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The legendary singer and recording artist shares his life story including his many triumphs and tragedies.
“For my money, Tony Bennett is the best singer in the business, the best exponent of a song. He excites me when I watch him. . . . He moves me. He’s the singer who gets across what the composer has in mind, and probably a little more.” — Frank Sinatra “As breezy and meaningful as one of his trademark songs as readers learn about the man by the company he kept and the heroes he worships. Bennett’s ethereal still lifes and landscape paintings adorn this simple yet profound and gracious homage.”— Booklist Tony Bennett was one of our most vibrant musicians ever to grace the stage. In his previous book, Life Is a Gift, Tony reflected on the lessons he learned over the years. In Just Getting Started, he pays homage to the remarkable people who inspired those lessons. In his warm and inviting voice, Tony talks about who and what have enriched his own life, including Charlie Chaplin, Judy Garland, Dr. Martin Luther King, Jr., Cole Porter, Amy Winehouse, Fred Astaire, Lady Gaga, members of his family, significant places, and more. Just Getting Started chronicles the relationship Tony enjoyed with each one of these legends, entertainers, humanitarians, and loved ones, and reveals how the lessons and values they imparted have invaluably shaped his life. As enchanting and unforgettable as his music, Just Getting Started is a beautiful compilation of reflections every Bennett fan will treasure, and a perfect introduction for those just getting to know this remarkable star and humanitarian.
The legendary singer reflects on his career, the recurring themes in his life, and the inspiration that shapes his music and his art, in a musical memoir enhanced by reproductions of his own artwork and a CD containing some of the author's favorite songs.
In a series of richly detailed case studies from Britian, Australia and North America, Tony Bennett investigates how nineteenth- and twentieth-century museums, fairs and exhibitions have organized their collections, and their visitors. Discussing the historical development of museums alongside that of the fair and the international exhibition, Bennett sheds new light upon the relationship between modern forms of official and popular culture. Using Foucaltian perspectives The Birth of the Museum explores how the public museum should be understood not just as a place of instruction, but as a reformatory of manners in which a wide range of regulated social routines and performances take place. This invigorating study enriches and challenges the understanding of the museum, and places it at the centre of modern relations between culture and government. For students of museum, cultural and sociology studies, this will be an asset to their reading list.
Sterling is pleased to announce the printing of two limited editions of Tony Bennett in the Studio: A Life of Art & Music. We are printing 350 copies of each deluxe edition, The New York Edition and The Florentine Edition. The Florentine Edition is bound in siena brown bonded leather, and slipcased in fine woven cloth. The book includes a copy of the CD Pop ART Songs—a limited edition CD featuring Tony Bennett performing personally selected impressionistic art songs. The Florentine Edition also features an exquisite limited-edition giclée published here for the first time, printed on high-quality archival watercolor paper: A Garden in Florence, painted at a Tuscan villa, measures approximately 11 x 14 inches, is numbered, and hand-signed by Tony Bennett. The book also includes a tipped-in, numbered vellum frontispiece signed by Bennett, as well as a ribbon marker.
First published in 1990. Routledge is an imprint of Taylor & Francis, an informa company.
Contributing to current debates on relationships between culture and the social, and the the rapidly changing practices of modern museums as they seek to shed the legacies of both evolutionary conceptions and colonial science, this important new work explores how evolutionary museums developed in the USA, UK, and Australia in the late nineteenth century.
This beautiful definitive book--a follow-up to Tony Bennett: In the Studio (2007), which focused on Tony's artwork--explores the themes, influences, and inspirations that inform his music and creative life. Along with more than 140 images, including photographs, personal memorabilia, album covers, and notes, this stunning volume includes essays from celebrated friends and colleagues.
In this lavishly illustrated biography from the LIFE Unseen series, LIFE partners with Sony Music Entertainment to give readers an intimate look into the life of legendary performer Tony Bennett. Through rare and never-before-seen photography from the depths of Sony's archives and contributions from the icon himself, this book is an essential collectible for the musician's fans old and new alike. LIFE Unseen Tony Bennett takes readers through every stage of Tony Bennett's journey, from newly-returned WWII veteran to American idol and Civil Rights advocate. With a foreword by acclaimed film director Martin Scorsese and an introduction by LIFE's managing editor, Robert Sullivan, readers will experience the surprising story of an incredible artist and monumental figure in the history of entertainment, who, in his ninth decade, is enjoying his best years and his best self.
Making Culture, Changing Society proposes a challenging new account of the relations between culture and society focused on how particular forms of cultural knowledge and expertise work on, order and transform society. Examining these forms of culture’s action on the social as aspects of a historically distinctive ensemble of cultural institutions, it considers the diverse ways in which culture has been produced and mobilised as a resource for governing populations. These concerns are illustrated in detailed case studies of how anthropological conceptions of the relations between race and culture have shaped – and been shaped by – the relationships between museums, fieldwork and governmental programmes in early twentieth-century France and Australia. These are complemented by a closely argued account of the relations between aesthetics and governance that, in contrast to conventional approaches, interprets the historical emergence of the autonomy of the aesthetic as vastly expanding the range of art’s social uses. In pursuing these concerns, particular attention is given to the role that the cultural disciplines have played in making up and distributing the freedoms through which modern forms of liberal government operate. An examination of the place that has been accorded habit as a route into the regulation of conduct within liberal social, cultural and political thought brings these questions into sharp focus. The book will be of interest to students and scholars of sociology, cultural studies, media studies, anthropology, museum and heritage studies, history, art history and cultural policy studies.