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In this charming and concise book, Nicholas Brown looks beyond the clichés to illuminate the colourful history of Australia's capital.
A pictorial history of Canberra, and a timely resource for those interested in discovering the origins of our federal capital. This book covers the Aboriginal history, the establishment of early settlement in the district, the birth of the city and the growth and development of Australia's centre of national government.
The Children’s Court is one of society’s most important social institutions. At the same time, it is steeped in controversy. This is in large measure due to the persistence and complexity of the problems with which it deals, namely, juvenile crime and child abuse and neglect. Despite the importance of the Children’s Court as a means of holding young people accountable for their anti-social behaviour and parents for the care of their children, it has not been the subject of close study. Certainly it has not been previously studied nationally. This book, an edited collection, is based on the findings of study that spanned the six States and two Territories of Australia. The study sought to examine the current challenges faced by the Children’s Court and to identify desirable and feasible directions for reform in each State and Territory. A further unique feature of this study is that it canvassed the views of judges and magistrates who preside over this court.
OECD's comprehensive territorial review of Canberra.
The classic reference work that provides annually updated information on the countries of the world.
No detailed description available for "1988-1989".
Fred Schepisi is one of the crucial names associated with the revival of the Australian film industry in the 1970s. The Films of Fred Schepisi traces the lead-up to his critical successes in feature filmmaking, via his earlier award-winning success as a producer in advertising commercials in the 1960s and the setting up of his own company. Unlike some directors, he derived from this experience a sure sense of the commercial aspects of filmmaking, as well as its aesthetic considerations. The volume also considers stories of his early education in a Catholic seminary, which he drew on in his semiautobiographical film, The Devil’s Playground, the success of which launched him as an exciting new feature director. The volume expands on Schepisi’s success story to chart his development as a director in demand in other countries, notably in the US and the UK, as well as continuing to make major films in Australia. Brian McFarlane argues that Schepisi’s career is symptomatic of Australian directors who have made their presences felt on the international stage. Whereas other key directors of the Australian film revival, such as Peter Weir and Bruce Beresford, have been the subject of book-length critical studies, Schepisi’s career has not to-date been so explored. McFarlane takes a critical account of Schepisi’s film output—including such standouts as The Chant of Jimmie Blacksmith, Plenty, Roxanne, Six Degrees of Separation, Mr. Baseball, and Last Orders—and he augments analysis with interviews with the director. By discussing the production histories and both critical and popular receptions, McFarlane’s study shines a new light on Schepisi’s work and his rise to prominence in the global film industry.