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A letter asking the clubs to consider some phase of Indiana history as a topic for programs for the next two years.
Virginia Claypool Meredith's role in directly managing the affairs of a large and prosperous farm in east-central Indiana opened doors that were often closed to women in late nineteenth century America. Her status allowed her to campaign for the education of women, in general, and rural women, in particular. While striving to change society's expectations for women, she also gave voice to the important role of women in the home. A lifetime of dedication made Virginia Meredith "the most remarkable woman in Indiana" and the "Queen of American Agriculture." Meredith was also an integral part of the history of Purdue University. She was the first woman appointed to serve on the university's board of trustees, had a residence hall named in her honor, and worked with her adopted daughter, Mary L. Matthews, in creating the School of Home Economics, the predecessor of today's College of Consumer and Family Sciences.
Hiding in plain sight throughout America are historic, highly private women's self-education groups. These clubs are fascinating survivors from an era following the Civil War when women couldn't apply to most colleges and were told they shouldn't leave the home. In their earliest days, the study groups also contributed to the welfare of their towns - often by helping to found their town's first library-and served to get women out of the house and into the world. Today's all-women study clubs have no civic component but still fashion their meetings as their founding great-grandmothers did, with members taking turns giving original papers. In Smart Women, author Ann Dodds Costello discusses her four-year quest to locate, often visit, and describe today's 100-year-old, all-women study clubs, all over America, even though they do not publicize and have no central organization or knowledge of each other. Included: an invaluable, first-ever directory of most of the book's ninety-plus clubs.
This comprehensive overview of recent American graphic design, draws examples from avant-garde and mainstream typefaces; expression of corporate identity through logos, society's image of the design profession; and publications, from underground fanzines to multimedia projects.