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I’d had two murders since last spring, solved them both. The first one was prime and it got a lotta attention in the fish wrappers, so I had a bunch of clients for awhile. Just cause people saw my name in the paper they figured I was the best (which I might be). Not bad for a twenty-six-year-old gal from Newark, New Jersey. It’s the middle of World War II, but not all the killing is happening overseas. In a sweltering New York City summer, scrappy steno-turned-sleuth Faye Quick–kicked upstairs when her boss ships out–takes on a new case that would make even the most experienced P.I. sweat bullets. It all starts with a beautiful woman. Heartbroken Claire Turner turns on the waterworks in Faye’s office, begging for help in finding her beau, Private Charlie Ladd, gone missing while on leave from Uncle Sam’s army. But when Faye busts into Charlie’s hotel room, she doesn’t find anyone–anyone alive, that is. But where’s Charlie? Because the corpse in the hotel room might not be him. And that leads Faye to wonder if the unfortunate stiff was Charlie’s target practice. In a case with more twists, starts, and stops than the Third Avenue El, Faye learns that some shocking truths are hidden behind the fog of war–a personal war being fought on the home front. Brimming over with big band music, hairdos in snoods, and unfiltered smokes–the same irresistible 1940s detail that made This Dame for Hire such a treat–the second adventure of indefatigable Faye solidifies her status as one of Sandra Scoppettone’s most appealing characters. Too Darn Hot is sizzling fun readers are sure to make Quick work of.
Raves for Romance by Pamela Burford: “Want to see true character growth, the healing power of love, what happens when you look below the surface? Want to read savvy dialog, good imagery, belly-laugh humor?…I feel very lucky that I’ve been introduced to Pamela Burford’s books. Talented writing such as hers makes up for so many lackluster stories on the market.” — The Romance Reader “Humor and romance under one cover! A delicious treat from Pamela Burford!” — The Literary Times “The characters linger in memory long after the last page has been turned … This one’s a keeper!” — WCRG on AOL Reviewer Board ◊ A delicious romantic comedy with a fun foodie twist! Rule Number One: Never mix business with pleasure. Restaurant reviewer Lina Holland learned that lesson by watching her beloved mentor self-destruct, and she's not about to make a similar mistake, even if the chef and owner of the restaurant she’s secretly reviewing is the most sexalicious hunk who ever seared a T-bone. It's not enough to be scrupulously impartial, she must avoid even the merest whiff of favoritism. Date a restaurateur? She can't allow herself to even think about it. Okay, she thinks about it, but that's all. Really! Chef Eric Reid is a widower struggling to raise twin boys and keep his fledgling restaurant afloat long enough for word of mouth to lift it out of the red. Little does he suspect that the intriguing new customer groaning in ecstasy over his bourbon pecan tart is none other than the legendary Lina Holland, the reviewer whose thumbs-up could spell the difference between colossal success and the extermination of his lifelong dream. No one in the industry knows what Lina looks like, but he's convinced she's a brash, zaftig shrew who applies her makeup with a putty knife. When he finds out how wrong he is, the fun really starts! Throw in a buttinsky roommate, a lecherous ex-husband, bribery by chocolate, and the fishing excursion from hell, and the result is, well, too darn hot! Originally published by Zebra books, a division of Kensington Publishing Corp.
Cole Porter possessed to a singular degree the art of expressing depth through apparent frivolity. The effervescent wit and technical bravura of his songs are matched by their unguarded revelations of feeling. In the words of editor Robert Kimball, “Porter wrote tellingly of the pain and evanescence of emotional relationships. He gently mocked propriety and said that few things were simple or lasting or free from ambiguity.” Of the masters of twentieth-century American songwriting, Porter was one of the few who wrote both music and lyrics, and, even in the absence of his melodies, his words distill an unmistakable mixture of poignancy and wit that marks him as a genius of light verse. Selected from over eight hundred songs, here are Porter’s finest flights of invention, lyrics that are an indelible part of 20th-century culture: “Let’s Do It,” “Love for Sale,” “I Get a Kick Out of You,” “Anything Goes,” “In the Still of the Night,” “I Concentrate on You,” and dozens more. About the American Poets Project Elegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today’s most discerning poets and critics.
The spotlight is on the timelessness of Cole Porter classics, presented here with wonderfully fresh arrangements and a contemporary twist. Over fifty of his songs are woven into an entertainment that feels as much like a book musical as a revue. By turns wry, irreverent, romantic, touching and hilarious, this is a post modern Cole Porter evening unlike any other.
Includes cartoons from The Revenge of the Baby-Sat and Scientific Progress Goes "Boink" featuring Calvin and his stuffed tiger Hobbes.
(Fake Book). The fourth volume of vocal jazz classics with 300 more titles! Songs include: All I Ask of You * And So It Goes * At Last * But Not for Me * Dream * Emily * A Foggy Day (In London Town) * Happy Days Are Here Again * I Dreamed a Dream * I Only Have Eyes for You * I Wanna Be Around * Just Friends * La Vie En Rose (Take Me to Your Heart Again) * Like a Lover (O Cantador) * Love Is Here to Stay * Mack the Knife * Mr. Bojangles * Night and Day * Pieces of Dreams (Little Boy Lost) * The Rose * The Shadow of Your Smile * Somewhere * Summertime * Sweet Georgia Brown * They Can't Take That Away from Me * Tonight * Unchained Melody * What Is This Thing Called Love? * When She Loved Me * The Windmills of Your Mind * You've Lost That Lovin' Feelin' * and more.
Choreographing Copyright Provides a historical and cultural analysis of U.S.-based dance-makers' investment in intellectual property rights. In a series of case studies stretching from the late nineteenth century to the early twenty-first, the book reconstructs dancers' efforts to win copyright protection for choreography and teases out their raced and gendered politics.
The Oxford Handbook of Musical Theatre Screen Adaptations traces how the genre of the stage-to-screen musical has evolved, from The Jazz Singer to The Wizard of Oz, Roberta, and Into the Woods.
Hollywood's conversion to sound in the 1920s created an early peak in the film musical, following the immense success of The Jazz Singer. The opportunity to synchronize moving pictures with a soundtrack suited the musical in particular, since the heightened experience of song and dance drew attention to the novelty of the technological development. Until the near-collapse of the genre in the 1960s, the film musical enjoyed around thirty years of development, as landmarks such as The Wizard of Oz, Meet Me in St Louis, Singin' in the Rain, and Gigi showed the exciting possibilities of putting musicals on the silver screen. The Oxford Handbook of Musical Theatre Screen Adaptations traces how the genre of the stage-to-screen musical has evolved, starting with screen adaptations of operettas such as The Desert Song and Rio Rita, and looks at how the Hollywood studios in the 1930s exploited the publication of sheet music as part of their income. Numerous chapters examine specific screen adaptations in depth, including not only favorites such as Annie and Kiss Me, Kate but also some of the lesser-known titles like Li'l Abner and Roberta and problematic adaptations such as Carousel and Paint Your Wagon. Together, the chapters incite lively debates about the process of adapting Broadway for the big screen and provide models for future studies.