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Meditations on network culture, hypertext, the geography of cyberspace, and interactive film
"[A] THOUGHTFUL AND HEARTFELT BOOK...A literary cri de coeur--a lament for literature and everything implicit in it." --The Washington Post In our zeal to embrace the wonders of the electronic age, are we sacrificing our literary culture? Renowned critic Sven Birkerts believes the answer is an alarming yes. In The Gutenberg Elegies, he explores the impact of technology on the experience of reading. Drawing on his own passionate, lifelong love of books, Birkerts examines how literature intimately shapes and nourishes the inner life. What does it mean to "hear" a book on audiotape, decipher its words on a screen, or interact with it on CD-ROM? Are books as we know them dead? At once a celebration of the complex pleasures of reading and a boldly original challenge to the new information technologies, The Gutenberg Elegies is an essential volume for anyone who cares about the past and future of books. "[A] wise and humane book....He is telling us, in short, nothing less than what reading means and why it matters." --The Boston Sunday Globe "Warmly elegiac...A candid and engaging autobiographical account sketches his own almost obsessive trajectory through avid childhood reading....This profoundly reflexive process is skillfully described." --The New York Times Book Review "Provocative...Compelling...Powerfully conveys why reading matters, why it is both a delight and a necessity." --The Harvard Review
In "Keeping the Sabbath Wholly," Dawn introduced the vital Sabbath aspects of resting, ceasing, feasting, and embracing. Now, she expands these into a way of life for serving God and the Kingdom every single day of the week. (Practical Life)
The Art Of series is a new line of books reinvigorating the practice of craft and criticism. Each book will be a brief, witty, and useful exploration of fiction, nonfiction, or poetry by a writer impassioned by a singular craft issue. The Art Of volumes will provide a series of sustained examinations of key but sometimes neglected aspects of creative writing by some of contemporary literature's finest practioners. In The Art of Time in Memoir, critic and memoirist Sven Birkerts examines the human impulse to write about the self. By examining memoirs such as Vladimir Nabokov's Speak, Memory; Virginia Woolf's unfinished A Sketch of the Past; and Mary Karr's The Liars' Club, Birkerts describes the memoirist's essential art of assembling patterns of meaning, stirring to life our own sense of past and present.
For more than a decade a vicious civil war has torn the fabric of society in the West African country of Sierra Leone, forcing thousands to flee their homes for refugee camps and others to seek peace and asylum abroad. Sierra Leoneans have established new communities around the world, in London, Paris, New York, Washington, D.C., and elsewhere. Yet despite the great geographic range of this diaspora and the diverse ethnic backgrounds among Sierra Leoneans settled in the same communities abroad, these Africans have come to understand and express their shared identity through religious rituals, social engagements, and material culture. In An Imagined Geography, anthropologist JoAnn D'Alisera demonstrates persuasively that the long-held anthropological paradigms of separate, bounded, and unique communities, geographically located and neatly localized, must be reconsidered. Studying Sierra Leonean Muslims living in greater Washington, D.C., she shows how these immigrants maintain intense and genuine community ties through weddings, rituals, and travel, across both vast urban spaces and national boundaries. D'Alisera examines two primary issues: Sierra Leoneans' engagement with their homeland, to which they frequently traveled and often sent their children for upbringing until the outbreak of the civil war; and the Sierra Leonean interaction with a diverse, multicultural, increasingly global Muslim community that is undergoing its own search for identity. Sierra Leoneans in America, D'Alisera observes, express a longing for home and the pain of disconnection in powerful narratives about their country and about their own displacement. At the same time, however, self and communal identity are shaped by a pressing need to affiliate in their adopted country with Sierra Leoneans of all ethnic and religious backgrounds and with fellow Muslims from other parts of the world, a process that is played out against the complex social field of the American urban landscape.
In this unusual memoir of the life of the mind, the founding editor of The Threepenny Review reflects upon the choices she has made in pursuit of her vocation as a self-described "eighteenth-century man of letters." Wendy Lesser, one of our shrewdest cultural observers, describes how her education, her experiences, and the works of her favorite writers, artists, and performers have shaped and deepened her understanding of the world. She shows us how she has created an independent life as a writer, editor, and critic, free to follow her enthusiasms where they lead her. Whether her subject is Mark Morris's choreography, the delights of e-mail, the odd assortment of words that were born the same year she was, or the moral implications of giving to beggars (pondered by way of Charles Dickens and Henry James), Lesser's acute wisdom and elegant prose render a beguiling portrait of a remarkable mind at work.
