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A book for comic lovers and Japanophiles of all ages, Diary of a Tokyo Teen presents a unique look at modern-day Japan through a young woman's eyes. Born in Tokyo to a Japanese mother and an American father in 1997, Christine Mari Inzer spent her early years in Japan and relocated to the United States in 2003. The summer before she turned sixteen, she returned to Tokyo, making a solo journey to get reacquainted with her birthplace. Through illustrations, photos, and musings, Inzer documented her journey. In Diary of a Tokyo Teen, Inzer explores the cutting-edge fashions of Tokyo's trendy Harajuku district, eats the best sushi of her life at the renowned Tsukiji fish market, and hunts down geisha in the ancient city of Kyoto. As she shares the trials and pleasures of travel from one end of a trip to the other, Inzer introduces the host of interesting characters she meets and offers a unique—and often hilarious—look at a fascinating country and an engaging tale of one girl rediscovering her roots. **Listed as a 2016 Great Graphic Novel for Teens by the Young Adult Library Services Association**
Frank Ryan navigates the unfamiliar culture and structure of Tokyo.
Moving from New York to Japan was a feat too big for Serena Knight to overcome, but with great plans for the future, she graduates from Journalism school and is on her way to begin a new chapter in her life Serena Knight has always allowed love to come to her at her own time but in a new place, with new friends and feelings she hadn’t felt before; can she hold back when she falls for a man she can't have? Tokyo Girl focuses on the independent lifestyle of Serena and her group of new found friends, as they go through different phases in life with love, friendship and work life balance. It takes you on a rollercoaster journey of anger, sorrow, achievement, friendship, love and life changing experiences that ought to enable a deep and understanding connection
The stunning biographical portraits in Modern Girls, Shining Stars, the Skies of Tokyo, some adapted from essays that first appeared in The New Yorker, explore the lives of five women who did their best to stand up and cause more trouble than was considered proper in Japanese society. Their lives stretch across a century and a half of explosive cultural and political transformations in Japan. These five artists-two actresses, two writers, and a painter-were noted for their talents, their beauty, and their love affairs rather than for any association with politics. But through the fearlessness of their art and their private lives, they influenced the attitudes of their times and challenged the status quo. Phyllis Birnbaum presents her subjects from various perspectives, allowing them to shine forth in all of their contradictory brilliance: generous and petulant, daring and timid, prudent and foolish. There is Matsui Sumako, the actress who introduced Ibsen's Nora and Wilde's Salome to Japanese audiences but is best remembered for her ambition, obstreperous temperament and turbulent love life. We also meet Takamura Chieko, a promising but ultimately disappointed modernist painter whose descent into mental illness was immortalized in poetry by a husband who may well have been the source of her troubles. In a startling act of rebellion, the sensitive, aristocratic poet Yanagiwara Byakuren left her crude and powerful husband, eloped with her revolutionary lover, and published her request for a divorce in the newspapers. Uno Chiyo was a popular novelist who preferred to be remembered for the romantic wars she fought. Willful, shrewd, and ambitious, Uno struggled for sexual liberation and literary merit. Birnbaum concludes by exploring the life and career of Takamine Hideko, a Japanese film star who portrayed wholesome working-class heroines in hundreds of films, working with such directors as Naruse, Kinoshita, Ozu, and Kurosawa. Angry about a childhood spent working to provide for greedy relatives, Takamine nevertheless made peace with her troubled past and was rewarded for years of hard work with a brilliant career. Drawing on fictional accounts, interviews, memoirs, newspaper reports, and the creative works of her subjects, Birnbaum has created vivid, seamless narrative portraits of these five remarkable women.
Piano tuner Frank Ryan is paid in kind by an aging music teacher with an old manuscript that turns out to be Beethoven’s Tenth Symphony. Launched into a world of intrigue and violence, Ryan, an unlikely sleuth, realizes he must use his wits to conquer his enemies and solve the mystery of the manuscript. In the process Ryan discovers whom he can trust and what he is made of. The first in a series featuring Frank Ryan, Beethoven’s Tenth is a smart page-turner.
Piano tuner and jazz musician Frank Ryan is in Japan teaching bored housewives how to play piano. Then he gets a gig in a trendy underground bar and ends up ensnared with a young woman with a grudge and the crime boss who owns the bar. Drawn into Tokyo Girl’s vendetta, Frank stumbles into an underworld where transgressions are paid for by the flash of a razor-sharp cleaver. And for a pianist, that’s not a good thing. Tokyo Girl is the follow-up to Beethoven’s Tenth, featuring reluctant sleuth Frank Ryan.
A sharp new comedy about female friendship from the creator of Princess Jellyfish! DON'T LOOK BACK Faced with the possibility that she might be pregnant, Kaori loses sight of what she wants from Ryo. With Koyuki sinking deeper into her affair and Rinko compromising on her dreams of a heart-pounding romance, it seems like the futures they envisioned in their twenties have never been more unattainable. Are they out of time after all?
"If I had done this..." "If only that would happen..." The What-If stories still haven't stopped. Or so we thought, but then arises a friendship-shattering crisis among the three girls who were supposed to be linked together with an unbreakable bond! Plus, Key's past becomes clearer and clearer?! Check out the work everyone is talking about that has surpassed 1,100,000 copies sold!
The perfect mystery for fans of Ally Carter's Heist Society When sixteen-year-old Violet agrees to spend the summer with her father, an up-and-coming artist in Seattle, she has no idea what she's walking into. Her father's newest clients, the Yamada family, are the victims of a high-profile art robbery: van Gogh sketches have been stolen from their home, and, until they can produce the corresponding painting, everyone's lives are in danger--including Violet's and her father's. Violet's search for the missing van Gogh takes her from the Seattle Art Museum, to the yakuza-infested streets of Tokyo, to a secluded inn in Kyoto. As the mystery thickens, Violet's not sure whom she can trust. But she knows one thing: she has to solve the mystery--before it's too late.
*Finalist for the Pulitzer Prize in Biography* *Winner of the 2020 National Book Critics Circle Award* *Winner of the PEN/Jacqueline Bograd Weld Award for Biography* A “captivating” (The Washington Post) work of history that explores the life of an unconventional woman during the first half of the 19th century in Edo—the city that would become Tokyo—and a portrait of a city on the brink of a momentous encounter with the West. The daughter of a Buddhist priest, Tsuneno was born in a rural Japanese village and was expected to live a traditional life much like her mother’s. But after three divorces—and a temperament much too strong-willed for her family’s approval—she ran away to make a life for herself in one of the largest cities in the world: Edo, a bustling metropolis at its peak. With Tsuneno as our guide, we experience the drama and excitement of Edo just prior to the arrival of American Commodore Perry’s fleet, which transformed Japan. During this pivotal moment in Japanese history, Tsuneno bounces from tenement to tenement, marries a masterless samurai, and eventually enters the service of a famous city magistrate. Tsuneno’s life provides a window into 19th-century Japanese culture—and a rare view of an extraordinary woman who sacrificed her family and her reputation to make a new life for herself, in defiance of social conventions. “A compelling story, traced with meticulous detail and told with exquisite sympathy” (The Wall Street Journal), Stranger in the Shogun’s City is “a vivid, polyphonic portrait of life in 19th-century Japan [that] evokes the Shogun era with panache and insight” (National Review of Books).