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We find our way forward by going back. The invented history of the Western world is crumbling fast, Anishinaabe writer Patty Krawec says, but we can still honor the bonds between us. Settlers dominated and divided, but Indigenous peoples won't just send them all "home." Weaving her own story with the story of her ancestors and with the broader themes of creation, replacement, and disappearance, Krawec helps readers see settler colonialism through the eyes of an Indigenous writer. Settler colonialism tried to force us into one particular way of living, but the old ways of kinship can help us imagine a different future. Krawec asks, What would it look like to remember that we are all related? How might we become better relatives to the land, to one another, and to Indigenous movements for solidarity? Braiding together historical, scientific, and cultural analysis, Indigenous ways of knowing, and the vivid threads of communal memory, Krawec crafts a stunning, forceful call to "unforget" our history. This remarkable sojourn through Native and settler history, myth, identity, and spirituality helps us retrace our steps and pick up what was lost along the way: chances to honor rather than violate treaties, to see the land as a relative rather than a resource, and to unravel the history we have been taught.
Four children embark on a quest for a new land at the dawn of human history Africa, two hundred thousand years ago: Suth and Noli were orphaned the night the murderous strangers came, speaking an unfamiliar language and bringing violence to the peaceful Moonhawk tribe. Determined not to die in the desert, Suth and Noli slip away with Ko and Mana. Suth, the eldest, leads them; Noli’s dreams of the future guide them. Ko gives them courage; Mana gives them peace. Their search for a new Good Place, one of food and safety, will take them across the valleys and plains of prehistoric Africa and bring them together as a tribe and as a family.
Kin is a dazzling family epic from one of Croatia's most prized writers. In this sprawling narrative which spans the entire twentieth century, Miljenko Jergović peers into the dusty corners of his family's past, illuminating them with a tender, poetic precision. Ordinary, forgotten objects - a grandfather's beekeeping journals, a rusty benzene lighter, an army issued raincoat - become the lenses through which Jergović investigates the joys and sorrows of a family living through a century of war. The work is ultimately an ode to Yugoslavia - Jergović sees his country through the devastation of the First World War, the Second, the Cold, then the Bosnian war of the 90s; through its changing street names and borders, shifting seasons, through its social rituals at graveyards, operas, weddings, markets - rendering it all in loving, vivid detail. A portrait of an era.
Poetry. Explains Janet Holmes: "If you write out 'The Poems of Emily Dickinson' and erase some of the letters very neatly and precisely, you can get to THE MS OF M Y KIN—the manuscript of my kin, as it were; the manuscript of my family. It might also be said to be the manuscript of my kind." "If Ronald Johnson had an epic (Paradise Lost) to erase in creating his masterwork, RADI OS, then Janet Holmes has chosen a more difficult task, namely that of erasing from the most compressed poetry there is. Emily Dickinson's poems come to us so nearly pre-erased that their further erasure by Holmes dramatically frees instances of prophecy, voices from 1861-62 rediscovered in contemporary political discourse. It seems that the best of the embeds in Iraq was Emily Dickinson; read her reports from the (af)front here"—Susan M. Schultz.
A novel by the Bram Stoker Award-winning author of THE TURTLE BOY. On a scorching hot summer day in Elkwood, Alabama, Claire Lambert staggers naked, wounded, and half-blind away from the scene of an atrocity. She is the sole survivor of a nightmare that claimed her friends, and even as she prays for rescue, the killers -- a family of cannibalistic lunatics -- are closing in. A soldier suffering from post-traumatic stress disorder returns from Iraq to the news that his brother is among the murdered in Elkwood. In snowbound Detroit, a waitress trapped in an abusive relationship gets an unexpected visit that will lead to bloodshed and send her back on the road to a past she has spent years trying to outrun. And Claire, the only survivor of the Elkwood Massacre, haunted by her dead friends, dreams of vengeance... a dream which will be realized as grief and rage turn good people into cold-blooded murderers and force alliances among strangers. It's time to return to Elkwood. In the spirit of such iconic horror classics as The Texas Chainsaw Massacre and Deliverance, Kin begins at the end and studies the possible aftermath for the survivors of such traumas upon their return to the real world -- the guilt, the grief, the thirst for revenge -- and sets them on an unthinkable journey... back into the heart of darkness.
