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This is a study of tonality and atonality in four brief pieces of Berg's work, analyzing the shift from tonal to atonal music with the view that tonality and atonality are complementary contexts framing musical coherence. The four works are described in detail, with special attention to the role of pitch structures in each. An appendix features texts in the original German and translated into English. Tucker teaches music at Mount Allison University. Annotation copyrighted by Book News Inc., Portland, OR.
This new volume incorporates all entries from the previous editions by Arthur Wenk, expanding to cover writings drawn from periodicals, theses, dissertations, books, and Festschriften from 1940 to 2000. Over 9,000 references to analyses of works by over 1,000 composers of the nineteenth and twentieth centuries are included.
Alban Berg: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer. The second edition will include research published since the publication of the first edition and provide electronic resources.
"Features over 9000 references to analyses of the works of more than 1000 composers of the nineteenth and twentieth centuries. These references address form, harmony, melody, rhythm and other structural elements of musical composition."--Cover.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1979.
Headlam closely analyzes Berg's compositional technique and the use of symmetry and cycles throughout his oeuvre. He brings into the discussion Berg's own writings, as well as those of composer and musicologist George Perle; the techniques of Schoenberg, Webern, and other serialists; and aspects of pitch-class set and twelve-tone theory.
Notes for Clarinetists: A Guide to the Repertoire offers historic and analytical information concerning thirty major works for solo clarinet, clarinet and piano, and clarinet and orchestra. This information will enhance performance and be useful in preparing and presenting concerts, and recitals.
Provides rapid access to technical materials of an analytical nature contained in periodicals, monographs, Festschriften, and dissertations. Cumulates the 19th-century and 20th-century volumes previously published separately, and updates indexing for both centuries through 1985. Contains 5,664 entries by 2,400 authors, drawn from 132 periodicals and 93 Festschriften covering 779 composers.