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"Focuses on Houston, Galveston, Austin, and San Antonio..." Dust jacket.
Cities rather than individual pioneers have been the driving force in the settlement and economic development of the western half of North America. Throughout the seventeenth, eighteenth, and nineteenth centuries, western urban centers served as starting points for conquest and settlement. As these frontier cities matured into metropolitan centers, they grew from imitators of eastern culture and outposts of eastern capital into independent sources of economic, cultural, and intellectual change. From the Gulf of Alaska to the Mississippi River and from the binational metropolis of San Diego-Tijuana to the Prairie Province capitals of Canada, Carl Abbott explores the complex urban history of western Canada and the United States. The evolution of western cities from stations for exploration and military occupation to contemporary entry points for migration and components of a global economy reminds us that it is cities that "won the West." And today, as cultural change increasingly moves from west to east, Abbott argues that the urban West represents a new center from which emerging patterns of behavior and changing customs will help to shape North America in the twenty-first century.
Though Lyndon Johnson developed a reputation as a rough-hewn, arm-twisting deal-maker with a drawl, at a crucial moment in history he delivered an address to Congress that moved Martin Luther King Jr. to tears and earned praise from the media as the best presidential speech in American history. Even today, his voting rights address of 1965 ranks high not only in political significance, but also as an example of leadership through oratory.
Andrew Bell's analysis of the power of prestige in civic communities of the ancient world demonstrates the importance of crowds' aesthetic and emotional judgement upon leaders and their ambitious claims for immediate and lasting significance; and also finds consideration of this dynamic still to be valuable for modern citizens. An initial discussion of the fall of Ceausescu in 1989 prompts theoretical considerations about the inseparability of authority and its manifestation; and scrutiny of Julius Caesar's gestures towards self-definition introduces the complexity of ancient political relations. The simultaneous presence of both popular affection for wondrous and kingly individuals, and also egalitarian suspicion of it, is detected in classical Athens, where an Alcibiades needed to manoeuvre craftily to achieve obvious and ritual pre-eminence in associating himself with age-old and Homeric models of distinction. Accordingly, the arrival of Hellenistic kingliness, such as that of Demetrios Poliorcetes, upon the political stage was neither wholly innovative nor unattractive. Yet such kings quite clearly articulated a new and grandiose majesty, as can be seen in parades in Egypt and Syria. With the growth of Roman imperialism, these stylings of personal power needed to be adapted to new realities and models, just as Romans of the later Republic increasingly found much to admire and emulate in others' spectacles. Thus the book comes back to the end of the Republic and to Cicero's struggles to maintain traditional, republican dignities in civic ceremony while a new Roman kingliness, thoroughly attentive to spectacular politics, was dawning.
In A City Called Heaven, Robert M. Marovich follows gospel music from early hymns and camp meetings through its growth into the sanctified soundtrack of the city's mainline black Protestant churches. Marovich mines print media, ephemera, and hours of interviews with artists, ministers, and historians--as well as relatives and friends of gospel pioneers--to recover forgotten singers, musicians, songwriters, and industry leaders. He also examines the entrepreneurial spirit that fueled gospel music's rise to popularity and granted social mobility to a number of its practitioners. As Marovich shows, the music expressed a yearning for freedom from earthly pains, racial prejudice, and life's hardships. Yet it also helped give voice to a people--and lift a nation. A City Called Heaven celebrates a sound too mighty and too joyous for even church walls to hold.