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A New York Times Notable Book that “casts a searing eye on the labyrinth that is the American foster care system” (NPR’s On Point). Who are the children of foster care? What, as a country, do we owe them? Cris Beam, a foster mother herself, spent five years immersed in the world of foster care looking into these questions and tracing firsthand stories. The result is To the End of June, an unforgettable portrait that takes us deep inside the lives of foster children in their search for a stable, loving family. Beam shows us the intricacies of growing up in the system—the back-and-forth with agencies, the rootless shuffling between homes, the emotionally charged tug between foster and birth parents, the terrifying push out of foster care and into adulthood. Humanizing and challenging a broken system, To the End of June offers a tribute to resiliency and hope for real change. “A triumph of narrative reporting and storytelling.” —The New York Times “[A] powerful . . . and refreshing read.” —Chicago Tribune “A sharp critique of foster-care policies and a searching exploration of the meaning of family.” —Publishers Weekly (starred review) “Heart-rending and tentatively hopeful.” —Salon
*NEW YORK TIMES BESTSELLER* *2018 GOOD READS CHOICE AWARD WINNER FOR BEST SCIENCE FICTION CATEGORY* A super-powered collision of extraordinary minds and vengeful intentions—#1 New York Times bestselling author V. E. Schwab returns with the thrilling follow-up to Vicious. Magneto and Professor X. Superman and Lex Luthor. Victor Vale and Eli Ever. Sydney and Serena Clarke. Great partnerships, now soured on the vine. But Marcella Riggins needs no one. Flush from her brush with death, she’s finally gained the control she’s always sought—and will use her new-found power to bring the city of Merit to its knees. She’ll do whatever it takes, collecting her own sidekicks, and leveraging the two most infamous EOs, Victor Vale and Eli Ever, against each other. With Marcella's rise, new enmities create opportunity--and the stage of Merit City will once again be set for a final, terrible reckoning. Entertainment Weekly's 27 Female Authors Who Rule Sci-Fi and Fantasy Right Now “Readers won't be able to put down this dark and riveting tale of power and revenge.”—Kirkus Reviews, starred Praise for Vicious “Schwab's characters feel vital and real, never reduced to simple archetypes...In a genre that tends toward the flippant or pretentious, this is a rare superhero novel as epic and gripping as any classic comic. Schwab's tale of betrayal, self-hatred, and survival will resonate with superhero fans as well as readers who have never heard of Charles Xavier or Victor von Doom.”—Publishers Weekly (starred review) "V. E. Schwab's Vicious is the superhero novel I've been waiting for: fresh, merciless, and yes, vicious. Wow."—Mira Grant, New York Times bestselling author of Blackout Villians #1 Vicious #2 Vengeful "Warm Up" (short story) At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
An intimate, authoritative look at the foster care system that examines why it is failing the kids it is supposed to protect and what can be done to change it.
Two brilliant, multi-layered stories from the winner of the Kenzaburo Oe Prize: part of our Japanese novella series, showcasing the best contemporary Japanese writing. On the eve of the Iraq War, a man and a woman meet in a nightclub in Tokyo. They go to a love hotel, and spend the next five days in a torrid affair. Written in a stream of consciousness, with the reader's perceptions shifting and melting into one another, what is remarkable in this story is not what happens, but the ability of the writer to enter the minds and memories of the protagonists. In the second story, a woman living in a damp flat obsesses on the filthy state of her dwelling. She remains in bed for the duration of the narrative, but the drama and tension of her inner life - spiralling further and further into her memories and anxieties - keep the reader engrossed to the very end. The End of the Moment We Had demonstrates the fluidity and richness of this extraordinarily gifted writer's language and ideas.
NOW A MAJOR MOTION PICTURE The #1 bestselling author of Saturday and Atonement brilliantly illuminates the collision of sexual longing, deep-seated fears and romantic fantasy in his unforgettable, emotionally engaging novel. The year is 1962. Florence, the daughter of a successful businessman and an aloof Oxford academic, is a talented violinist. She dreams of a career on the concert stage and of the perfect life she will create with Edward, the earnest young history student she met by chance and who unexpectedly wooed her and won her heart. Edward grew up in the country on the outskirts of Oxford where his father, the headmaster of the local school, struggled to keep the household together and his mother, brain-damaged from an accident, drifted in a world of her own. Edward’s native intelligence, coupled with a longing to experience the excitement and intellectual fervour of the city, had taken him to University College in London. Falling in love with the accomplished, shy and sensitive Florence—and having his affections returned with equal intensity—has utterly changed his life. Their marriage, they believe, will bring them happiness, the confidence and the freedom to fulfill their true destinies. The glowing promise of the future, however, cannot totally mask their worries about the wedding night. Edward, who has had little experience with women, frets about his sexual prowess. Florence’s anxieties run deeper: she is overcome by conflicting emotions and a fear of the moment she will surrender herself. From the precise and intimate depiction of two young lovers eager to rise above the hurts and confusion of the past, to the touching story of how their unexpressed misunderstandings and fears shape the rest of their lives, On Chesil Beach is an extraordinary novel that brilliantly, movingly shows us how the entire course of a life can be changed—by a gesture not made or a word not spoken.
