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Analysing recent documentary films dealing with undocumented migration at the Schengen Area's fringes and against the backdrop of what has been termed the `European refugee crisis', Jan Kühnemund investigates the interface between migration discourses and image discourses. As an analytical framework, he conceptualises `Borderland Schengen' as a visual-political transnational space emerging from the interplay of migration movements and border policies. Putting the spaces and iconologies of `illegal' migration under scrutiny and aiming at establishing their protagonists as subjects, Kühnemund in this regard reads the films as attempts at discursive participation as an aesthetic political practice.
This book offers a range of accounts of the state of "European Cinema" in a specific sociopolitical era: that of the global economic crisis that began in 2008 and the more recent refugee and humanitarian crisis. With the recession having become a popular theme of economic, demographic, and sociological research in recent years, this volume examines representations of the crisis and its attendant market instability and mistrust of neoliberal political systems in film. It thus sheds light on the mediation, reimagination, and reformulation of recent history in the depiction of personal, cultural, and political memories, and raises new questions about crisis narratives in European film, asking whether the theoretical notion of "national" cinema is less or more powerful during moments of sociopolitical turbulence, and investigating the kinds of cultural representations and themes that characterize the narratives of European documentary and fictional films from both small and large national markets.
"This book explores human smuggling in several nuanced forms across diverse regions, examining its deep historical, social, economic, and cultural roots and its broad political consequences"--
This book examines how the transcultural and transnational migration of people, texts, and ideas has transformed the paradigm of national literature, with Britain and Ireland as case studies. The study questions definitions of migration and migrant literature that focus solely on the work of authors with migrant backgrounds, and suggests that migration is not extraneous but intrinsic to contemporary understandings of national literature in a global context. The fictional work of authors such as Caryl Phillips, Colum McCann, Abdulrazak Gurnah, Rose Tremain, Elif Shafak, and Evelyn Conlon is analysed from a variety of perspectives, including transculturality, cosmopolitanism, and Afropolitanism, so as to emphasise how their work fosters an understanding of national literature, as well as of individual and collective identities, based on transborder interconnectivity.
Drawing on nine case studies and innovative empirical material from various regions of Uganda, this edited volume focuses on the interplay between humanitarian, economic and academic intervention on the one hand and mobility, permanent transit and (re-)settlement on the other – not least against the background of the versatile trajectories of flight and displacement and cultural practices that can be observed in the diverse environment of the country. In doing so, on a methodological level, this volume casts light on multifaceted processes of academic entanglements and knowledge production, on self-positioning processes of the researcher and the various role conflicts connected to research in complex settings.
This book examines the impact and effects of refugee externalisation policies in two regions: Australia’s border control practices in Southeast Asia and the Pacific and the activities of the European Union and its member states in North Africa. The book assesses the underlying motivations, processes, policy frameworks and human rights violations of refugee externalisation practices. Case studies illuminate the funding, institutional partnerships, geopolitical impacts, financial costs and the human price of refugee externalisation. It provides the first truly comparative analysis of asylum externalisation and explores maritime interdiction, extraterritorial process, containment and third-country interception, and communication campaigns in Southeast Asia and the Middle East/North Africa. This book will be of key interest to scholars and students of refugee and asylum studies, law, politics and the arts, legal practitioners, non-governmental organisations and policymakers grappling with the issues of detention, refugee externalisation practices and the growing need to find safety for the world’s most vulnerable.
Borders are both a door and a bridge. Because they are operating at a critical juncture between security expectations and intense cross-border exchanges, they appear to be Janus-faced. To some, they are demarcating lines that call for extensive protection and a regime of strict closure. To others, they are a gateway to transnational opportunities and their opening should be carefully but liberally managed. The very same paradox affects the regions located alongside borders, that is the borderlands or frontier zones. Borderlands can be simultaneously depicted as epitomizing the growth of mutually beneficial transnational ties and as offering a privileged but bleak glimpse into the importation of international threats into domestic politics. Partly due to the discrepancy between their premises, borderlands studies and security studies have virtually no dialogue. Security studies remain focused on the discriminatory function of the border while borderlands studies document the social dynamics of cross border societies. Against this backdrop, the ambition and originality of Securitized Borderlands lie in its aim to theoretically and empirically fill the gap between security studies—that remain focused on the discriminatory function of the border, and borderlands studies—that document the social dynamics of cross border societies. The chapters in this book were originally published as a special issue of the Journal of Borderlands Studies.
Film and television offer important insights into social outlooks on borders in France and Europe more generally. This book undertakes a visual cultural history of contemporary borders through a film and television tour. It traces on-screen borders from the Gare du Nord train station in Paris to Calais, London, Lampedusa and Lapland. It contends that different types of mobilities and immobilities (refugees, urban commuters, workers in a post-industrial landscape) and vantage points (from borderland forests, ports, train stations, airports, refugee centers) are all part of a complex French and European border narrative. It covers a wide range of examples, from popular films and TV series to auteur fiction and documentaries by well-known directors from across Europe and beyond.
Focussing European borders: The book provides insight into a variety of changes in the nature of borders in Europe and its neighborhood from various disciplinary perspectives. Special attention is paid to the history and contemporary dynamics at Polish and German borders. Of particular interest are the creation of Euroregions, mutual perceptions of Poles and Germans at the border, EU Regional Policy, media debates on the extension of the Schengen area. Analysis of cross-border mobility between Abkhazia and Georgia or the impact of Israel's »Security Fence« to Palestine on society complement the focus on Europe with a wider view.
A rigorous global examination of the links between peaceful borders and illicit transnational flows of crime and terrorism.