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Praise for the first edition: 'There are books that are badly written, books that are well written and books that you wish you'd written. This is one of the latter. Hicks and his co-writers produce a book that is a joy to read and is packed full of helpful advice.' – Chris Frost, Journalist 'You don't have to be a journalist to read this book. Anyone with an interest in improving their writing skills and developing a sense of good style will find it useful Wynford Hicks takes a no-nonsense, sleeves rolled up approach to writing which has no time for preciousness.' – Roy Johnson, Mantex 'Writing for Journalists neatly fills a gap in the market for a no-nonsense book for trainees written by trainers who genuinely understand the industry and who have moved with the times.' – Sharon Wheeler, Journalism Studies Writing for Journalists is about the craft of journalistic writing: how to put one word after another so that the reader gets the message – or the joke – goes on reading and comes back for more. It is a practical guide for all those who write for newspapers, periodicals and websites, whether students, trainees or professionals. This revised and updated edition introduces the reader to the essentials of good writing. Based on critical analysis of news stories, features and reviews from daily and weekly papers, consumer magazines, specialist trade journals and a variety of websites, Writing for Journalists includes: advice on how to start writing and how to improve and develop your style how to write a news story which is informative, concise and readable tips on feature writing from researching profiles to writing product round-ups how to structure and write reviews a new chapter on writing online copy.
A mythogeography of South Devon and how to walk it
A gifted pianist and Princeton graduate unaware of her rare beauty, Imogen Edwards innocently catches the eye of Manfred Andreotti, the notorious crime boss of East Clintonwood who controls everything and everyone in the town. A virgin with high ethical standards, Imogen has no intention of becoming involved with a crook like Manfred, but no woman has ever turned him down. He's relentless in his pursuit of Imogen. When Manfred threatens her good friends in Little Italy, Imogen makes a deal with the crime boss: in exchange for her friends' safety, she agrees to become Manfred's mistress. Imogen knows this is a big price to pay and understands that her life will never be the same. But the unexpected happens. Imogen begins to enjoy the notoriety of being a gangster's mistress and participates in activities she could not have dreamed of. As she falls in love with Manfred, Imogen is accepted by all of the members of his family, save for one. And that makes all the difference in the future between Manfred and Imogen.
I just finished it, and I don’t have words to tell you what an impact your book and your life have on me. You have been through so much, and you have come through it all with such a strength and a compassion for all those around you. I am HONORED to be your friend in addition to have a little part in this book! You are a natural when it comes to telling your story. The ending is perfect! I think it lends itself to the reader wanting more. So keep writing, and I will keep reading! —Sue Erps My reading has been interrupted several times, but I am getting through it. I hesitate to say I am enjoying your story because I am horrified by all that you have had to endure. It is a real testimony to God’s goodness to see the woman you are today. Thank you for sharing this with me. I am afraid I am not smart enough to offer help in any way except to say that your story so far is gripping. I look forward to reading the rest. —Debi Swim
As the heady promise of the 1960s sagged under the weight of widespread violence, rioting, and racial unrest, two young men--one black and one white--took to stages across the nation to help Americans confront their racial divide: by laughing at it. Tim and Tom tells the story of that pioneering duo, the first interracial comedy team in the history of show business--and the last. Tim Reid and Tom Dreesen polished their act in the nightclubs of Chicago, then took it on the road, not only in the North, but in the still-simmering South as well, developing routines that even today remain surprisingly frank--and remarkably funny--about race. Most nights, the shock of seeing an integrated comedy team quickly dissipated in uproarious laughter, but on some occasions the audience’s confusion and discomfort led to racist heckling, threats, and even violence. Though Tim and Tom perpetually seemed on the verge of making it big throughout their five years together, they grudgingly came to realize that they were ahead of their time: America was not yet ready to laugh at its own failed promise. Eventually, the grind of the road took its toll, as bitter arguments led to an acrimonious breakup. But the underlying bond of friendship Reid and Dreesen had forged with each groundbreaking joke has endured for decades, while their solo careers delivered the success that had eluded them as a team. By turns revealing, shocking, and riotously funny, Tim and Tom unearths a largely forgotten chapter in the history of comedy.
