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This collection of case studies is concerned with tombs that testify to transnational history. Special attention is given to tombs of Westerners and Russians still extant in Greater China, but also to those of some noted Chinese who were involved in transnational history during the 20th century. Tombs have a special potential to cast familiar things in a new light. They also provide the possibility to counter-check received narratives which might have been tailored along certain vested interests and circulated with specific target groups in mind.
This stunning Chinese art book presents almost a hundred recently unearthed objects that offer a glimpse into the extraordinary wealth and artistic accomplishments of elite society during the Western Han Dynasty (206 BCE - 9 CE). These exquisite treasures are from newly discovered sites in the Jiangsu region of China and are made of gold, silver, jade, bronze, pottery, lacquer, and other refined materials. Masterworks include a full-length jade suit sewn with gold threads, an oversized coffin shrouded in jade, and a complete set of functional bronze bells. The book's texts explore a number of ideas about the lives and deaths of Western Han royalty.
A National Book Critics Circle Award Finalist "Extraordinary...Sensitive and perceptive, Mr. Hessler is a superb literary archaeologist, one who handles what he sees with a bit of wonder that he gets to watch the history of this grand city unfold, one day at a time.” —Wall Street Journal From the acclaimed author of River Town and Oracle Bones, an intimate excavation of life in one of the world's oldest civilizations at a time of convulsive change Drawn by a fascination with Egypt's rich history and culture, Peter Hessler moved with his wife and twin daughters to Cairo in 2011. He wanted to learn Arabic, explore Cairo's neighborhoods, and visit the legendary archaeological digs of Upper Egypt. After his years of covering China for The New Yorker, friends warned him Egypt would be a much quieter place. But not long before he arrived, the Egyptian Arab Spring had begun, and now the country was in chaos. In the midst of the revolution, Hessler often traveled to digs at Amarna and Abydos, where locals live beside the tombs of kings and courtiers, a landscape that they call simply al-Madfuna: "the Buried." He and his wife set out to master Arabic, striking up a friendship with their instructor, a cynical political sophisticate. They also befriended Peter's translator, a gay man struggling to find happiness in Egypt's homophobic culture. A different kind of friendship was formed with the neighborhood garbage collector, an illiterate but highly perceptive man named Sayyid, whose access to the trash of Cairo would be its own kind of archaeological excavation. Hessler also met a family of Chinese small-business owners in the lingerie trade; their view of the country proved a bracing counterpoint to the West's conventional wisdom. Through the lives of these and other ordinary people in a time of tragedy and heartache, and through connections between contemporary Egypt and its ancient past, Hessler creates an astonishing portrait of a country and its people. What emerges is a book of uncompromising intelligence and humanity--the story of a land in which a weak state has collapsed but its underlying society remains in many ways painfully the same. A worthy successor to works like Rebecca West's Black Lamb and Grey Falcon and Bruce Chatwin's The Songlines, The Buried bids fair to be recognized as one of the great books of our time.
Prepares students for commencement level GH&G test. Correlates with global history and geographic and cultural development core curriculum. Motivates with engaging reading, writing, and critical thinking activities. Develops skills with extensive banks of practice multiple choice questions. Incorporates intensive practice drills for constructed-response, thematic essay, and document-based question (DBQ) writing tasks. Hones student skills with two prototype tests.
[TofC cont.] Global nationalism; Economic and social revolutions; Growth of imperialism -- A half-century of crisis and achievement (1900-1945): Medical, scientific, and technological advances of the early 20th century; World War I; Post-World War I era; World War II -- 20th century since 1945: Cold War; Postwar developments in Africa, Asia, and the Middle East; Late 20th-century developments in Europe; Developing world in the late 20th century -- Global connections and interactions: Global economic trends; Search for global security; Global trends and issues of the late 20th century.
International scholars and sinologists discuss culture, economic growth, social change, political processes, and foreign influences in China since the earliest pre-dynastic period.
During the last two centuries BC, the Western Han dynasty of China forged the first stable empire covering all of China and presided over a golden age that shaped much of subsequent Chinese art and culture. From family values to the structure of the civil service, Han thinking and philosophy continue to pervade Chinese society up to the present day - indeed, the majority of Chinese people consider themselves 'Han Chinese'. In the search for immortality, the Han imperial family left an artistic legacy of spectacular beauty and power. The finest of these treasures to have survived - including exquisite jades, silver and goldwork, bronzes and ceramics - have been found in the tombs of the Han imperial family and of a revival 'emperor' of Nanyue.
China can boast a history of art lasting 5,000 years and embracing a huge diversity of images and objects - jade tablets, painted silk handscrolls and fans, ink and lacquer painting, porcelain-ware, sculptures, and calligraphy. They range in scale from the vast 'terracotta army' with its 7,000or so life-size figures, to the exquisitely delicate writing of fourth-century masters such as Wang Xizhin and his teacher, 'Lady Wei'. But this rich tradition has not, until now, been fully appreciated in the West where scholars have focused their attention on sculpture, downplaying art more highlyprized by the Chinese themselves such as calligraphy. Art in China marks a breakthrough in the study of the subject. Drawing on recent innovative scholarship and on newly-accessible studies in China itself Craig Clunas surveys the full spectrum of the visual arts in China. He ranges from the Neolithic period to the art scene of the 1980s and 1990s,examining art in a variety of contexts as it has been designed for tombs, commissioned by rulers, displayed in temples, created for the men and women of the educated ilite, and bought and sold in the marketplace. Many of the objects illustrated in this book have previously been known only to a fewspecialists, and will be totally new to a general audience.