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Tony Oxley - Discography. Das Buch beinhaltet alle Tonträger die von und mit dem englischen Freejazz-Schalgzeuger von 1965 bis 2020 veröffentlicht wurden. Außerdem eine Kurzbiografie in deutsch und englisch. Seit ca. 30 Jahren lebt Tony Oxley in Deutschland und spielte weltweit mit internationalen Jazzmusikern zusammen. Alle Produktionen sind hier chronologisch aufgelsitet, mit Angaben zum Titel des Tonträgers, LP, CD, AudioKassette..., mit der Besetzung mit Instrumenten, Produzent, Tontechniker, Trackliste mit Laufzeitlänge...Teilweise mit einem Querverweiss auf andere Tonträger. Alle cover in Farbe und teilweise das dazugehörige Label.
Tony Oxley - Discography. Das Buch beinhaltet alle Tonträger die von und mit dem englsichen Freejazz-Schalgzeuger von 1965 bis 2020 veröffentlicht wurden. Außerdem eine Kurzbiografie in deutsch und englisch. Seit ca. 30 Jahren lebt Tony Oxley in Deutschland und spielte weltweit mit internationalen Jazzmusikern zusammen. Alle Produktionen sind hier chronologisch aufgelsitet, mit Angaben zum Titel des Tonträgers, LP, CD, AudioKassette..., mit der Besetzung mit Instrumenten, Produzent, Tontechniker, Trackliste mit Laufzeitlänge...Teilweise mit einem Querverweiss auf andere Tonträger. Alle cover in Farbe und teilweise das dazugehörige Label.
Free Jazz: A Research and Information Guide offers carefully selected and annotated sources on free jazz, with comprehensive coverage of English-language academic books, journal articles, and dissertations, and selective coverage of trade books, popular periodicals, documentary films, scores, Masters’ theses, online texts, and materials in other languages. Free Jazz will be a major reference tool for students, faculty, librarians, artists, scholars, critics, and serious fans navigating this literature.
Shortlisted for the Penderyn Music Book Prize 2017. In this first installment of acclaimed music writer David Toop's interdisciplinary and sweeping overview of free improvisation, Into the Maelstrom: Music, Improvisation and the Dream of Freedom: Before 1970 introduces the philosophy and practice of improvisation (both musical and otherwise) within the historical context of the post-World War II era. Neither strictly chronological, or exclusively a history, Into the Maelstrom investigates a wide range of improvisational tendencies: from surrealist automatism to stream-of-consciousness in literature and vocalization; from the free music of Percy Grainger to the free improvising groups emerging out of the early 1960s (Group Ongaku, Nuova Consonanza, MEV, AMM, the Spontaneous Music Ensemble); and from free jazz to the strands of free improvisation that sought to distance itself from jazz. In exploring the diverse ways in which spontaneity became a core value in the early twentieth century as well as free improvisation's connection to both 1960s rock (The Beatles, Cream, Pink Floyd) and the era of post-Cagean indeterminacy in composition, Toop provides a definitive and all-encompassing exploration of free improvisation up to 1970, ending with the late 1960s international developments of free music from Roscoe Mitchell in Chicago, Peter Brötzmann in Berlin and Han Bennink and Misha Mengelberg in Amsterdam.
From scouring flea markets and eBay to maxing out their credit cards, record collectors will do just about anything to score a long-sought-after album. In Vinyl Freak, music writer, curator, and collector John Corbett burrows deep inside the record fiend’s mind, documenting and reflecting on his decades-long love affair with vinyl. Discussing more than 200 rare and out-of-print LPs, Vinyl Freak is composed in part of Corbett's long-running DownBeat magazine column of the same name, which was devoted to records that had not appeared on CD. In other essays where he combines memoir and criticism, Corbett considers the current vinyl boom, explains why vinyl is his preferred medium, profiles collector subcultures, and recounts his adventures assembling the Alton Abraham Sun Ra Archive, an event so all-consuming that he claims it cured his record-collecting addiction. Perfect for vinyl newbies and veteran crate diggers alike, Vinyl Freak plumbs the motivations that drive Corbett and collectors everywhere.
John Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation. How could these proudly evanescent performance practices have been adequately represented on an LP? In their day, few of these works circulated in recorded form. By contrast, contemporary listeners can encounter this music not only through a flood of LP and CD releases of archival recordings but also in even greater volume through Internet file sharing and online resources. Present-day listeners are coming to know that era's experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. In Records Ruin the Landscape, Grubbs surveys a musical landscape marked by altered listening practices.
In this thorough research guide to the career and music of Bill Dixon the author has documented how Dixon refined a sonically unique pan-tonal language of trumpet playing. As a trumpeter, composer, educator, and theoretician, Bill Dixon has politically and musically influenced many phases of the development of Black music in the second half of the 20th century. This authoritative guide details information about the life and music of Bill Dixon. Bill Dixon comments throughout the text on the familiar and unfamiliar aspects of his career as it unfolds between performances and recordings. The recollections of those who have collaborated with Bill Dixon over the years supplement the thorough research here presented on the life and career of Bill Dixon and, additionally, the New York avant garde artistic sphere in which he worked. Bill Dixon has refined a sonically unique pan-tonal language of trumpet playing. As a trumpeter, composer, educator, and theoretician, Bill Dixon has politically and musically influenced many phases of the development of Black music in the second half of the 20th century. This authoritative guide details information about the life and music of Bill Dixon. Bill Dixon comments throughout the text on the familiar and unfamiliar aspects of his career as it unfolds between performances and recordings. The recollections of those who have collaborated with Bill Dixon over the years supplement the thorough research here presented on the life and career of Bill Dixon and subsequently, on the New York avant garde artistic sphere in which he worked. Music and music history scholars, especially those interested in jazz and Black music, will be attracted to the wealth of information provided, often from primary sources, on Bill Dixon and Black music through the 50s, 60s, and 70s. The discography included encompasses issued and non-issued recordings as well as listings for every known Bill Dixon performance. Collaborations with dancers, directors, filmmakers and painters, among others, are also documented.
Lifts the lid on an artistic ferment which has defied every known law of the music business.
Jazz Makers gathers together short biographies of more than 50 of jazz's greatest stars, from its early beginnings to the present. The stories of these innovative instrumentalists, bandleaders, and composers reveal the fascinating history of jazz in six parts: * The Pioneers, including Scott Joplin, Louis Armstrong, and Bessie Smith * Swing Bands and Soloists, with Duke Ellington, Ella Fitzgerald, and Billie Holiday * The Piano Giants, featuring Fats Waller, Art Tatum, and Mary Lou Williams * Birth of Bebop, including Dizzy Gillepsie, Charlie Parker, and Miles Davis * Cool Jazz, Hard Bop, and Fusion, with John Coltrane, Sonny Rollins, and Stan Getz * A Century of Jazz, featuring Wynton Marsalis, Joshua Redman, and other contemporary greats.