For many cultural theorists, the concept of the cyborg - an organism controlled by mechanic processes - is firmly rooted in the post-modern, post-industrial, post-Enlightenment, post-nature, post-gender, or post-human culture of the late twentieth century. Allison Muri argues, however, that there is a long and rich tradition of art and philosophy that explores the equivalence of human and machine, and that the cybernetic organism as both a literary figure and an anatomical model has, in fact, existed since the Enlightenment. In The Enlightenment Cyborg, Muri presents cultural evidence - in literary, philosophical, scientific, and medical texts - for the existence of mechanically steered, or 'cyber' humans in the works seventeenth- and eighteenth-century thinkers. Muri illustrates how Enlightenment exploration of the notion of the 'man-machine' was inextricably tied to ideas of reproduction, government, individual autonomy, and the soul, demonstrating an early connection between scientific theory and social and political thought. She argues that late twentieth-century social and political movements, such as socialism, feminism, and even conservatism, are thus not unique in their use of the cyborg as a politicized trope. The Enlightenment Cyborg establishes a dialogue between eighteenth-century studies and cyborg art and theory, and makes a significant and original contribution to both of these fields of inquiry.
This volume provides an informed view of how information technology is shaping the contemporary humanities. It specifically reflects five ideals: *humanities scholars with all levels of access are doing important work with technology; *humanities scholars' projects with technology reflect significant diversity, both across and within disciplinary bounds; *using information technology in the humanities is a continuous conversation; *information technology offers new options for humanities education; and *just as collaboration changes the nature of any project, so does information technology change the nature of collaboration--its speed, character, methods, and possible implementations. The first to explore new and important ways for humanities scholars to collaborate across disciplines via electronic media, this book redefines electronic collaboration; presents insightful models of student collaboration; provides important models of faculty collaboration with special emphasis on professional development; and offers a look at the future of electronic collaboration and the overall future of the humanities. Featuring the voices of humanities teacher-scholars at all stages of their professional careers, the chapters emphasize pedagogy, outlining contemporary issues and options. Electronic Collaboration in the Humanities speaks directly to anyone involved with interdisciplinary initiatives in colleges and universities, such as writing across the curriculum and communication across the curriculum programs, and to specific populations within the humanities, including literacy and technology, language and literature, literacy studies, professional writing, and English education.
Transformed States offers a timely history of the politics, ethics, medical applications, and cultural representations of the biotechnological revolution, from the Human Genome Project to the COVID-19 pandemic. In exploring the entanglements of mental and physical health in an age of biotechnology, it views the post–Cold War 1990s as the horizon for understanding the intersection of technoscience and culture in the early twenty-first century. The book draws on original research spanning the presidencies of George H. W. Bush and Joe Biden to show how the politics of science and technology shape the medical uses of biotechnology. Some of these technologies reveal fierce ideological conflicts in the arenas of cloning, reproduction, artificial intelligence, longevity, gender affirmation, vaccination and environmental health. Interweaving politics and culture, the book illustrates how these health issues are reflected in and challenged by literary and cinematic texts, from Oryx and Crake to Annihilation, and from Gattaca to Avatar. By assessing the complex relationship between federal politics and the biomedical industry, Transformed States develops an ecological approach to public health that moves beyond tensions between state governance and private enterprise. To that end, Martin Halliwell analyzes thirty years that radically transformed American science, medicine, and policy, positioning biotechnology in dialogue with fears and fantasies about an emerging future in which health is ever more contested. Along with the two earlier books, Therapeutic Revolutions (2013) and Voices of Mental Health (2017), Transformed States is the final volume of a landmark cultural and intellectual history of mental health in the United States, journeying from the combat zones of World War II to the global emergency of COVID-19.
Other Walk is a series of autobiographical pieces by the master of reflection and slow time Throughout his life, Sven Birkerts, one of the country's foremost literary critics, has carved out time for himself—to walk, to swim, to read, to contemplate. Now in his late fifties, he has clocked up many thousands of hours of reflection. It shows in his prose, which proceeds at a refreshingly deliberative pace as it draws the reader into his patterns and rhythms. In this deeply appealing and engaging collection of essays, Birkerts looks back through his own life, as well as at the generations before him, and ahead at the lives of his children. We read how the writer witnesses his son's frightening sailing accident, how he feels when he encounters his own prose from many years ago, how finding a cigarette lighter or a lost ring releases a cascade of memories. The objects he sees around him—old friends, remembered places—are excavated, their layers exposed. But most winning of all is the emerging character of Birkerts himself. We come to have great respect for this competitive but deeply loyal friend, the caring father who respects his children's independence even as he tries to connect with them, the traveler, the onetime bookseller, the writer at all stages of his writing life, and throughout it all, the attentive, passionate reader.