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ONE LOVE STORY. TWO MARRIAGES. THREE VERSIONS OF THE TRUTH. Too Good to Be True is an obsessive, addictive love story for fans of Lisa Jewell and The Wife Upstairs, from Carola Lovering, the beloved author of Tell Me Lies. Skye Starling is overjoyed when her boyfriend, Burke Michaels, proposes after a whirlwind courtship. Though Skye seems to have the world at her fingertips—she’s smart, beautiful, and from a well-off family—she’s also battled crippling OCD ever since her mother’s death when she was eleven, and her romantic relationships have suffered as a result. But now Burke—handsome, older, and more emotionally mature than any man she’s met before—says he wants her. Forever. Except, Burke isn’t who he claims to be. And interspersed letters to his therapist reveal the truth: he’s happily married, and using Skye for his own, deceptive ends. In a third perspective, set thirty years earlier, a scrappy seventeen-year-old named Heather is determined to end things with Burke, a local bad boy, and make a better life for herself in New York City. But can her adolescent love stay firmly in her past—or will he find his way into her future? On a collision course she doesn’t see coming, Skye throws herself into wedding planning, as Burke’s scheme grows ever more twisted. But of course, even the best laid plans can go astray. And just when you think you know where this story is going, you’ll discover that there’s more than one way to spin the truth.
A Child's Story is memories transformed into an exciting short story that impacts all of your emotions. This book takes you through the life of a child that struggles to live in an ever changing environment from a very young age through his teenage years. "If life is what you make of it as an adult, what about when you are a child?" Maybe the answer to the question is easy for some but never is it easy for the child that goes through it in the absence of an adult. Written by Stephen D. Matthews
How far would you go to get over a guy? When Grace Emerson's ex-fiancé starts dating her younger sister, extreme measures are called for. To keep everyone from obsessing about her love life, Grace announces that she's seeing someone. Someone wonderful. Someone handsome. Someone completely made up. Who is this Mr. Right? Someone…exactly unlike her renegade neighbor Callahan O'Shea. Well, someone with his looks, maybe. His hot body. His knife-sharp sense of humor. His smarts and big heart. Whoa. No. Callahan O'Shea is not her perfect man! Not with his unsavory past. So why does Mr. Wrong feel so…right?
A collection of oft-repeated urban legends brings together the best of modern myths, from the stoned baby sitter who mistook a baby for a turkey to the fabulously expensive recipe for chocolate chip cookies.
The story of the rise and fall of Wedtech and of corrupt practices in the awarding of defense contracts.
PRAISE BY AMAZON REVIEWERS FOR THE PATRIOT’S ANGELS BY JOSEPH BAUER “I didn’t want to move while reading The Patriot’s Angels” “Another gangbusters, can’t put it down book.” “A true page turner.” When aging DC police detective Jack Renfro first enters a room in the Willard Hotel on Pennsylvania Avenue and sees a body on the king-size bed, it initially appears the murder is a probable organized crime hit. But this time, his instincts tell him something doesn’t add up. After he secures the scene, he asks his young partner, Audrey Sanderson, to contact Homeland Security. Fearing possible terrorist involvement, Renfro has no idea that the victim looks eerily similar to an FBI agent. As a meticulous assassination plot begins to unfold, US President Del Winters and her father, Henry, are forced to go into lockdown at Camp David with Henry’s friend, Stanley Bigelow, and his German shepherd, Augie. Renfro partners with anti-terrorism chief, Admiral Tyler Brew and FBI agent, L.T. Kitt to understand the planned attack. But little do they know how much influence a K-9 hero will have in their efforts to take down an evil mastermind.
We all have stories. We have stories we don't tell, stories we half-tell, stories we've forgotten. But, those stories become the scripts by which we live our lives. They become the lies that keep us unmercifully chained to the past. They create a smoke screen of fear fooling us into thinking the past to which we are chained is the end of our story. This book will show you how to break that chain and thrive after abuse and trauma.
