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Unique portraits of Japanese photography fanatics and their gear from the trendsetting Tokyo Camera Style blog Founded in 2008, John Sypal’s blog, Tokyo Camera Style, has a devoted and passionate international following and has inspired a network of similar blogs worldwide. In street portraits taken on the fly, we see Tokyo’s film-camera enthusiasts posing with their favorite photographic equipment. The images not only catalog the amazing range of cameras used by the most obsessive photography geeks but also offer a glimpse into a street culture where the photograph means everything and the camera takes center stage. Now, 300 of Sypal’s colorful photographs of weird and wonderful cameras and their creative owners have been gathered together in a one-of-a-kind book. Often taken from above, with the camera owners’ faces out of view, the images show telling details that might otherwise have been missed: the clothes, the jewelry, hands and feet, shoes and socks, customized camera straps, and other photography-related paraphernalia. Beyond the wonderful selection of rare, customized, and vintage analog camera makes, models, and lenses are portraits of the individual personalities who make up the avid street photography scene in Japan.
Photographer Liam Wong’s debut monograph, a cyberpunk-inspired exploration of nocturnal Tokyo. Featuring evocative and stunning color photographs of contemporary Tokyo, this book brings together the images of an exciting new photographic talent, Liam Wong. Born and raised in Edinburgh, Scotland, Wong studied computer arts in college and, by the time he was twenty-five, was living in Canada and working as a director at one of the world’s leading video game companies. His job took him to Tokyo for the first time, where he discovered the ethereality of floating worlds and the lurid allure of Tokyo’s nocturnal scenes. “I got lost in the beauty of Tokyo at night,” he explains. A testament to the deep art of color composition, this publication brings together a refined body of images that are evocative, timeless, and completely transporting. This volume also features Wong’s creative and technical processes, including identifying the right scene, capturing the essence of a moment, and methods to enhance color values—insights that are invaluable to admirers and photography students alike.
If you’ve got a love and passion for photography, and a feel for your camera gear and settings, yet your images still fall short–The Passionate Photographer will help you close that disappointing and frustrating gap between the images you thought you took and the images you actually got. This book will help you determine what you want to say with your photography, then translate those thoughts and feelings into strong images. It is both a source of inspiration and a practical guide, as photographer Steve Simon distills 30 years of photographic obsession into the ten crucial steps every photographer needs to take in order to become great at their passion. Simon’s practical tips and advice are immediately actionable–designed to accelerate your progress toward becoming the photographer you know you can be. Core concepts include: - The power of working on personal projects to fuel your passion and vision - Shooting a large and targeted volume of work, which leads to a technical competence that lets your creativity soar - Learning to focus your concentration as you shoot, and move outside your comfort zone, past your fears toward the next great image - Strategies for approaching strangers to create successful portraits - How to edit your own work and seek second opinions to identify strengths and weaknesses, offering opportunities for growth and improvement with a goal of sharing your work with the world - The critical need to follow, see, and capture the light around you Along the way, Simon offers inspiration with “Lessons Learned” culled from his own extensive experience and archive of photojournalism and personal projects, as well as images and stories from acclaimed photographers. If you’re ready to be inspired and challenge yourself to take your photography to the next level, The Passionate Photographer provides ideas and creative solutions to transform that passion into images that convey your unique personal vision.
Using Japanese paper on digitally printing photos can yield tremendous results for photographers who are interested in experimenting with new methods. But beware: The common concept of how photographs should look will be challenged if you decide to use this technique. Carl-Evert Jonsson shares his experiences using the experimental technique in this book. After using Japanese papers (washi) for paintings and collages, he started to use the papers for his photos. This technique is not an alternative to classic film-based photography. Ink is injected from a cartridge in a printer connected to a computer then the image is reproduced on printable washi paper. Darkroom facilities are not needed. All you need is a computer, printer, washi, and photos. The liveliness of washi fibres gives a softer result, and washi is more absorbent than Western papers, with the ink appearing integrated rather than sitting on the printed surface. Find out how to use a method that will give new life to photos with the insights in this unique photography book.
This book embodies Japanese street photography now. Composed of black-and-white photos taken throughout Tokyo's bustling wards, Friction / Tokyo Streets reveals unexpected meaning and beauty in the mundane, be it in an image of a girl navigating a zebra crossing, cropped legs standing on a subway platform, shifting reflections in a store window, or a pigeon caught mid-flight. Suzuki captures the spontaneous gestures, glimpses and abstractions that comprise the best street photography. Yet as the book's title reveals, it is the con - flicting and contradictory energies of the street that lie at the core of his project: "Through my own eyes ... I would like to express the tension, the edged frustration, the taut atmosphere and the feelings that beat, inherent in the city." 'No one moment is most important. Any moment can be something.' -Garry Winogrand
Ozu's Tokyo Story is generally regarded as one of the finest films ever made. Universal in its appeal, it is also considered to be 'particularly Japanese'. Exploring its universality and cultural specificity, this collection of specially commissioned essays demonstrates the multiple planes on which the film may be appreciated. The introduction outlines Ozu's career as both a contract director of a major studio and as a singular figure in Japanese film history, and also analyses the director's cinematic style, particularly his narrative strategies and spatial compositions. Other essays situate Ozu's cinema in its relationship to Hollywood film-making: his relationship to aspects of Japanese tradition, situating the film within artistic modes, religious systems and beliefs, and socio-cultural and familial formations. Also included is an analysis of how Ozu has been misunderstood in Western criticism.
Magnum photographer Jacob Aue Sobol moved to Tokyo in Spring 2006. He began photographing in the streets and public areas, drawn to the tightly confined reality of the city. His search was for the individual human being in an environment simultaneously attractive and repellant. He hung out with the rent boys in Kabukicho, the red light district. He visited the homeless sleeping in the streets and the parks. Most of all, he sought to understand Japanese youth, the generation which lacks any connection to traditional Japanese culture and values.
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An exceptional and gritty portrait of Japan and its people by the renowned Magnum street photographer Bruce Gilden.