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Rabindranath Tagore (1861‒1941) was a prolific playwright with more than thirty plays to his credit. He is also known for his life-long, passionate engagement with theatre, first at Jorasanko and then at Santiniketan, in multiple roles as actor, director, singer, musician. However, during his own life-time and even after his demise, his experimental plays have proved challenging for directors to stage. Time and again they have been written off as unstageable by prominent theatre makers. Further complications have arisen from the presence of a spectre of authority around Tagore and his plays often promoted by Visva-Bharati, the institution he founded and which held the copyright of his works till 2001. This book travels through time and space intending to untangle the enigma presented by Tagore’s plays. The book on one hand immerses itself into the archive of Tagore’s plays and his dramaturgy of them in order to problematize the ways in which they have been interpreted. On the other, it also engages with productions of Tagore’s plays during and after his life-time to understand the challenges directors have faced while staging them and the strategies they have embraced to circumvent them. While performing a subjective critical reading of the Tagore theatre-archive, an underlying objective of the book remains to understand the very concept of the archive, as it manifests itself in contemporary dramatic theatre.
This book analyses Rabindranath Tagore’s contribution to Bengali drama and theatre. Throughout this book, Abhijit Sen locates and studies Rabindranath’s experiments with drama/theatre in the context of the theatre available in nineteenth-century Bengal, and explores the innovative strategies he adopted to promote his ‘brand’ of theatre. This approach finds validation in the fact that Rabindranath combined in himself the roles of author-actor-producer, who always felt that, without performance, his dramatic compositions fell short of the desired completeness. Various facets of his plays as theatre and his own role as a theatre-practitioner are the prime focus of this book. This book will be of great interest to students and scholars in Theatre and Performance Studies and most notably, those focusing on Indian Theatre and Postcolonial Theatre.
Discusses Tagore's uniquely varied output across literature, music, art, philosophy, history, politics, education and public affairs.
‘Rabindranath Tagore's Drama in the Perspective of Indian Theatre’ maps Tagore’s place in the Indian dramatic/performance traditions by examining unexplored critical perspectives on his drama such as his texts as performance texts; their exploration in multimedia; reflections of Indian culture in his plays; comparison with playwrights; theatrical links to his world of music and performance genres; his plays in the context of cross-cultural, intercultural theatre; the playwright as a poet-performer-composer and their interconnections and his drama on the Indian stage.
This is the first volume to focus specifically on Rabindranath Tagore’s dramatic literature, visiting translations and adaptations of Tagore’s drama, and cross-cultural encounters in his works. As Asia’s first Nobel Laureate, Tagore’s highly original plays occupy a central position in the Indian theatrescape. Tagore experimented with dance, music, dance drama, and plays, exploring concepts of environment, education, gender and women, postcolonial encounters, romantic idealism, and universality. Tagore’s drama plays a generous host to experimentations with new performance modes, like the writing and staging of an all-women play on stage for the first time, or the use of cross-cultural styles such as Manipuri dance, Thai craft in stage design, or the Baul singing styles. This book is an exciting re-exploration of Tagore’s plays, visiting issues such as his contribution to Indian drama, drama and environment, feminist readings, postcolonial engagements, cross-cultural encounters, drama as performance, translational and adaptation modes, the non-translated or the non-translatable Tagore drama, Tagore drama in the 21st century, and Indian film. The volume serves as a wide-ranging and up-to-date resource on the criticism of Tagore drama, and will appeal to a range of Theatre and Performance scholars as well as those interested in Indian theatre, literature, and film.
A highly original interpretation of the mind of Rabindranath Tagore!
This Commemorative Volume is being published by the Federation of Indo-German Societies in India (FIGS), New Delhi, in association with Hanns-Seidel-Stiftung, Munich, to celebrate the 150th Birth Anniversary of Gurudev Rabindranath Tagore. Tagore received unprecedented welcome in Germany during his visits to that country in 1921, 1926 and 1930. The book is in three parts. The first part of this book entitled Rabindranath Tagore in Germany : A Cross Section of Contemporary Reports, edited and translated by Prof. Dietmar Rothermund, was first published in 1961 to celebrate Tagore's centenary by the Max Mueller Bhavan, New Delhi. The contributions by contemporary scholars and writers who came in contact with him at that time are not only interesting because of what they tell us about Tagore, but also illustrate contemporary German thought in its quest for new values and ideals. It ends with Tagore's poem in English, The Child, which he wrote in 1930 in Germany, that Prof. Rothermund describes as "a testimony of a sudden inspiration and a surprising vision". The second part carries an article entitled "Tagore and Germany" by Satinder Kumar Lambah, former Ambassador of India in Germany, first published by the Indian Council for Cultural Relations in the journal `Indien in der Gegenwart' in 1996. The author reviews Tagore's three visits to Germany, emphasizing the vitality of the cultural interaction that was set off by this "spiritual ambassador of India ... interpreting through his works and lectures the timeless message of an ancient country to a world that, in the wake of the First World War, was restless, confused and uncertain". The third part contains three essays on Rabindranath Tagore based on lectures delivered by Dr. Martin Kampchen in India and Bangladesh. Through his translations of Tagore's poetry, his biography of the poet in German and several studies on Tagore's relationship with Germany, the author has contributed substantially to introducing Tagore to a wider public.
