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What is it about the history, geographical position and cultures of the Middle East, North Africa and Central Asia that has made music such a potent and powerful agent? This volume presents the first direct look at the complex relationship between music and power across a range of musical genres and countries. Discourses of power in the region centre on some of the most contested social issues, most notably in relation to nationhood, gender and religion. Individual chapters examine the ways in which music serves as a forum for playing out issues of power, ideology, resistance and subversion. How does music become a space for promoting - or conversely, resisting or subverting - particular ideologies or positions of authority? How does it accrue symbolic power in ways that are very particular, perhaps unique? And how does music become a site of social control or, alternatively, a vehicle for agency and empowerment, at times overt and at others highly subtle? What is it about music that facilitates, and sometimes disrupts, the exercise and flows of power? Who controls such flows, how and for what purposes? In asking such questions in the context of countries such as Afghanistan, Egypt, Iran, Tunisia and Tajikistan, the book draws on a wide range of relevant theoretical and critical ideas, and many disciplines including ethnomusicology, anthropology, sociology, politics, Middle Eastern studies, globalization studies, gender studies and cultural and media studies. The countries and areas explored share a great deal in historical and cultural terms, including a legacy of colonial and neo-colonial encounters and predominantly Judeo-Muslim religious traditions. It is hoped that the volume will contribute ultimately to a richer understanding of the role that music plays in these societies.
“With extraordinary linguistic range, Calderwood brings us the voices of Arabs and Muslims who have turned to the distant past of Spain to imagine their future.” —Hussein Fancy, Yale University How the memory of Muslim Iberia shapes art and politics from New York and Cordoba to Cairo and the West Bank. During the Middle Ages, the Iberian Peninsula was home not to Spain and Portugal but rather to al-Andalus. Ruled by a succession of Islamic dynasties, al-Andalus came to be a shorthand for a legendary place where people from the Middle East, North Africa, and Europe; Jews, Christians, and Muslims lived together in peace. That reputation is not entirely deserved, yet, as On Earth or in Poems shows, it has had an enduring hold on the imagination, especially for Arab and Muslim artists and thinkers in Europe, the Middle East, and North Africa. From the vast and complex story behind the name al-Andalus, Syrians and North Africans draw their own connections to history’s ruling dynasties. Palestinians can imagine themselves as “Moriscos,” descended from Spanish Muslims forced to hide their identities. A Palestinian flamenco musician in Chicago, no less than a Saudi women’s rights activist, can take inspiration from al-Andalus. These diverse relationships to the same past may be imagined, but the present-day communities and future visions those relationships foster are real. Where do these notions of al-Andalus come from? How do they translate into aspiration and action? Eric Calderwood traces the role of al-Andalus in music and in debates about Arab and Berber identities, Arab and Muslim feminisms, the politics of Palestine and Israel, and immigration and multiculturalism in Europe. The Palestinian poet Mahmud Darwish once asked, “Was al-Andalus / Here or there? On earth ... or in poems?” The artists and activists showcased in this book answer: it was there, it is here, and it will be.
Founded in 1943, Negro Digest (later “Black World”) was the publication that launched Johnson Publishing. During the most turbulent years of the civil rights movement, Negro Digest/Black World served as a critical vehicle for political thought for supporters of the movement.
This book was created in GOD'S NAME for He is The Author. The words are set down and given by GOD to help His Children find their way on this Earth Plain back to their home with Him. The struggles in life are born by GOD, for this woman's pain of loss. All are subject to this gift and more as they travel the Paths of Life with GOD. THEY CAME: And so they came and they came just the same, for GOD knew that the ones He Loved would remember Him. And His World and Children would be saved, for He is The One. Father. Amen.
"Here we are on the banks of the Nueces in the grand camp of the army of occupation." So wrote Lt. Napoleon Jackson Tecumseh Dana when in 1845, not many months before the outbreak of the Mexican War, he joined the white-tented encampment of General Zachary Taylor in Texas. And so he continued writing during the uncertain life of camp and campaign for the better part of the next two years. In these letters to his wife, published here for the first time, Dana provides a detailed, firsthand view of the United States' war with Mexico—fighting off the Mexicans from within Fort Brown during the initial attack; hearing the distant thunder of artillery as Taylor's army marched to the rescue of the beleaguered Seventh Infantry; occupying Matamoros; taking Monterrey, street by street with the defenders firing from the housetops. After Monterrey, Dana was at the siege of Veracruz and on the march to Cerro Gordo. Badly wounded in the attack on Telegraph Hill at Cerro Gordo, he was left on the field for dead, but was rescued by a burial party a day and a half later. Following the Mexican War, Dana went on to become a major general during the Civil War and later to have an illustrious career as a railroad executive. Nearly one hundred of his letters about the Mexican War survived and are now in the archives at West Point. From them Robert Ferrell has edited this vivid, eyewitness narrative.
THE FIRST SELF-HELP BOOK TO COME OUT OF MODERN COMBAT. For fighting the war against living an ordinary life: An inspirational guide for those in the pursuit of destiny. No matter how lofty the goal, or how unlikely the victory, success can and should be yours. Inspired by the author’s combat deployment to Iraq, written while in Iraq, and sent off to his publisher prior to his departure back to the States, this collection of 100 ‘Battle Cries’ and ‘Fightin’ Words’ will help you keep your dreams alive ‘n kicking no matter what the obstacles.