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The first book-length study on the subject in any language, Tolstoy and the Religious Culture of His Time treats Tolstoy's experience as a massive philosophical and religious project rather than a crisis-laden tragedy. Inessa Medzhibovskaya explains the evolution of Tolstoy's religious outlook based on his ongoing dialogue with the tradition of conversion in Europe and Russia, as well as on the demands of his own heart, mind, and spirit. The author contextualizes Tolstoy's conversion, comparing his pattern of religious conversion with that of other notable religious converts-Saint Paul, Saint Augustine, Luther, Pascal, Rousseau-as well with that of Tolstoy's countrymen-Pushkin, Gogol, Chaadaev, Stankevich, Belinsky, Herzen, and Dostoevsky. Stressing the importance of the religious culture of his time for Tolstoy, this study investigates the nineteenth century debates that inspired and repelled Tolstoy as he weighed arguments for or against faith in his dialogues with the culture of his time, covering widely differing fields and disciplines of experimental knowledge. The author considers German Romantic philosophy, the natural sciences, pragmatist religious solutions, theories of social progress and evolution, and the historical school of Christianity. Medzhibovskaya stresses the fact that influential intellectual currents were as important to Tolstoy as believers and nonbelievers were from and beyond his immediate environment. The author argues that, in this sense, Tolstoy's conversion emerges as deeply intertextual, and this surprising discovery should not diminish our trust in Tolstoy's sincerity during his religious evolution, which occurred both spontaneously as well as deliberately. The polyphony of discreet spiritual moments that Tolstoy created by fusing in his narratives of conversion religious and artistic realms is arguably his greatest contribution to spiritual autobiography.
The first book-length study on the subject in any language, Tolstoy and the Religious Culture of His Time treats Tolstoy's experience as a massive philosophical and religious project rather than a crisis-laden tragedy. Inessa Medzhibovskaya explains the evolution of Tolstoy's religious outlook based on his ongoing dialogue with the tradition of conversion in Europe and Russia, as well as on the demands of his own heart, mind, and spirit. The author contextualizes Tolstoy's conversion, comparing his pattern of religious conversion with that of other notable religious converts-Saint Paul, Saint Augustine, Luther, Pascal, Rousseau-as well with that of Tolstoy's countrymen-Pushkin, Gogol, Chaadaev, Stankevich, Belinsky, Herzen, and Dostoevsky. Stressing the importance of the religious culture of his time for Tolstoy, this study investigates the nineteenth century debates that inspired and repelled Tolstoy as he weighed arguments for or against faith in his dialogues with the culture of his time, covering widely differing fields and disciplines of experimental knowledge. The author considers German Romantic philosophy, the natural sciences, pragmatist religious solutions, theories of social progress and evolution, and the historical school of Christianity. Medzhibovskaya stresses the fact that influential intellectual currents were as important to Tolstoy as believers and nonbelievers were from and beyond his immediate environment. The author argues that, in this sense, Tolstoy's conversion emerges as deeply intertextual, and this surprising discovery should not diminish our trust in Tolstoy's sincerity during his religious evolution, which occurred both spontaneously as well as deliberately. The polyphony of discreet spiritual moments that Tolstoy created by fusing in his narratives of conversion religious and artistic realms is arguably his greatest contribution to spiritual autobiography.
From the reign of Tsar Nicholas II to the brutal cult of Stalin to the ebullient, uncertain days of perestroika, nowhere has the inextricable relationship between politics and culture been more starkly illustrated than in twentieth-century Russia. In the first book to fully examine the intricate and often deadly interconnection between Russian rulers and Russian artists, cultural historian Solomon Volkov brings to life the experiences that inspired artists like Tolstoy, Stravinsky, Akhmatova, Nijinsky, Nabokov, and Eisenstein to create some of the greatest masterpieces of our time. Epic in scope and intimate in detail, The Magical Chorus is the definitive account of a remarkable era in Russia's complex cultural life.
To one not familiar with the Russian language the accessible data relative to the external life of Leo Nikolaevich Tolstoi, the author of this book, are, to say the least, not voluminous. His name does not appear in that heterogeneous record of celebrities known as The Men of the Time, nor is it to be found in M. Vapereau's comprehensive Dictionnaire des Contemporains. And yet Count Leo Tolstoi is acknowledged by competent critics to be a man of extraordinary genius, who, certainly in one instance, has produced a masterpiece of literature which will continue to rank with the great artistic productions of this age. Perhaps it is enough for us to know that he was born on his father's estate in the Russian province of Tula, in the year 1828; that he received a good home education and studied the oriental languages at the University of Kasan; that he was for a time in the army, which he entered at the age of twenty-three as an officer of artillery, serving later on the staff of Prince Gortschakof; and that subsequently he alternated between St. Petersburg and Moscow, leading the existence of super-refined barbarism and excessive luxury, characteristic of the Russian aristocracy. He saw life in country and city, in camp and court.