"Explores the richness and dignity of Appalachian life ... [Rodenberg's] stories of lives that are generally overlooked make for essential reading."--The Washington Post “Kin moved me, disturbed me, and hypnotized me in ways very few memoirs have." –Rosanne Cash A heart stopping memoir of a wrenching Appalachian girlhood and a multilayered portrait of a misrepresented people, from Rona Jaffe Writer's Award winner Shawna Kay Rodenberg. When Shawna Kay Rodenberg was four, her father, fresh from a ruinous tour in Vietnam, spirited her family from their home in the hills of Eastern Kentucky to Minnesota, renouncing all of their earthly possessions to live in the Body, an off-the-grid End Times religious community. Her father was seeking a better, safer life for his family, but the austere communal living of prayer, bible study and strict regimentation was a bad fit for the precocious Shawna. Disciplined harshly for her many infractions, she was sexually abused by a predatory adult member of the community. Soon after the leader of the Body died and revelations of the sexual abuse came to light, her family returned to the same Kentucky mountains that their ancestors have called home for three hundred years. It is a community ravaged by the coal industry, but for all that, rich in humanity, beauty, and the complex knots of family love. Curious, resourceful, rebellious, Shawna ultimately leaves her mountain home but only as she masters a perilous balancing act between who she has been and who she will become. Kin is a mesmerizing memoir of survival that seeks to understand and make peace with the people and places that were survived. It is above all about family-about the forgiveness and love within its bounds-and generations of Appalachians who have endured, harmed, and held each other through countless lifetimes of personal and regional tragedy.
In Kind of Kin by award-winning author Rilla Askew, when a church-going, community-loved, family man is caught hiding a barn-full of illegal immigrant workers, he is arrested and sent to prison. This shocking development sends ripples through the town—dividing neighbors, causing riffs amongst his family, and spurring controversy across the state. Using new laws in Oklahoma and Alabama as inspiration, Kind of Kin is a story of self-serving lawmakers and complicated lawbreakers, Christian principle and political scapegoating. Rilla Askew’s funny and poignant novel explores what happens when upstanding people are pushed too far—and how an ad-hoc family, and ultimately, an entire town, will unite to protect its own.
Follows the arrival of alien embassies who meet with the United Nations amid human fear and speculation before obscure scientist Dr. Marianne Jenner is secretly invited to visit the aliens and prevent an imminent disaster.
Award-winning author Lynne Hugo returns with a life-affirming, poignant novel in the spirit of A Man Called Ove—a story brimming with both wit and warmth about how a family gets on . . . and goes on. CarolSue and her sister, Louisa, are best friends, but haven’t had much in common since CarolSue married Charlie, moved to Atlanta, and swapped shoes covered with Indiana farm dust for pedicures and afternoon bridge. Louisa, meanwhile, loves her farm and animals as deeply as she’d loved Harold, her late husband of forty years. Charlie’s sudden death leaves CarolSue so adrift that she surrenders to Louisa’s plan for her to move back home. But canning vegetables and feeding chickens are alien to CarolSue, and she resolves to return to Atlanta—until Louisa’s son, Reverend Gary, arrives with an abandoned infant and a dubious story. He begs the women to look after the baby while he locates the mother—a young immigrant who fears deportation. Keeping his own secrets, Gary enlists the aid of the sheriff, Gus, in the search. But CarolSue’s bond with the baby is undeniable, and she forms an unconventional secret plan of her own. How many mistakes can be redeemed? Praise for the novels of Lynne Hugo “Sparkling prose, wry humor, and timely, relevant themes abound.” —Donna Everhart, USA Today bestselling author of The Moonshiner's Daughter “A tender hymn of hope and rebirth that stays with you long after the last page.” —Kim Michele Richardson, author of The Book Woman of Troublesome Creek “I lost hours of sleep as I raced to finish this extraordinary novel.” —Randy Susan Meyers, bestselling author of Waisted “Delivered with humor and heart.” —Terri-Lynne DeFino, author of The Bar Harbor Retirement Home for Famous Writers (And Their Muses)
From award-winning author Lynne Hugo comes a witty, insightful, refreshingly unsentimental novel about one woman’s unconventional path from heartbreak to hope . . . After losing her husband, Harold, and her beloved grandson, Cody, within the past year, Louisa has two choices. She can fade away on her Indiana family farm, where her companionship comes courtesy of her aging chickens and an argumentative cat. Or, she can concoct A Plan. Louisa, a retired schoolteacher who’s as smart, sassy, and irreverent as ever, isn’t the fading away type. The drunk driver who killed Cody got off scot-free by lying about a deer on the road. Harold had tried to take matters into his own hands, but was thwarted by Gus, the local sheriff. Now Louisa decides to take up Harold’s cause, though it will mean outsmarting Gus, who’s developed an unwelcome crush on her, and staying ahead of her adult son who’s found solace in a money-draining cult and terrible art. Louisa's love of life is rekindled as the spring sun warms her cornfields and she goes into action. But even the most Perfect Plans can go awry. A wounded buck, and a teenage boy on the land she treasures help Louisa see that the enduring beauty of the natural world and the mystery of human connection are larger than revenge . . . and so is justice. “I adored this fun yet poignant book.” —Diane Chamberlain, New York Times bestselling author of The Stolen Marriage