Here is a provocative collection of essays by Philip Morrison, widely known for his work on the Manhattan project, and later for his involvement in quantum and nuclear physics and high energy astrophysics. Morrison offers a stimulating look at diverse subjects ranging from cosmology (particularly interstellar communication) to nuclear disarmament to creative ways of teaching science. He also offers his own perspective on his inspiring friendships with Niels Bohr, Richard Feynman, Bernard Peters, and other physics giants.
The four dramas in this volume are some of George Bernard Shaw's most interesting plays. They stretch from 1929 to 1935 and coincide with the Great Depression, the intensification of the crisis of democracy that began after the war, and the rise of totalitarianism, all of which find expressionin these plays. They also signal the beginning of an important new phase in Shaw's writing, one marked especially by the development of two new Shaw genres: the political extravaganza and the political allegory.The Apple Cart (1929) marked Shaw's return to playwriting after the long hiatus that followed Saint Joan (1923). The Apple Cart is perhaps the most pointed critique of parliamentary democracy in the entire Shavian canon.Too True to Be Good (1931) is another 'political extravaganza', with the opening stage direction - 'The patient is sleeping heavily. Near her, in the easy chair, sits a Monster' - signaling that Shaw is advancing further into uncharted dramaturgical territory. He began writing shortly before histrip to the Soviet Union and finished the play and wrote the preface after his return. In the preface Shaw asserts that the USSR is a new Catholic church.The dark mood continues in Shaw's next play, On the Rocks (1933) which Shaw subtitled, 'a political comedy'. It is reminiscent of The Apple Cart in that it is sharply focused on British politics and set in the Cabinet Room at 10 Downing Street during the economic depression of the 1930s.Shaw started writing The Millionairess in 1934 and finished it in 1935. On the surface, it is a simple comedy, and if not for the preface we might acquiesce to Shaw's assessment that the play 'oes not pretend to be anything more than a comedy of humorous and curious contemporary characters such asBen Jonson might write'. Yet the preface appended to the play is entirely about leadership and declaims at great length on Mussolini and Hitler.
This special issue of Shaw offers ten articles that focus on the theme of "Shaw and History." That focus illuminates Shaw's concept of history as art and its uses for dramatic purposes. It is a focus that is broadly applied to the historical perspective. Views range from Shaw's uses of historical sources in the Shavianizing of history, his uses of historical, geographical, and political places and events in his work, to views that place selected Shavian works within a historical context. Stanley Weintraub discusses Shaw's references to Cetewayo, Zulu chieftain, in Cashel Byron's Profession as the first incorporation of a contemporary historical figure into his work. John Allett explores the liberal, socialist, and radical feminist views of prostitution in nineteenth-century England and demonstrates how those political views are developed within the unfolding action ofMrs Warren's Profession. Sidney P. Albert studies the Utopian movement, "The Garden City," to determine the extent to which that movement influenced Shaw's conception of Perivale St. Andres inMajor Barbara. He also narrates his personal attempt to identify the Ballycorus smelting works and its surroundings as well as the campanile, or Folly, at Faringdon as sites that provided the scenic sources for Perivale St. Andres inMajor Barbara. Gale K. Larson has edited a partially unpublished Shavian manuscript that addresses Shaw's relationship with Frank Harris and, among other matters, sets the historical record right as to who deserves the credit for attributing the identity of the Dark Lady of the Sonnets to Mary Fitton. He also examines the historical sources that influenced Shaw's views on Charles II, the "Merry Monarch," in"In Good King Charles's Golden Days" and demonstrates Shaw's reclamation of yet another historical figure from the traditional historians. David Gunby examines the first-night performance of O'Flaherty, V.C. for purposes of setting the historical record straight as to the facts of that production. Wendi Chen presents the stage history of the production of Mrs Warren's Professionin China during the early 1920s and argues its central role in shaping modern Chinese drama. Rodelle Weintraub assesses Too True to Be Good as a dream play within the context of the nightmarish times of World War I. Michael M. O'Hara surveys the Federal Theatre's productions of Androcles and the Lionin the 1930s to reveal the political and religious repressions that those productions underscore. Shaw 19 also includes three reviews of recent additions to Shavian scholarship as well as John R. Pfeiffer's "Continuing Checklist of Shaviana."