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In the predawn hours of a gloomy February day in 1994, two thieves entered the National Gallery in Oslo and made off with one of the world's most famous paintings, Edvard Munch's Scream. It was a brazen crime committed while the whole world was watching the opening ceremonies of the Winter Olympics in Lillehammer. Baffled and humiliated, the Norwegian police turned to the one man they believed could help: a half English, half American undercover cop named Charley Hill, the world's greatest art detective. The Rescue Artist is a rollicking narrative that carries readers deep inside the art underworld -- and introduces them to a large and colorful cast of titled aristocrats, intrepid investigators, and thick-necked thugs. But most compelling of all is Charley Hill himself, a complicated mix of brilliance, foolhardiness, and charm whose hunt for a purloined treasure would either cap an illustrious career or be the fiasco that would haunt him forever.
The provocative title of this new collection of essays was chosen by Rudolf Arnheim for good reason. He has spent a lifetime analyzing the basic psychological principles that make works of visual art meaningful, stirring, indispensable, and lasting. But recent fashionable attitudes and theories about art, he argues, are undermining the foundation of artistic achievement itself. He says that we must face the threat 'that the work crew charged with erecting the edifice of our principles is infiltrated by termites.'
This suspense-filled book tells the true story of the 1994 theft of Edvard Munch's masterpiece "The Scream" from the National Gallery in Oslo, Norway, and the brilliant detective who gets it back. Includes a 16-page b&w photo insert.
The provocative title of this new collection of essays was chosen by Rudolf Arnheim for good reason. He has spent a lifetime analyzing the basic psychological principles that make works of visual art meaningful, stirring, indispensable, and lasting. But recent fashionable attitudes and theories about art, he argues, are undermining the foundation of artistic achievement itself. He says that we must face the threat 'that the work crew charged with erecting the edifice of our principles is infiltrated by termites.'
Some captured German and Austrian personnel were brought to Britain as prisoners of war. Those who were identified as anti-Nazi were 'turned' and, codenamed 'Bonzos', were trained in paramilitary and clandestine warfare to be sent back into occupied Europe on top secret missions. The British Special Operations Executive arranged the infiltration of four Austrians, Albrecht Gaiswinkler, Joseph Grafl, Karl Standhartinger and Karl Lzicar, into the Salzkammergut area of northwestern Austria. This book tells the story of Operation EBENSBURG, their mission to kidnap or assassinate Joseph Goebbels, the Reich's Minister of Propaganda, to organise resistance groups before the arrival of American forces and to protect the looted works of art hidden in the Altaussee salt mine.
Collection of poems.