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DigiCat Publishing presents to you this special edition of "Too Much College, or, Education Eating Up Life" (With Kindred Essays in Education and Humour) by Stephen Butler Leacock. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
In the last decade of his life, Leacock turned to writing informal essays that blended humour with a conversational style and ripened wisdom to address the issues he cared about most - education, literature, economics, Canada and its place in the world - and to confront the joys and sorrows of his own life. With an introduction that sets them in the context of his life, thoughts and times, these essays reveal a passionate, intellegent, personal Leacock, against a backdrop of Depression and war, finding hope and conveying the timeless message that only the human spirit can bring social justice, peace, and progress.
Did he ever play Hamlet? Has she worked in television? What was the title of his first novel? Under whom did she study? How many children has he? Answers to such questions about contemporary Canadian artists have often been difficult, even impossible, to find. This series has been created to provide the answers; it covers creative and performing artists who have contributed as individuals to the culture of Canada in the twentieth century. Each volume in the series presents a cross-section of many different kinds of artists: authors of imaginative works, artists and sculptors, musicians (performers, composers, conductors, and directors), and performing artists in ballet, modern dance, radio, theatre, television, and motion pictures; directors, designers, and producers in theatre, cinema, radio, television, and the dance; choreographers and, for cinema, cartoonists and animators. Within each category of art is included a selection of those who have achieved national and international recognition; those who have been recognized locally, and some, now deceased, who markedly influenced their contemporaries locally, nationally, or internationally. This is not a critical compilation; rather it is an objective and factual reference work for those interested in contemporary Canadian culture. Information was collected by painstaking research in a wide variety of sources, and wherever possible it has been verified by the artist to make each entry as accurate and comprehensive as possible.
This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies
In this two-book bundle, Alan Bowker sheds new light on two subjects with a surprising connection: the great Canadian writer Stephen Leacock and the rise of Canada on the world stage, which Leacock profiled with keen wit and observational skill. With Bowker as your guide, explore what it was really like to live through the great upheaval that pushed Canada to come into its own on the world stage. A Time Such as There Never Was Before Ottawa Book Award 2015 — Shortlisted The years after World War I were among the most tumultuous in Canadian history: a period of unremitting change, drama, and conflict. They were, in the words of Stephen Leacock, “a time such as there never was before.” The war had been a great crusade, and its end was supposed to bring a world made new. But the conflict had cost sixty thousand Canadian lives, with many more wounded, and had stirred up divisions in the young, diverse country. With Canada struggling to define itself, labour, farmers, business, the church, social reformers, and minorities all held extravagant hopes, irrational fears, and contradictory demands. Whose hopes would be realized, and whose dreams would end in disillusionment? Which changes would prove permanent and which would be transitory? A Time Such As There Never Was Before describes how this exciting period laid the foundation of the Canada we know today. On the Front Line of Life In the last decade of his life, Stephen Leacock turned to writing informal essays that blended humour with a conversational style and ripened wisdom to address issues he cared about most — education, literature, economics, Canada and its place in the world — and to confront the joys and sorrows of his own life. With an introduction that sets them in the context of his life, thoughts and times, these essays reveal a passionate, intelligent, personal Leacock, against a backdrop of Depression and war, finding hope and conveying the timeless message that only the human spirit can bring social justice, peace, and progress.
This collection of essays explores the many dimensions of the writings of Stephen Leacock, the well-loved Canadian author of Sunshine Sketches of a Little Town. Published in English.
“Do you know the characteristic wine of Madeira?... I do not know whether Leacock ever drank Madeira himself—he was very much a Scotch-whisky man—but I enjoy Madeira greatly, and I never drink it without thinking of Leacock, who was sometimes dry, sometimes sweet, but who always leaves upon the tongue a hint of brimstone..." In his witty and illuminating introduction, which takes up the first third of the book, Robertson Davies invites us to join him in a Feast of Stephen. Davies’ selection of fifteen pieces from Leacock’s less familiar works presents the humorist as a true, broad, and sympathetic interpreter of Canadian life, as a man who may have lacked self-knowledge and sensitive insight into the feelings of others, but “whose best work was the outpouring of genius.” All shades of Leacock’s writing are represented here, from the “brilliant nonsense which made some critics liken him to Lewis Carroll,” to his occasional attacks of “aggressive Lowbrowism.” Together in all their diversity, Davies’ selections pay tribute to the gifts of exuberance, originality, and slightly malicious truth with which Leacock so entertainingly extends our vision.
Stephen Leacock, long celebrated as Canada's foremost humorist and social satirist, has received little recognition for his considerable accomplishments as a serious thinker and social critic. In fact, Leacock was a professor of political economy, and more than half of his writings addressed the pressing issues of his day. This volume represents the neglected aspect of Leacock's career, gathering together his writings on a range of subjects, including imperialism, education and culture, religion and morality, feminism, prohibition, and social justice. The collection begins with 'Greater Canada: an appeal,' which dates from 1907, when Leacock was a popular lecturer advancing the cause of imperialism. Bowker points out that, for Leacock, imperialism was more a spiritual mission than a political agenda, representing the opportunity to unite Canadians, to inspire allegiance to a lofty tradition, and thereby to combat the threat of materialism, urbanism, fragmentation, and continentalism. These themes resurface in subsequent essays, culminating in The Unsolved Riddle of Social Justice, which was published in 1920. Carefully selected, and prefaced with an updated introduction to Leacock's life and work, these essays contribute to our understanding of Leacock and illuminate his role as a major figure in Canadian intellectual history.
Stephen Leacock's satiric masterpiece Sunshine Sketches of a Little Town captures "the Empire forever" mentality that marked Anglo-Canadian life in the early decades of the twentieth century. Historian Margaret Macmillan—whose books Women of the Raj and Paris 1919 cast fresh light on the colonial legacy—has great affection for Leacock's gentle wit and sharp-eyed insight. The renowned historian examines Leacock's life as a poor but ambitious student who rose to become an economist, celebrated academic, and, most importantly, the beloved humorist who taught Canadians to laugh at themselves.