The Epithet, Myriad-Minded Which Coleridge Applied To Shakespeare Seems To Be More Eminently Applicable To Rabindranath Tagore (1861-1941) Whose Long Life Of Eighty Years Was Marked By Ceaseless And Torrential Flow Of Creativity Manifested In The Richness And Variety Of All Kinds Of Literary Forms Dance, Drama, Music, Painting And Original Organizational Activities. Whatever He Touched Turned Into Gold. Touching The Kindred Points Of Heaven And Earth He Was Both A Man Of Action And Of Contemplation, A Seer And Also A Pioneer In Cooperative Movement, A Writer Of Most Profound Poems And An Author Of Children S Text-Books Including Books Of Science, A Nationalist And Internationalist, A Man Of Royal Grandeur Like His Grandfather, A Prince, And An Ascetic Like His Father, A Maharshi. He Was Both A Poet And A Painter, A Dramatist And An Actor, A Philosopher And A Social Reformer, An Educationist And A Humanist. In His Philosophy Of Life The Best Of The East And That Of The West Are Reconciled Into A Harmonious Whole Enriching The Quality And Substance Of Life Which He Always Saw Steady And Saw It Whole. His Life Was Marked As Much By Shakespearean Fecundity As By Protean Plasticity. His Inclusive Mind Aspired After The Universal Man Shining In The Glory Of Creation And Joie De Vivre.Tagore S Unfailing Faith In Man And Divinity, His Concern For Women And Solicitation For Children, His Sympathy For The Poor And The Downtrodden, His Philosophical Speculations And Practical Wisdom, His Perception Of The Zeitgeist And The Evolution Of Taste All Find Expression In The All-Encompassing Sweep Of His Writings In A Magnificent Synthesis Of Philosophical Profundity And Aesthetic Luxuriance.With The Passage Of Time Tagore Has Only Grown In Stature And Is Now Reckoned As An Increasingly Significant And Complex Personality. Whether Seen As A Great Sentinel Or A Complete Man, The Finest Exponent Of The Bengal Renaissance Or The Harbinger Of A New Age, A Majestic Personality Or A Deeply Scarred Individual, It Is Rewarding To Revisit Tagore A Miracle Of Literary History In The Light Of Modern Criticism.The Essays Included In This Volume Offer Illuminating Insights Into Various Facets Of Tagore S Literary Works, Mind And Personality. It Will Be Found Enjoyable As Well As Useful By Students, Scholars And General Readers.
This new paperback edition provides a unique examination of theatre in Asia and the Pacific and is written by leading experts from within the countries covered. Its far-reaching scope and broad interpretation of theatre (to include all types of performance) set it apart from any other similar publication. Entries on 33 Asian countries are featured in this volume, preceded by introductory essays on Asian Theatre, Theatre in the Pacific, History and Culture, Cosmology, Music, Dance, Theatre for Young Audiences, Mask Theatre and Puppetry. The volume contains approximately 300,000 words and includes national essays of up to 25,000 words each. The countries include: Afghanistan * Australia * Bangladesh * Bhutan * Brunei * Cambodia * India * Indonesia * Iran * Japan * Kazakhstan *Kirghizia * Laos * Malaysia * Myanmar * Mongolia * Nepal *New Zealand * Pakistan * Papua New Guinea * PhilippinesNew Zealand * Pakistan * Papua New Guinea * Philippines *Singapore * South Korea * South Pacific * Sri Lanka * Tadjikistan * Thailand * Turkmenistan * Vietnam
In 'The Complete Works of Rabindranath Tagore,' readers are presented with a collection of writings that showcase the diverse talent of the author. Tagore's literary style is characterized by its lyrical prose, deep philosophical insights, and exploration of themes such as love, nature, and spirituality. This comprehensive volume includes poetry, short stories, plays, and essays, providing a holistic view of Tagore's exceptional literary contributions to Bengali literature and beyond. Tagore's work is deeply rooted in the cultural and social context of his time, reflecting the complexities of Indian society during the late 19th and early 20th centuries. His writing transcends boundaries and continues to resonate with readers around the world, making him a literary icon of global significance. Rabindranath Tagore, a Nobel laureate and polymath, was a prolific writer, composer, and artist whose impact on Indian literature and culture cannot be overstated. His deep connection to nature, spiritual beliefs, and advocacy for social reform are evident throughout his works, reflecting his profound understanding of human emotions and relationships. Tagore's vast body of work continues to inspire readers and scholars alike, cementing his legacy as one of the greatest literary figures of the 20th century. I highly recommend 'The Complete Works of Rabindranath Tagore' to any reader interested in exploring the rich tapestry of Tagore's writings. This collection offers a comprehensive insight into the depth and brilliance of Tagore's literary genius, making it a must-read for anyone passionate about literature, poetry, and philosophical discourse.