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The two guards at the beginning of Hamlet observe the story of the play as it unfolds. An hilarious and moving story of the two men. One a dreamer and the other just doing his job. The play is an easy way for students to access the drama of shakespeares play Hamlet.
An illuminating account of how Shakespeare worked through the tensions of Queen Elizabeth's England in two canon-defining plays Conspiracies and revolts simmered beneath the surface of Queen Elizabeth's reign. England was riven with tensions created by religious conflict and the prospect of dynastic crisis and regime change. In this rich, incisive account, Peter Lake reveals how in Titus Andronicus and Hamlet Shakespeare worked through a range of Tudor anxieties, including concerns about the nature of justice, resistance, and salvation. In both Hamlet and Titus the princes are faced with successions forged under questionable circumstances and they each have a choice: whether or not to resort to political violence. The unfolding action, Lake argues, is best understood in terms of contemporary debates about the legitimacy of resistance and the relation between religion and politics. Relating the plays to their broader political and polemical contexts, Lake sheds light on the nature of revenge, resistance, and religion in post-Reformation England.
Speaking to readers in a voice that is adventurous rather than authoritative, innovative rather than institutional and speculative rather than orthodox, Linda Charnes’ provocative study of Shakespeare’s legacy in contemporary American and British politics explores the following themes: namesake princes and presidents stolen thrones and elections plutocrats and insurgents campaign trails and war-mongering waning monarchy and imperilled democracy revengers, early modern and postmodern. Linked by focused readings of Hamlet and the Henriad, the essays follow Shakespeare’s two most famous royal sons, the Princes Hamlet and Hal, as they haunt contemporary political psychology in the early years of a new millennium, and especially in the aftermath of September 11, 2001. Between devolution in Britain and the new ‘doctrine’ of pre-emptive strike in the United States, our contemporary Hamlets and Hals epitomize a debate – as fraught now as in Shakespeare’ day – about the cost of spin-doctoring legacies. In exploring how current political culture inherits Shakespeare, Hamlet’s Heirs challenges scholarly assumptions about historical periodicity, modernity and the uses of Shakespeare in present day contexts.
The politics of virtue -- Honour and its enemies: women on top - again -- Anti-popery -- Divided we fall: the politics of faction in time of war -- CHAPTER 6 Richard III: political ends, providential means -- The making of a Machiavel -- Monstrous bodies and providential signs -- Signs and prophecies -- The audience as 'high all- seer' -- Ambiguities of 'evil counsel' -- From providence to predestination: the return of legitimacy -- Richard III as a guide to the past, present and future -- CHAPTER 7 Going Roman: Richard III and Titus Andronicus compared
O. K. Bouwsma, one of America's foremost Wittgensteinians, was also an extraordinarily dedicated and effective teacher. The present collection, assembled posthumously from his papers, includes twelve essays, all but one previously unpublishedøand all characterized by the humor, common sense, and wisdom that marked his classroom lectures. Ranging in subject matter from topics in Wittgenstein to Descartes to aesthetics, the pieces all show the influence of Wittgenstein. Some of the questions they raise deal with the traditional and historical background of twentieth-century philosophy?"Am I dreaming?" "Is what I see real?" "Are there material objects?"?while others relate to considerations peculiar to thinkers today, for example, "What is Wittgenstein doing in his writing?" "What does philosophy have to do with language?" Bouwsma wants first to understand the philosophical questions?to unknit the knit eyebrows it produces. Accordingly, his major concern is how we as thinkers, readers, writers, and speakers, separate what we understand from what we do not understand: hence his consideration, in the opening essay, of "a new sensibility in the matter of our language." Always approaching the subject as a practical problem rather than as an abstract, theoretical issue, these essays demonstrate, with patience and wit, ways to achieve clarity on puzzles long thought intractable.
This collection of 17 essays by the author offers a comprehensive theory of mind, encompassing traditional issues of consciousness and free will. Using careful arguments and ingenious thought-experiments, the author exposes familiar preconceptions and hobbling institutions. This collection of 17 essays by the author offers a comprehensive theory of mind, encompassing traditional issues of consciousness and free will. Using careful arguments and ingenious thought-experiments, the author exposes familiar preconceptions and hobbling institutions. The essays are grouped into four sections: Intentional Explanation and Attributions of Mentality; The Nature of Theory in Psychology; Objects of Consciousness and the Nature of Experience; and Free Will and Personhood.
These essays discuss issues of Renaissance textuality. They explore such topics as the impact of editorial strategies and modes of presentation on our understanding of the text; and the relevance of gender to textual retrieval and preservation.
An international journal of general philosophy.
Provides information on ideas concerning people, places, ideas, and events currently under discussion, including gene therapy, NAFTA, pheromones, and Kwanzaa.
Seduced by the chimerical world of the theatre and taking upon himself the grand ambition of becoming a successful performer and dramatist, the merchant's son Wilhelm Meister embarks on a tumultuous quest of self-discovery. Along his path he finds himself having to negotiate love, desire and the need to face up to his own past and responsibilities.