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An evocative portrait of New York City in the 1940s and 1950s by master documentary photographer Todd Webb. I See a City: Todd Webb’s New York focuses on the work photographer Todd Webb produced in New York City in the 1940s and 1950s. Webb photographed the city day and night, in all seasons, and in all weather. Buildings, signage, vehicles, the passing throngs, isolated figures, curious eccentrics—from the Brooklyn Bridge to Harlem, this book is a rich portrait of the everyday life and architecture of New York. Webb’s work is focused and layered with light and shadow, capturing the soul of this city shaped by the friction and frisson of humanity. A native of Detroit, Webb studied photography in the 1930s under the guidance of Ansel Adams at the Detroit Camera Club, served as a navy photographer during World War II, and went on to become a successful postwar photographer. His work is in many museum collections, including the Museum of Modern Art in New York and the National Gallery of Art in Washington. This book, now available in a compact edition, helps contemporary audiences get to know a forgotten American artist and an ever-changing city.
Born in 1905, Webb began keeping a journal in 1946, the same year he moved to New York and took up photography in earnest. These memoirs document not only Webb's struggles as a young photographer, but also the heady atmosphere of New York in the forties and fifties. The many photographs, all in bandw, are simply magnificent. Annotation copyrighted by Book News, Inc., Portland, OR
A photographic journey by one of the twentieth century’s great photographers through eight African countries on the cusp of independence post WWII. Todd Webb is largely known for his skillful photographic documentation of everyday life and architecture in cities, most notably New York and Paris, as well as his photographs of the American West. This new book showcases a different side of Webb’s work, taken from an assignment that brought him to eight African countries. In 1958, Webb was invited by the United Nations to document Togoland (now Togo), Ghana, Kenya, the Federation of Rhodesia and Nyasaland (now Zimbabwe, Zambia, and Malawi), Somaliland (now Somalia), Sudan, Tanganyika and Zanzibar (now merged as Tanzania) over a five-month assignment. Equipped with three cameras and briefed to document industrial progress, he returned with approximately fifteen hundred color negatives, but less than twenty of them were published, in black and white, by the United Nations Department of Public Information. The archive was then lost for over fifty years and was only rediscovered by the Todd Webb Archive in 2017. Todd Webb in Africa includes over 150 striking color photographs from Webb’s African United Nations assignment. This book, and an accompanying touring exhibition, provides expert insight into Webb’s images with contributions by both African and American scholars. Included essays engage the photographs in their historical and artistic moment, and provide crucial insight into the role of photography in visualizing national independence and ingrained imperialism.
Color everything and color nothing on your path to mindfulness with this playful coloring book! Packed with just enough to keep you entertained in the present moment, SLOW DOWN is sure to become your go-to meditation guide as you color your way to a calmer, less stressful life. With simple illustrations and inspirational text it makes a great gift! "Art's purpose is to sober and quiet the mind so that it is in accord with what happens." - John Cage "I make myself rich by making my wants few." - Henry David Thoreau "I like turtles." - Zombie Kid Todd Webb (born 1981) is an artist living and working in Virginia Beach. He is the author of numerous books including Chance Operations, Tuesday Moon, The Woodlands, and The Goldfish & Bob, and he draws the popular children's comic book series Mr. Toast. He was a regular contributor to Nickelodeon Magazine in its heyday and currently illustrates The Adventures of Danny & Mike with television's "Pete & Pete" stars Danny Tamberelli and Mike Maronna. His work has been exhibited nationally at Gallery1988 (Los Angeles), SpokeArt (New York), Bear & Bird Gallery (Florida), Telegraph Gallery (Charlottesville, VA), and was featured in the seminal drawing show "The Nothing That Is" at CAM Raleigh (Contemporary Art Museum, Raleigh, North Carolina) curated by Bill Thelen and Jason Polan. When he isn't drawing he is releasing music under the names Seamonster and Oahu.
Todd is an historian with a camera. He photographs subjects that interest him. Webb, through his camera, helps us to see the spirit of an age and of a place.
The Texas Architectural Survey--Sponsored By the Amon Carter Museum of Western Art and the School of Architecture, the University of Texas.
The story of a man named Bob, whose perspective on the world is changed by a pet goldfish. The Goldfish & Bob was the debut graphic novella from cartoonist Todd Webb when he was only 19 years old - the book was originally self-published in limited quantities in 2001, and featured by Top Shelf Comics in their original "Dot Comix" lineup. The short book was well received by critics and has survived the years circulating online, finally to be reprinted nearly 15 years later. As Jimmy Gownley (creator of hit Scholastic series "Amelia Rules ") put it: "Todd Webb's cartoons are not only a breath of fresh air, but a ray of hope. The Goldfish & Bob is one of the sweetest stories comics has to offer."
Methodists in nineteenth-century Ontario and Quebec, like all British subjects, existed as satellites of an influential empire. Transatlantic Methodists uncovers how the Methodist ministry and laity in these colonies, whether they were British, American, or native-born, came to define themselves as transplanted Britons and Wesleyans, in response to their changing, often contentious relationship with the Wesleyan Methodist Church in Britain. Revising the nationalist framework that has dominated much of the scholarship on Methodism in central Canada, Todd Webb argues that a transatlantic perspective is necessary to understand the process of cultural formation among nineteenth-century Methodists. He shows that the Wesleyan Methodists in Britain played a key role in determining the identities of their colonial counterparts through disputes over the meaning of political loyalty, how Methodism should be governed, who should control church finances, and the nature and value of religious revivalism. At the same time, Methodists in Ontario and Quebec threatened to disrupt the Wesleyan Methodist Church in Britain and helped to trigger the largest division in its history. Methodists on both sides of the Atlantic shaped - and were shaped by - the larger British world in which they lived. Drawing on insights from new research in British, Atlantic, and imperial history, Transatlantic Methodists is a comprehensive study of how the nineteenth-century British world operated and of Methodism's place within it.
Photographic documentary of Georgia O'Keeffe's life and the Southwest landscape and artifacts that fill her compositions.
This food-themed issue features recipes for grapefruit, appreciations of potato chips, guides to the diets of literary giants, contributions by Tunde Olaniran, Mar Hernandez, Chef Tamearra Dyson, Brian McMullen, Hein Koh, and more. "Illustoria" is the beloved print magazine for creative kids and their grownups. We celebrate visual storytelling, makers and DIY culture through stories, art, comics, interviews, crafts and activities.