the Great War. In contrast to British and European remembrances of WWI, which tend to regard it as a cataclysmic destroyer of innocence, or Australian myths that promote an ideal of outsize masculinity, physical bravery, and white superiority, contemporary Canadian texts conjure up notions of distinctively Canadian values: tolerance of ethnic difference, the ability to do one’s duty without complaint or arrogance, and the inclination to show moral as well as physical courage. Paradoxically, Canadians are shown to decry the horrors of war while making use of its productive cultural effects. Through a close analysis of the way sacrifice, service, and the commemoration of war are represented in these literary works, Catching the Torch argues that iterations of a secure mythic notion of national identity, one that is articulated via the representation of straightforward civic and military participation, work to counter current anxieties about the stability of the nation-state, in particular anxieties about the failure of the ideal of a national “character.”
Text by Laurence Benaim, Domeniek Ruyters.
William Hazlitt (1778-1830) was an English critic, social commentator and essayist. In this compendium of impressions of his contemporaries, Hazlitt’s cutting and witty style both celebrates and critiques the intellectual landscape of his time. The collection includes poets, authors, politicians and journalists as well as preachers and philosophers. This is unusual book is still a fascinating read today, making it a must-have for any literary historian or enthusiast of classic British literature. Contents: William Hazlitt - Jeremy Bentham - The Spirit of the Age - William Godwin - Mr. Coleridge - Rev. Mr. Irving - The Late Mr. Horne Tooke - Sir Walter Scott - Lord Byron - Mr. Southey - Mr. Wordsworth - Sir James Mackintosh - Mr. Malthus - Mr. Gifford - Mr. Jeffrey - Mr. Brougham–Sir F. Burdett - Lord Eldon–Mr. Wilberforce - Mr. Cobbett - Mr. Campbell and Mr. Crabbe - Mr. T. Moore–Mr. Leigh Hunt - Elia, and Geoffrey Crayon. We are republishing this acclaimed vintage text in a high quality, modern and affordable edition, complete with a specially written concise biography.
By carefully conceptualising the domestic in relation to the self and the photographic, this book offers a unique contribution to both photography theory and criticism, and life-narrative studies. Jane Simon brings together two critical practices into a new conversation, arguing that artists who harness domestic photography can advance a more expansive understanding of the autobiographical. Exploring the idea that self-representation need not equate to self-portraiture or involve the human form, artists from around the globe are examined, including Rinko Kawauchi, Catherine Opie, Dayanita Singh, Moyra Davey, and Elina Brotherus, who maintain a personal gaze at domestic detail. By treating the representation of interiors, domestic objects, and the very practice of photographic seeing and framing as autobiographical gestures, this book reframes the relationship between interiors and exteriors, public and private, and insists on the importance of domestic interiors to understandings of the self and photography. The book will be of interest to scholars working in photographic history and theory, art history, and visual studies.
The techniques explained are for vitreous, or hard, enamels on metal. More than 30 experienced enamelists share their specialized knowledge for using cloisonne, plique--jour, champlev, and basse-taille techniques on silver, gold, foils, and metal clay to make jewelry, vessels, portraits, and more. Recent works from an additional 55 artists are displayed.