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Originally published in 1949, Tomato Cain and Other Stories is the sole collection of short fiction by Nigel Kneale. Drawing on his experiences of growing up on the Isle of Man, many of Kneale's tales conjure up a remote, old-fashioned community where mythology and superstition are part of everyday life. Several stories go further, making imaginative leaps into the kind of weird, eerie territory with which Kneale would go on to make his name, as the writer of TV's Quatermass, The Road, Beasts and The Stone Tape. Though garlanded with praise on publication – it won its author the 1950 Somerset Maugham Award – Tomato Cain has long since been out of print. In the face of a steady groundswell of interest, this new edition, published by Comma Press to mark the centenary of Kneale's birth, makes the collection available again at last, uniting the stories from both the original UK and US editions for the first time ever. It's sure to delight Kneale's legions of fans and indeed all admirers of skilfully-crafted short stories.
This volume collects for the first time essays published in British, Irish, and American periodicals during Bowen's lifetime as well as essays which have never been published before. The range of subjects alone makes these essays indispensable reading.Throughout her career, Elizabeth Bowen, the Anglo-Irish novelist and short story writer, also wrote literary essays that display a shrewd, generous intelligence. Always sensitive to underlying tensions, she evokes the particular climate of countries and places in Hungary,"e; "e;Prague and the Crisis,"e; and "e;Bowen's Court."e; In "e;Britain in Autumn,"e; she records the strained atmosphere of the blitz as no other writer does. Immediately after the war, she reported on the International Peace Conference in Paris in a series of essays that are startling in their evocation of tense diplomacy among international delegates scrabbling to define the boundaries of Europe and the stakes of the Cold War. The aftershock of war registers poignantly in "e;Opening Up the House"e;: owners evacuated during the war return to their houses empty since 1939. Other essays in this volume, especially those on James Joyce, Jane Austen, and the technique of writing, offer indispensable mid-century evaluations of the state of literature. The essays assembled in this volume were published in British, Irish, and American periodicals during Bowen's lifetime. She herself did not gather them into any collection. Some of these essays exist only as typescript drafts and are published here for the first time. Bowen's observations on age, toys, disappointment, charm, and manners place her among the very best literary essayists of the modernist period.
A New History of the Isle of Man will provide a new benchmark for the study of the island’s history. In five volumes, it will survey all aspects of the history of the Isle of Man, from the evolution of the natural landscape through prehistory to modern times. The Modern Period is the first volume to be published. Wide in coverage, embracing political, constitutional, economic, labor, social and cultural developments in the nineteenth and twentieth centuries, the volume is particularly concerned with issues of image, identity and representation. From a variety of angles and perspectives, contributors explore the ways in which a sense of Manxness was constructed, contested, continued and amended as the little Manx nation underwent unprecedented change from debtors’ retreat through holiday playground to offshore international financial center.
Since the earliest days of British television drama, scriptwriter Nigel Kneale has been a seminal figure. His Quatermass serials for the BBC were a seismic event in the 1950s, before finding international success when adapted by Hammer Films for the big screen. Later TV plays, such as The Road, The Stone Tape and The Year of the Sex Olympics, skilfully blend elements of science fiction and the ghost story. They remain classics and Kneale himself a great influence on popular culture. Revised and updated, this new edition of Into the Unknown charts Nigel Kneale's extraordinary career, from his childhood on the Isle of Man, to his fraught days at the BBC, strange adventures in Hollywood, and his status as legend to legions of fans. It draws on a wealth of research and many hours of interviews with Kneale himself, as well as prominent admirers. These include John Carpenter, Ramsey Campbell, Grant Morrison, Russell T Davies, and Mark Gatiss and Jeremy Dyson of the League of Gentlemen.
Nigel Kneale is perhaps best known for his pioneering work in television fantasy, notably the creation of Quatermass, and his landmark adaptation of George Orwell’s 1984 for the BBC. This book is the first in-depth study of another, arguably lesser known but equally as important, Kneale creation: the 1976 Folk Horror anthology television series, Beasts. Each of the six episodes of Beasts was a standalone supernatural drama exploring themes and ideas prevalent throughout Kneale’s work, all within the confines of a lowly British television budget. From pilot episode Murrain to cult favourite Baby, Beasts charted an uncanny British landscape, where the ghost of a dolphin haunts an aquarium and a supermarket is plagued by a mysterious animalistic presence. In researching and writing this book, author Andrew Screen was given rare access to Kneale’s original scripts and production paperwork and provides an exclusive account of Kneale’s trials and tribulations in developing the series. There are also interviews with members of cast and crew, a discussion of episode treatments that were prepared but never realised — and the reasons why Kneale abandoned these at an early stage. Moreover, each storyline is contextualised with real life developments and events, exploring the mythological and cultural inspirations that place the series within its immediate historical framework. Written with full permission from the Kneale estate, THE BOOK OF BEASTS is a comprehensive overview of a cult television series and its enduring impact on viewers today. With a foreword by Johnny Mains.
“Simply put, there is absolutely nothing on the market with the range of ambition of this strikingly eclectic collection of essays. Not only is it impossible to imagine a more comprehensive view of the subject, most readers – even specialists in the subject – will find that there are elements of the Gothic genre here of which they were previously unaware.” - Barry Forshaw, Author of British Gothic Cinema and Sex and Film The Palgrave Handbook of Contemporary Gothic is the most comprehensive compendium of analytic essays on the modern Gothic now available, covering the vast and highly significant period from 1918 to 2019. The Gothic sensibility, over 200 years old, embraces its dark past whilst anticipating the future. From demons and monsters to post- apocalyptic fears and ecological fantasies, Gothic is thriving as never before in the arts and in popular culture. This volume is made up of 62 comprehensive chapters with notes and extended bibliographies contributed by scholars from around the world. The chapters are written not only for those engaged in academic research but also to be accessible to students and dedicated followers of the genre. Each chapter is packed with analysis of the Gothic in both theory and practice, as the genre has mutated and spread over the last hundred years. Starting in 1918 with the impact of film on the genre's development, and moving through its many and varied international incarnations, each chapter chronicles the history of the gothic milieu from the movies to gaming platforms and internet memes, television and theatre. The volume also looks at how Gothic intersects with fashion, music and popular culture: a multi-layered, multi-ethnic, even a trans-gendered experience as we move into the twenty first century.
The Classic British Telefantasy Guide is derived from the second edition of The Guinness Book of Classic British TV with various corrections and a revised introduction to bring it up to date. It was written when the Internet barely existed, and at a time when few books had been published on the subject. This is, however, by no means a new or completely revised version of the original material - too much time has passed, and if we were to start reworking and correcting the text now, it would probably never be finished! Instead, Classic British Telefantasy is an electronic reprint of some of the authors' earliest work, repacked for a new format and, perhaps, a new age.