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The news stories collected in this book are on-the-spot accounts & running news bulletins (including verbatim testimony) of the trial that followed the most famous gunfight in western history. "A Southwestern classic."--LOS ANGELES TIMES.
Laugh in the face of death! That’s what this bold, brash, and often irreverent collection of epitaphs encourages readers to do. It offers more than just the deceased’s name and dates of birth and death, plus a touching phrase in memorial. Instead, every fascinating quote presents an unexpectedly cheeky perspective on the tragic, like this one from Uniontown, New Jersey: "Here lies the body of Jonathan Blake; stepped on the gas pedal instead of the brake.” Some come from the gravestones of the famous: Bette Davis’s proudly notes that "she did it the hard way.” Each thought-provoking line makes an indelible contribution to our folklore.
Uncle Tom Allen once told me that every time you speak a name of someone deceased somewhere, somehow they feel it and it makes them feel good. My mother had a hobby of clipping obituaries out of newspapers, which she started before I was ever born. She said that they made her laugh and they made her cry. They gave her strength during trying times. After I was born, I too took up the hobby and later in life began to share some of the old epitaphs with friends. This book is a collection of those obituaries, witty epitaphs and a list of where famous people are buried. Later, I wrote newspaper articles and shared with my readers some of these old epitaphs. They wrote me letters telling me how they enjoyed them. Later, I sent copies to friends in the hospital and nursing homes. They told me it cheered them up. So, I decided to write this book to prove that there is some wit in death. It will make you laugh, cry and feel good!
"Here lyes Buried the Body of MARTHA PERONNEAU...Departed This Life December Ye 14th 1746 Aged 13 Years." Such an inscription was typical of 18th century grave markers in Charleston, South Carolina. Many epitaphs went on to reveal much more about the deceased: personality, religious beliefs, career accomplishments and social position. Attention to social matters was a natural part of life in Charleston, where descendants of the city's 17th century British founders sought to recreate the class-conscious culture of aristocratic England. The merging of this culture with influences from French Huguenots, German Lutherans, Scottish Presbyterians and Spanish Jews led to funeral practices unique in the American colonies. Focusing on pieces created between 1695 and 1802, this volume offers a detailed examination of the tombstones and grave markers from 18th century Charleston. It discusses not only the general trends and the symbolism of the period's gravestone art--such as skulls, portraits, ascending souls and stylized vegetation--but also examines specific instances of these popular motifs. Tombstones from Charleston's oldest and most significant churches, including the Circular Congregational Church, St. Philip's Anglican Church, the French Huguenot Church and the First (Scots) Presbyterian Church, are explored in detail. The work looks at how Charleston gravestones differed from funerary art elsewhere in the American colonies and reveals them to be some of the earliest examples of American sculpture. A guide to colonial gravestone symbols and a glossary of relevant Latin terms are also included.
From Renaissance to Risorgimento, the Hebrew tombstones of Padua express the cultural currents of their age, in text and art. The inscriptions are mainly rhymed and metered poems, about life, love and faith, while the design and ornamentation of the actual stones reflect prevailing architectural and artistic tastes. Additionally, the inscriptions illuminate the society of Padua's Jews, and the social and cultural changes they underwent during the 330 years covered by this study. Thus these tombstones capture the flow of Italian Jewish culture from Renaissance to Baroque, and from the early modern to the modern era.
The lively ancient epitaphs in this bilingual collection fit together like small mosaic tiles, forming a vivid portrait of Greek society. Cut These Words into My Stone offers evidence that ancient Greek life was not only celebrated in great heroic epics, but was also commemorated in hundreds of artfully composed verse epitaphs. They have been preserved in anthologies and gleaned from weathered headstones. Three-year-old Archianax, playing near a well, Was drawn down by his own silent reflection. His mother, afraid he had no breath left, Hauled him back up wringing wet. He had a little. He didn't taint the nymphs' deep home. He dozed off in her lap. He's sleeping still. These words, translated from the original Greek by poet and filmmaker Michael Wolfe, mark the passing of a child who died roughly 2,000 years ago. Ancient Greek epitaphs honor the lives, and often describe the deaths, of a rich cross section of Greek society, including people of all ages and classes— paupers, fishermen, tyrants, virgins, drunks, foot soldiers, generals—and some non-people—horses, dolphins, and insects. With brief commentary and notes, this bilingual collection of 127 short, witty, and often tender epigrams spans 1,000 years of the written word. Cut These Words into My Stone provides an engaging introduction to this corner of classical literature that continues to speak eloquently in our time.