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Tobias Smollett After 300 Years offers a collection of essays on one of the great literary figures of the eighteenth century: the Scottish writer, Tobias Smollett (1721–1771). Drawing together the work of an international group of scholars, with a variety of critical approaches, the book examines aspects of Smollett’s life, writing and reputation on the three-hundredth anniversary of his birth.
Tobias Smollett After 300 Years offers a collection of essays on one of the great literary figures of the eighteenth century: the Scottish writer, Tobias Smollett (1721-1771). Drawing together the work of an international group of scholars, with a variety of critical approaches, the book examines aspects of Smollett's life, writing and reputation on the occasion of the three-hundredth anniversary of his birth. Smollett is perhaps best known today as a novelist. However, he also worked tirelessly as a translator, historian, critic and editor. Whilst this book gives space to Smollett's innovations in writing fiction (described, variously, as malapropic, metaleptic, avuncular and periodical), it also draws on his wider work, situating it in the intellectual and visual culture of the book trade, traditions of domestic and humoral medicine, the politics of the Anglo-Scottish Union and projects to write a national history. Moments of Smollett's biography are revisited through newly-published correspondence, including accounts of his relationship to the sale of enslaved people. A new area for Smollett studies - his reception in Russia - suggests the reach of his work. The book concludes with some reflections on the state of Smollett studies today and the urgent message this eighteenth-century writer might bring to twenty-first century classrooms.
This collection draws together original scholarship from international contributors on a range of aspects of professional and semi-professional medical work and its relations to British culture. It combines a diverse spectrum of scholarly approaches, from medical history to book history, exploring literary and scientific texts, such as satiric poetry, essays, anatomies, advertisements, and the novel, to shed light on the mythologisation and transmission of medical (mis)information through literature and popular culture. It analyses the persuasive and sometimes deceptive means by which myths, as well as information and beliefs, about medicine and the medical professions proliferated in English literary culture of this period, from early eighteenth-century household remedies to the late nineteenth-century concerns with vaccination that are still relevant today.
This project overall attempts to recast Appalachian literature in terms of a ‘lost tradition’ of texts that are generally out-of-print though of central importance to understanding the history of the region and its current environmental and cultural challenges. The epilogue will also consider the way that ecological-based literary criticism offers a vital language for how antebellum travel writers sought to frame the region from a 19th-century environmental point of view. The book aims to resituate the field of Appalachian Studies to an earlier historic genesis in the 19th-century and bring to light several books which have received scant scholarly attention in the canon of Appalachian and American literature, respectively. The book centers on the argument that mid-19th-century travel writers going through or from the Appalachian region drew on familiar versions of 18th-century European, mainly British, landscape aesthetics that would help make the readerly experience less alien to their erudite regional and Northern audiences. These travel writers, such as Philip Pendleton Kennedy and David Hunter Strother, consciously appropriated such aesthetic tropes as the pastoral as a way to further dramatic the effect in their nonfiction accounts of Appalachia, while the reader could find such references comforting as they considered whether to domesticate or tour the Appalachian region.
Cigar Box Lithographs: Volume IV, written and compiled by Charles J. A. Humber, the fourth in a series showcases the author’s longtime passion for tobacco-related collectibles. Like the previous volumes, this beautifully illustrated book is a historical window into the world of cigar box ephemera. In the newest edition, Humber starts off in his signature style, with a deep dive into a rare collectible. In this case, it’s a cigar box, the inside cover emblazoned with the beloved Bard. Humber delves into the cigar box’s provenance (New York), then quickly shifts to Shakespeare’s enduring cachet, speaking about his plays, sonnets, and Ontario’s famous Stratford Festival. Also similar to its precursors, in Volume IV readers are once again treated to Humber’s chatty, erudite writing style; reading it no doubt makes Cigar Box Lithographs fans feel like they’re sitting down with a treasured friend enjoying a long and fascinating conversation.
Central to all post-Renaissance scholarship, textual studies continues to evolve, both in its techniques and methods as well as in the illumination it affords all other areas of modern knowledge. The life of our fellow human beings, and how we know and tell lives, is one such area of modern knowledge that is foundationally affected by theories and practices of textual creation, transmission, and apprehension. This collection of new essays and studies by internationally acclaimed scholars, along with a select few who are less acclaimed but of distinct promise, provides a view into the contemporary state of scholarship in textual and biographical studies. The collection also means to be of especial interest to scholars of the British eighteenth century, by concentrating its evidence and argument on topics and subjects important to contemporary eighteenth-century studies. The volume is inspired by the extensive contributions to the fields by the late O M Brack, Jr.