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Fifteenth Century Europe. Tom Swan is not a professional soldier. He's really a merchant and a scholar looking for remnants of Ancient Greece and Rome - temples, graves, pottery, fabulous animals, unicorn horns. But he also has a real talent for ending up in the midst of violence when he didn't mean to. Having used his wits to escape execution, he begins a series of adventures that take him to street duels in Italy, meetings with remarkable men - from Leonardo Da Vinci to Vlad Dracula - and from the intrigues of the War of the Roses to the fall of Constantinople.
Fifteenth Century Europe. Tom Swan is not a professional soldier. He's really a merchant and a scholar looking for remnants of Ancient Greece and Rome - temples, graves, pottery, fabulous animals, unicorn horns. But he also has a real talent for ending up in the midst of violence when he didn't mean to. Having used his wits to escape execution, he begins a series of adventures that take him to street duels in Italy, meetings with remarkable men - from Leonardo Da Vinci to Vlad Dracula - and from the intrigues of the War of the Roses to the fall of Constantinople.
Following on from Tom Swan and the Head of St George, Tom Swan and the Siege of Belgrade is the next instalment of the fast-paced series set in the turbulent Europe of the fifteenth century. Fifteenth Century Europe. Tom Swan is not a professional soldier. He's really a merchant and a scholar looking for remnants of Ancient Greece and Rome - temples, graves, pottery, fabulous animals, unicorn horns. But he also has a real talent for ending up in the midst of violence when he didn't mean to. Having used his wits to escape execution, he begins a series of adventures that take him to street duels in Italy, meetings with remarkable men - from Leonardo Da Vinci to Vlad Dracula - and from the intrigues of the War of the Roses to the fall of Constantinople.
Fifteenth Century Europe. Tom Swan is not a professional soldier. He's really a merchant and a scholar looking for remnants of Ancient Greece and Rome - temples, graves, pottery, fabulous animals, unicorn horns. But he also has a real talent for ending up in the midst of violence when he didn't mean to. Having used his wits to escape execution, he begins a series of adventures that take him to street duels in Italy, meetings with remarkable men - from Leonardo Da Vinci to Vlad Dracula - and from the intrigues of the War of the Roses to the fall of Constantinople.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Castillon: Part One of a fast-paced serialised novel set in the turbulent Europe of the fifteenth century. 1450s France. A young Englishman, Tom Swan, is kneeling in the dirt, waiting to be killed by the French who have taken him captive. He's not a professional soldier. He's really a merchant and a scholar looking for remnants of Ancient Greece and Rome - temples, graves, pottery, fabulous animals, unicorn horns. But he also has a real talent for ending up in the midst of violence when he didn't mean to. Having used his wits to escape execution, he begins a series of adventures that take him to street duels in Italy, meetings with remarkable men - from Leonardo Da Vinci to Vlad Dracula - and from the intrigues of the War of the Roses to the fall of Constantinople.
THE BRAND NEW ADVENTURE FROM 'THE MASTER OF HISTORICAL FICTION' (SUNDAY TIMES) TOM SWAN - SOLDIER, SCHOLAR, BASTARD, SPY. Tom Swan and his friends are trying to save Europe from the Turks, but most of his adversaries seem to be other Europeans. This time, an unnamed cabal is trying to kill him and, incidentally, ruin the banks and trade of England, France, and Italy. . . Join Tom Swan on his latest adventure as the likes of Cosimo di Medici, Warwick the Kingmaker, Bessarion the cardinal and Aneas Picclomini the Pope show Tom the Renaissance in all its deadly glory! * * * * * PRAISE FOR CHRISTIAN CAMERON 'The master of historical fiction' SUNDAY TIMES 'A storyteller at the height of his powers' HISTORICAL NOVEL SOCIETY 'Superb' THE TIMES 'A sword-slash above the rest' IRISH EXAMINER
Following on from Tom Swan and the Head of St George, Tom Swan and the Siege of Belgrade is the next instalment of the fast-paced serialised novel set in the turbulent Europe of the fifteenth century. Fifteenth Century Europe. Tom Swan is not a professional soldier. He's really a merchant and a scholar looking for remnants of Ancient Greece and Rome - temples, graves, pottery, fabulous animals, unicorn horns. But he also has a real talent for ending up in the midst of violence when he didn't mean to. Having used his wits to escape execution, he begins a series of adventures that take him to street duels in Italy, meetings with remarkable men - from Leonardo Da Vinci to Vlad Dracula - and from the intrigues of the War of the Roses to the fall of Constantinople.
480 BC. Arimnestos of Plataea has already lived through several lifetimes' worth of adventure, from being a rich man's slave in Ephesus to winning glory at the battle of Marathon against the might of the Persian Empire. But the gods - and the Persians - aren't finished with him yet. As an experienced sea captain - his enemies might say pirate - he has a part to play in the final epic confrontation of the Long War between the Greeks and Persians, the Battle of Salamis. It is a battle where many debts of blood will be repaid, ancient grudges settled, fame won and treachery exposed, where the Greeks must finally bury their differences and fight as one - for against them Xerxes, the Great King, has assembled the greatest fleet the world has ever known, his sworn purpose to brutally extinguish the flame of freedom and make every Greek his slave.
'Brilliantly evoked' SUNDAY TIMES Discover the first medieval adventure in the action-packed Chivalry series! Perfect for fans of Bernard Cornwell, Simon Scarrow and Conn Iggulden. September, 1356. Poitiers. The greatest knights of the age were ready to give battle. On the English side, Edward, the Black Prince, who'd earned his spurs at Crecy. On the French side, the King and his son, the Dauphin. With 12,000 knights. And then there is William Gold. A cook's boy - the lowest of the low - who had once been branded as a thief. William dreams of being a knight, but in this savage new world of intrigue, betrayal and greed, first he must learn to survive. As rapacious English mercenaries plunder a country already ravaged by plague, and the peasantry take violent revenge against the French knights who have failed to protect them, is chivalry any more than a boyish fantasy? 'A sword-slash above the rest' IRISH EXAMINER 'One of the finest writers of historical fiction in the world' BEN KANE