Domestic violence as defined by the National Coalition Against Domestic Violence as the willful intimidation, physical assault, battery, sexual assault, or other abusive behavior that is used to overpower and control another person. Domestic violence takes on many forms, both visible and hidden. And according to studies, it affects one person every twenty seconds. Domestic violence is not a new problem in America, but one that has sadly existed for decades. And while the majority of victims are female, domestic violence knows no income bracket, demographic, age, race, or religion; domestic violence occurs in every facet of society. Despite the many groups working to help victims of domestic abuse, the problems persist. Domestic violence is more commonly seen in situations where someone (the abuser) believes that behaviors such as physical, verbal, emotional, religious, sexual, or economical abuse is acceptable and justifiable. Adding to the perceived justification of abuse is the victims inability to see the denigrating acts as abuse. Then when they do identify the problem, they feel trapped by their circumstancesbe it due to fear, lack of funds, poor physical, or various psychological issuesand are unable to leave the situation. More disturbing than the obvious problems of domestic abuse is that there have been connections made between domestic violencespecifically sexual abuse in childrenand satanic influences/forces. This type of abuse is referred to as satanic ritual abuse (SRA). The abuses suffered due to satanic influences are often more severe forms of physical and sexual abuse, especially in the form of child pornography, prostitution, and being used for snuff films. These abuse victims are often so brainwashed that they dont dare speak out. And while there are those who would like to ignore the connections between abuse and satanic forces, the fact remains that abuse is not something promoted in scripture! The believer is told to care for the helpless and to lift up the fallen, not knock them down and beat them up. In homes where children are abused, they often grow up to become adults who struggle with relationships, authority figures, and problem-solving. Worse, abused children often become adult abusers, thus perpetuating the problem. Studies have also found that children who see their mother abused are more likely to develop PTSD (post-traumatic stress disorder). Also interesting is that there is now a correlation between childhood domestic violence and adult health conditions like arthritis, ischemic heart disease (IHD), chronic obstructive pulmonary disease (COPD), liver disease, irritable bowel syndrome, chronic pain, pelvic pain, ulcers, and migraines. Psychological challenges include depression, severe anxiety panic attacks, and a feeling of worthlessness. As you read Ivys story, you will discover that she could easily be the poster child for domestic violence. She spent fifteen years living in a situation where mental, physical, emotional, and sexual abuse was part of her daily life. She then entered a marriage that ultimately, albeit differently, was more of the same. But Ivys story does not end as it began. She heard about a Savior who loved her unconditionally. And while initially Ivy did not understand her Saviors love, in time, she learned the meaning of real love and acceptance. As you read her story, you will see how she looked and worked to eventually overcome the challenges brought on by domestic abuse. If you have been abused or know someone who is or has been in an abusive situation, then Ivys story can help. It will provide hope and help as you see that while domestic abuse is horrific, there is One who can overcome the hold abuse has on a persons life. Dont let abuse keep you or a loved one from enjoying life. Take the step now to begin the first day of the rest of your life. Metadata: Surviving domestic violence does not come easy. Shielded by Gods Power reminds us that domestic violence can be overcome by real love.
Donald Theall explores and explains the significance of the emergence of McLuhan as an important figure in North America in the development of an understanding of culture, communication, and technology. He reveals important information about McLuhan and his relationships with his earliest collaborator and life-long friend, anthropologist Edmund Carpenter, as well as with Theall himself, McLuhan's first doctoral student. McLuhan emerges as a complex human being, at once attractive, witty, egotistic, and exasperating. Theall examines McLuhan's many roles - proponent of a poetic method; pop guru adopted by Tom Wolfe, Woody Allen and others; North American precursor of French theory (Baudrillard, Barthes, Derrida, Deleuze); artist; and shaman. Complex and intellectual, neither uncritical adulation nor demonization, The Virtual Marshall McLuhan does justice to a unique figure caught in a struggle between tradition and modernity, between faith and anarchy.
"Love thy neighbor as thyself." Take a middle-aged teacher who lives by this creed and saddle him with five pregnant teenagers. Pit them and their children against an ancient organization controlling the world with drugs and debauchery. Place this struggle in the middle of the billion-year-long war between good & greed/ God & Satan/ I AM & I WANT. Hang on tight! You might not survive the ride! The Resolve continues the saga of Clan MacLee as they encounter The Brood, who land in their backyard. The largest creature in the universe brings the news that there really is a being called Satan, that he is just as evil as foretold, and that his minions will be here shortly. The Clan, having already led their community in recovery from a devastating flood and directed the Earth in battle against The Horde of RA, must now lead the community of I AM against the might of Satan's Empire. Do they have the resolve to succeed?
Culture Is Our Business is Marshall McLuhan's sequel to The Mechanical Bride: Folklore of Industrial Man. Returning to the subject of advertising newly armed with the electric sensibility that informed The Gutenberg Galaxy, Understanding Media, and The Medium Is the Massage, McLuhan takes on the mad men (a play on the ad men of Madison Avenue) of the sixties. Approaching commercial messages as unacknowledged art forms and cultural artifacts, McLuhan delivers a series of probes that pick apart their meanings and underlying values, their paradoxes and paralogisms, and their overt function as persuasion and propaganda. Through humor, satire, and a poetic sensibility, he provides us with a serious exploration of the consumer culture that emerged out of the electronic media environment. In keeping with the participatory ethos of the Internet that McLuhan so clearly anticipated, this is a book that is meant to open the door to further study, reflection, and discussion, and to encourage the development of critical reception on the part of the reader.