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When ten-year-old Cora and her family leave their home in Missouri, their hearts are filled with the hopes and dreams of a bright future gleaming with promise and opportunity. But the journey west by wagon train is harsh, and tragedy strikes swiftly and unexpectedly. Now Cora and her father must steel themselves for a different future from what they had carefully planned. How can they move forward when their hearts are broken? But move on they must, and Cora takes comfort in her new baby sister (named Susan after the black-eyed flowers). When Cora learns she and Susan are to be separated at the end of their journey, she looks to the past to help craft a link to their new lives. Judy Young is an award-winning author of children's fiction, nonfiction, and poetry. Her other books in the Tales of Young Americans series are Minnow and Rose (2010 Storytelling World Resource Award) and The Lucky Star (2009 Storytelling World Honor Award). Judy lives near Springfield, Missouri. Doris Ettlinger graduated from the Rhode Island School of Design and has numerous picture books to her credit, including the award-winning The Orange Shoes. Doris lives and teaches in an old grist mill on the banks of the Musconetcong River in western New Jersey.
Rendered famous as the only survivor of a serial killer twenty years earlier, Tessa discovers clues that the wrong person was convicted and that the true killer is preparing to finish what he started.
Who was Dan Leno? In 1901 everyone in Britain knew who he was. They had seen him live on the music hall stage, listened to his jokes on the new gramophone and watched his funny antics in some of the earliest moving pictures. Even King Edward VII was a fan and the popular press dubbed Dan Leno 'The King's Jester'. But his path to fame was a hard one: he journeyed from being a child performer in the London and Liverpool slums to a chaotic career in hard-bitten northern variety theatres. Dan became the nation's favourite comedian, but as one of the first mass media stars he suffered from this continual exposure and died at the early age of forty three. Drawing on many previously unused sources, this is first, authoritative, biography of Dan Leno. Only Charlie Chaplin, often compared to Dan in style and appearance, was to occupy a similar position in the hearts of the British public. In telling the full story of Dan's life and career on the stage and screen, Barry Anthony brings to life the everyday life of Victorian Britain, as well as Dan's unique brand of humour and its resonance with later comedians such as Spike Milligan and the Monty Python team.
Volume 2 of the first available biography of this great African-American classical actor, covering his emergence as a professional actor in Britain during the years 1833-1852. Ira Aldridge: The Vagabond Years, 1833-1852 deals in depth with the later experiences of one of the modern world's first black classical actors as he toured throughout the United Kingdom impressing audiences with his virtuosity and versatility as an interpreter not only of tragic and comic black roles but also eventually as an actor of classic white Shakespearean parts -- Shylock, Macbeth, Richard III, even Iago. Aldridge was very popular in Ireland and remained there for six years, performing in venues large and small. He traveled often in his own carriage with assistants who supported him in scenes, enabling famous plays to be staged anywhere, even in villages that did not have a proper theater. He also performed periodically in large cities with professional acting companies, and returned to the London stage in 1848, after leaving it fifteen years earlier. During these years he expandedhis repertoire, refined his skills, and gained a reputation as one of Britain's most talented thespians. In dealing with Aldridge's emergence as a professional actor in the United Kingdom, Lindfors here records in detail theups and downs of his itinerant existence in a world where no theatergoer had ever seen anyone like him on stage before. Aldridge was genuinely a unique phenomenon in Britain at a pivotal point in history. Bernth Lindfors is Professor Emeritus of English and African Literatures, University of Texas at Austin, and editor of Ira Aldridge: The African Roscius (University of Rochester Press, 2007).
First published in 2003. Wildly popular in their own day, Victorian burlesques are now little read, scarcely studied, and never performed. Giving long overdue emphasis to an unjustly neglected theatrical tradition, this critical edition - the first to focus on Victorian burlesques of Victorian plays - represents a valuable scholarly tool for students and scholars of modern drama, theatre history, and nineteenth-century popular culture. Victorian Theatrical Burlesques includes a 'state-of-the-art' introduction which provides a general overview of theatrical burlesques in the Victorian era, emphasising performance history. Sustained reference is made to burlesques other than those presented in the anthology. Through its general introduction, prefaces and annotations to individual plays, checklist of burlesque plays, and bibliography, the unique volume allows both specialist and non-specialist readers to see Victorian burlesques as a rich historical record of shifting attitudes toward drama and the theatre.