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Reproduction of the original: Tony the Tramp by Horatio Alger
Reproduction of the original: Tony the Tramp by Horatio Alger
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Tony Rugg lives with a man named Rudolph, whom he does not believe is his father. When Rudolph tries to force Tony to rob a farmer, he moves and finds work in the next town as a hotel stable boy. Meanwhile, Rudolph travels to New York City. He meets with a Mrs. Middleton. Tony is really Anthony Middleton, the rightful heir to a large estate in England. Anthony's uncle wanted to claim the estate for himself, so years earlier, he hired Rudolph to kidnap Anthony. After the uncle dies, the assets belong to Mrs. Middleton. After a lengthy discussion with Rudolph, she persuades him to kill Tony. Rudolph locates the boy and throws him down a well. Tony must escape from the well and follow the meddling duo to London to claim his inheritance.
The crisis~ of the "project of modernity" (Habermas) is, at the same time, a crisis of critical theories of society and culture that have radically questioned bourgeois culture and capitalist society and economy from the perspective of a utopia of enlightened rationality. A number of parallel recent social and political problems, developments, and
An amusing and exciting tale of student life in Liverpool in the Swinging Sixties.Mark is a nervous student. He is ruled by an overwhelming, irrational fear of people – particularly girls – which shows itself in a bad stammer, and a terror of heights.Fiona is the girl of his dreams, but she is in a steady relationship with a lifelong boyfriend in Scotland. Mark realises he is never going to get anywhere in life or in love unless he undergoes a complete personality change. He is befriended by Bob, who has a passion for potholing (and free love), and a plan is hatched. If Mark can beat his fear of heights – an escapade down a cave or two should sort that one – maybe he can also overcome his fear of girls and win Fiona…So begins a whole series of madcap adventures, featuring a yacht race, horse riding, underground adventures in Yorkshire and Mendip caves, dances, parties and some wild and riotous student incidents, often involving too much alcohol and close shaves with the law.
Covering the entire period from the colonial era to the late twentieth century, this book is the first scholarly history of the homeless in America. Drawing on sources that include records of charitable organizations, sociological studies, and numerous memoirs of formerly homeless persons, Kusmer demonstrates that the homeless have been a significant presence on the American scene for over two hundred years. He probes the history of homelessness from a variety of angles, showing why people become homeless; how charities and public authorities dealt with this social problem; and the diverse ways in which different class, ethnic, and racial groups perceived and responded to homelessness. Kusmer demonstrates that, despite the common perception of the homeless as a deviant group, they have always had much in common with the average American. Focusing on the millions who suffered downward mobility, Down and Out, On the Road provides a unique view of the evolution of American society and raises disturbing questions about the repeated failure to face and solve the problem of homelessness.
Investigating the persistence and place of the formulas of Horatio Alger in American politics, The Fictional Republic reassesses the Alger story in its Gilded Age context. Carol Nackenoff argues that Alger was a keen observer of the dislocations and economic pitfalls of the rapidly industrializing nation, and devised a set of symbols that addressed anxieties about power and identity. As classes were increasingly divided by wealth, life chances, residence space, and culture, Alger maintained that Americans could still belong to one estate. The story of the youth who faces threats to his virtue, power, independence, and identity stands as an allegory of the American Republic. Nackenoff examines how the Alger formula continued to shape political discourse in Reagan's America and beyond.
Read Along or Enhanced eBook: Two hungry travelers arrive at a village expecting to find a household that will share a bit of food, as has been the custom along their journey. To their surprise, villager after villager refuses to share, each one closing the door with a bang. As they sit to rest beside a well, one of the travelers observes that if the townspeople have no food to share, they must be "in greater need than we are." With that, the travelers demonstrate their special recipe for a magical soup, using a stone as a starter. All they need is a carrot, which a young girl volunteers. Not to be outdone, another villager contributes a potato, and the soup grows as others bring corn, celery, and other vegetables and seasonings. In this cumulative retelling of an ancient and widely circulated legend, author Heather Forest shows us that when each person makes a small contribution, “the collective impact can be huge.” Susan Gaber's paintings portray the optimism and timelessness of a story that celebrates teamwork and generosity