In this prequel to the bestselling phenomenon They Both Die at the End, two new strangers spend a life-changing day together after Death-Cast first makes their fateful calls. #1 New York Times bestseller! It’s the night before Death-Cast goes live, and there’s one question on everyone’s mind: Can Death-Cast actually predict when someone will die, or is it just an elaborate hoax? Orion Pagan has waited years for someone to tell him that he’s going to die. He has a serious heart condition, and he signed up for Death-Cast so he could know what’s coming. Valentino Prince is restarting his life in New York. He has a long and promising future ahead and he only registered for Death-Cast after his twin sister nearly died in a car accident. Orion and Valentino cross paths in Times Square and immediately feel a deep connection. But when the first round of End Day calls goes out, their lives are changed forever—one of them receives a call, and the other doesn’t. Though neither boy is certain how the day will end, they know they want to spend it together…even if that means their goodbye will be heartbreaking. Told with acclaimed author Adam Silvera’s signature bittersweet touch, this story celebrates the lasting impact that people have on each other and proves that life is always worth living to the fullest. * A Publishers Weekly Best Book of the Year *
A Refinery29 Best Book of the Year The novel that inspired the acclaimed Rebecca Miller film Maggie's Plan, starring Julianne Moore, Ethan Hawke, and Greta Gerwig. Isabel, Anna, Beth, and Maggie are women who aren’t afraid to take it all. Whether spearheading a pregnancy lingerie company, conspiring to return a husband to his ex-wife, lusting after an old lover while in a satisfying marriage, or trying to balance motherhood and work—they are sexy, determined, and not looking for a simple happily ever after. Through punchy, hilarious, and insightful storytelling, The End of Men shatters the confines of society, and more importantly, those we impose upon ourselves. “With humor, bravery, and panache, Karen Rinaldi puts her finger straight on the tender conundrum of the female experience, where work, love, and motherhood intersect.” — Rebecca Miller, director of Maggie’s Plan "Karen Rinaldi's The End of Men is in every way marvelous. A sharply drawn story—or more accurately, stories—that gets everything right. Warm hearted but painfully close to the bone. " —Anthony Bourdain "In 1995, I wrote a short story, 'Baster,' inspired by some goings-on in my friend Karen Rinaldi's life. In 2003, that story, significantly altered, became the Jennifer Aniston-movie ‘The Switch.’ In 2016, another film, 'Maggie's Plan,' directed by Rebecca Miller, appeared, this time based partly on Rinaldi's unfinished novel about said events. And, now, Rinaldi has finished that novel, creating yet another version, her own version. I knew it was a good idea the first time I heard it, but I had no inkling it would prove quite so fruitful. Given the subject matter, however, how could it be otherwise? Certainly, this is a story that keeps on giving." —Jeffrey Eugenides
NEW YORK TIMES BESTSELLER • WINNER OF THE BOOKER PRIZE • A modern masterpiece that "reminds us of the power of truth in the face of evil” (People)—and can be read on its own or as a sequel to Margaret Atwood’s classic, The Handmaid’s Tale. “Atwood’s powers are on full display” (Los Angeles Times) in this deeply compelling Booker Prize-winning novel, now updated with additional content that explores the historical sources, ideas, and material that inspired Atwood. More than fifteen years after the events of The Handmaid's Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three radically different women converge, with potentially explosive results. Two have grown up as part of the first generation to come of age in the new order. The testimonies of these two young women are joined by a third: Aunt Lydia. Her complex past and uncertain future unfold in surprising and pivotal ways. With The Testaments, Margaret Atwood opens up the innermost workings of Gilead, as each woman is forced to come to terms with who she is, and how far she will go for what she believes.
The massive uprising following the police killing of George Floyd in the summer of 2020--by some estimates the largest protests in US history--thrust the argument to defund the police to the forefront of international politics. It also made The End of Policing a bestseller and Alex Vitale, its author, a leading figure in the urgent public discussion over police and racial justice. As the writer Rachel Kushner put it in an article called "Things I Can't Live Without", this book explains that "unfortunately, no increased diversity on police forces, nor body cameras, nor better training, has made any seeming difference" in reducing police killings and abuse. "We need to restructure our society and put resources into communities themselves, an argument Alex Vitale makes very persuasively." The problem, Vitale demonstrates, is policing itself-the dramatic expansion of the police role over the last forty years. Drawing on first-hand research from across the globe, The End of Policing describes how the implementation of alternatives to policing, like drug legalization, regulation, and harm reduction instead of the policing of drugs, has led to reductions in crime, spending, and injustice. This edition includes a new introduction that takes stock of the renewed movement to challenge police impunity and shows how we move forward, evaluating protest, policy, and the political situation.
The Recurrence of the End Times: Voegelin, Hegel, and the Stop-History Movements explores the deep connection between modern political ideologies and the secular eschatological hopes and dreams of a post-Christian society. Focusing primarily upon the thought of 20th century German émigré political scientist Eric Voegelin, the book argues that we cannot understand the globalized world in which we live unless we appreciate the lasting influence of the various "End of History" speculators—specifically, G.W.F Hegel, Alexandre Kojève, and Francis Fukuyama. Through a Voegelinian lens, he dissects the relationship between these three thinkers, also claiming that while Voegelin may have misunderstood Hegel, his critiques of the Hegelian approach to history offer fresh and important perspectives on the contemporary world. This makes a forceful argument that the idea of history as a teleological path, leading toward some goal—whether perfect harmony between nations, a technocratic utopia, a return to some romanticized idyllic “state of nature,” or what Kojève and Fukuyama called the “universal and homogenous State”—has vast, and perverse, implications for the trajectory of American foreign and domestic policy.