A century after Leo Tolstoy's death, the author of War and Peace is widely admired but too often thought of only with reference to his realism and moral sense. The many sides of Tolstoy revealed in these essays speak to readers with astonishing force, relevance, and complexity. In a lively, challenging style, leading scholars range over his long life, from his first work Childhood to the works of his old age like Hadji Murat, and the many genres in which he worked, from the major novels to aphorisms and short stories. The essays present fresh approaches to his central themes: love, death, religious faith and doubt, violence, the animal kingdom, and war. They also assess his reception both in his lifetime and subsequently. Setting new agendas for the study of this classic author, this volume provides a snapshot of more current scholarship on Tolstoy.
This biography of the brilliant author of War and Peace and Anna Karenina “should become the first resort for everyone drawn to its titanic subject” (Booklist, starred review). In November 1910, Count Lev Tolstoy died at a remote Russian railway station. At the time of his death, he was the most famous man in Russia, more revered than the tsar, with a growing international following. Born into an aristocratic family, Tolstoy spent his existence rebelling against not only conventional ideas about literature and art but also traditional education, family life, organized religion, and the state. In “an epic biography that does justice to an epic figure,” Rosamund Bartlett draws extensively on key Russian sources, including fascinating material that has only become available since the collapse of the Soviet Union (Library Journal, starred review). She sheds light on Tolstoy’s remarkable journey from callow youth to writer to prophet; discusses his troubled relationship with his wife, Sonya; and vividly evokes the Russian landscapes Tolstoy so loved and the turbulent times in which he lived.
Tolstoy wrote The Kingdom of God is Within You in the early 1890’s, after his crisis of religion and turning from the temptation of suicide. The book was banned in Russia and its first publication was in Germany in 1894. The title for the book was taken from the Gospel of Luke in the New Testament of the Christian Bible. Tolstoy agreed with the principle that Christians have the guiding principle of love within themselves and that it is part of their spiritual being, and the only way to live was to follow that “kingdom of God” within each person. The Kingdom of God is Within You was a follow-up to the book My Religion, which followed A Confession. In the book, Tolstoy discussed his position that the church, particularly the Russian Orthodox Church, had lost its way – the true way that was preached by the early Christians. To Tolstoy, the early church founders would not have recognized the established church that had evolved and called itself “Christian”. He rails against what society has become and does not agree that ‘this social order, with its pauperism, famines, prisons, gallows, armies and wars, is necessary to society.’ This annotated edition includes a biography and critical essay.
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The Oxford Handbook of Russian Religious Thought is an authoritative new reference and interpretive volume detailing the origins, development, and influence of one of the richest aspects of Russian cultural and intellectual life - its religious ideas. After setting the historical background and context, the Handbook follows the leading figures and movements in modern Russian religious thought through a period of immense historical upheavals, including seventy years of officially atheist communist rule and the growth of an exiled diaspora with, e.g., its journal The Way. Therefore the shape of Russian religious thought cannot be separated from long-running debates with nihilism and atheism. Important thinkers such as Losev and Bakhtin had to guard their words in an environment of religious persecution, whilst some views were shaped by prison experiences. Before the Soviet period, Russian national identity was closely linked with religion - linkages which again are being forged in the new Russia. Relevant in this connection are complex relationships with Judaism. In addition to religious thinkers such as Philaret, Chaadaev, Khomiakov, Kireevsky, Soloviev, Florensky, Bulgakov, Berdyaev, Shestov, Frank, Karsavin, and Alexander Men, the Handbook also looks at the role of religion in aesthetics, music, poetry, art, film, and the novelists Dostoevsky and Tolstoy. Ideas, institutions, and movements discussed include the Church academies, Slavophilism and Westernism, theosis, the name-glorifying (imiaslavie) controversy, the God-seekers and God-builders, Russian religious idealism and liberalism, and the Neopatristic school. Occultism is considered, as is the role of tradition and the influence of Russian religious thought in the West.
In 'The Spiritual Works of Leo Tolstoy', readers are invited to explore the profound insights of one of the greatest Russian writers and thinkers of all time. This collection includes 'A Confession', 'The Kingdom of God is Within You', 'What I Believe', 'Christianity and Patriotism', 'Reason and Religion', and 'The Gospel in Brief', among others. Tolstoy's literary style is characterized by a sincere and contemplative approach to spiritual and philosophical questions, making this compilation a rich and thought-provoking read. The timeless themes of morality, faith, and the search for meaning in life are central to Tolstoy's writings, providing readers with a window into the author's innermost thoughts and beliefs. Leo Tolstoy, a prominent figure in Russian literature, was deeply influenced by his own spiritual journey and philosophical inquiries. His works often reflect his personal struggles with faith and his evolving views on religion, morality, and society. Tolstoy's commitment to social justice and his critique of institutionalized religion are evident throughout this collection, showcasing his reputation as a moral and intellectual leader of his time. I recommend 'The Spiritual Works of Leo Tolstoy' to readers interested in exploring the intersection of literature, philosophy, and spirituality. This compilation offers a unique opportunity to engage with Tolstoy's profound reflections on life's fundamental questions, making it a valuable addition to any scholar's library.