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A story of how cruel words breakdown self esteem while kind words re-establish esteem.
By calling Pig fat, Snail starts a chain of insults among the other animals that eventually catches up with him and convinces him that each animal is right in liking himself just the way he is.
Rebelde the snail can't stop asking his fellow molluscs awkward questions, starting with: why are we so slow? When he is finally banished from the snail community because of this, he is forced to travel the world alone. As he explores in his slow snail-like way, Rebelde makes new friends and goes on plenty of adventures, gaining wisdom from every new encounter. But when he finds out his friends are in danger, he decides to rush home to warn them. Will he get there in time to save them? Luis Sepúlveda's bestselling The Story of a Snail Who Discovered the Importance of Being Slow is a wonderful ode to diversity and unity, celebrating the importance of being slow in a world obsessed with speed.
On 11 September 1973, the Chilean Chief of the Armed Forces Augusto Pinochet overthrew the Popular Unity government of Salvador Allende and installed a military dictatorship. Yet this is a book not of parties or ideologies but public history. It focuses on the memorials and memorialisers at seven sites of torture, extermination, and disappearance in Santiago, engaging with worldwide debates about why and how deeds of violence inflicted by the state on its own citizens should be remembered, and by whom. The sites investigated -- including the infamous National Stadium -- are among the most iconic of more than 1,000 such sites throughout the country. The study grants a glimpse of the depth of feeling that survivors and the families of the detained-disappeared and the politically executed bring to each of the sites. The book traces their struggle to memorialise each one, and so unfolds their idealism and hope, courage and frustration, their hatred, excitement, resentment, sadness, fear, division and disillusionment.
The Object of the Atlantic is a wide-ranging study of the transition from a concern with sovereignty to a concern with things in Iberian Atlantic literature and art produced between 1868 and 1968. Rachel Price uncovers the surprising ways that concrete aesthetics from Cuba, Brazil, and Spain drew not only on global forms of constructivism but also on a history of empire, slavery, and media technologies from the Atlantic world. Analyzing Jose Marti’s notebooks, Joaquim de Sousandrade’s poetry, Ramiro de Maeztu’s essays on things and on slavery, 1920s Cuban literature on economic restructuring, Ferreira Gullar’s theory of the “non-object,” and neoconcrete art, Price shows that the turn to objects—and from these to new media networks—was rooted in the very philosophies of history that helped form the Atlantic world itself.
In a warehouse in Santiago, three aging friends meet and await the arrival of a man from their past. Once militant supporters of Salvador Allende, they have grown disillusioned in the three and a half decades since his assassination. Their city has changed under Pinochet, and so have they: heart troubles, thinning hair, a few pounds too many around the waist; there is little left to connect them with their glory days. But now, the three friends have been called together at the behest of the anarchist, Pedro Nolasco, a.k.a. The Shadow, to carry out one final revolutionary gesture. But Lucho, Lolo and Cacho wait in vain; the sudden and gruesome death of The Shadow leaves them without a leader. Now they must turn to Coco Aravena, the most reckless of their former comrades. After years of playing second fiddle, this is the bumbling Coco's chance to show them what he is capable of.
A unique approach to Spanish reading comprehension, Spanish for Reading can be used as a textbook supplement in classrooms or by anybody who is teaching himself Spanish. It begins by demonstrating similarities between words and parts of words in Spanish and English, and proceeds to offer practical instruction that will help readers broaden recognition of words and phrases. Each of the book's fifteen chapters concludes with a reading passage, the first of them quite easy to comprehend, and successive passages increasingly complex and sophisticated. Early passages are simple essays on Spain's and the Spanish-speaking world's language, geography, and culture. Later passages are excerpts from well-known works by world renowned Spanish writers, including Jorge Luis Borges, Pablo Neruda, and Gabriel Garcia-Marquez. Students who use this volume methodically will ultimately be reading and understanding these passages in their original, unedited Spanish, without need to seek outside help. Short of spending time in Spain or Latin America, here is as good an introduction to Spanish culture as a student will be able to find anywhere. Photos and line drawings.