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Taher examined his reflection in the airplane's lavatory mirror-long shadows cast down in sharp strokes-and suddenly felt exhausted...It's okay, he thought, seeing the reflection of his lips move. He closed his eyes, faced the ceiling, and took a deep breath. It's okay, he whispered. It's okay. How does a sensitive, scholarly boy from an affluent Egyptian family become a hijacker? Set in the two decades leading up to the terrorist attack on the World Trade Center, To Kill the Other tells the story of Taher and his spiritual transformation from an innocent young boy into a ruthless, disillusioned conformist. Exploring the circumstances and choices that shaped him, To Kill the Other builds toward an unimaginable act of mass terror in which Taher finally confronts who and what he has become. 'Very few people have written about the attack of 9/11 in a perspective of hijackers. Hinc has written a lucid, utterly gripping speculation expending our understanding of who the hijackers were and who motivated them. She provides an important new perspective to this event which has transformed our lives.' -Rabbi Martin Siegel, author of Amen: The Diary of Rabbi Martin Siegel. 'Hinc tells her story masterfully by weaving multiple perspectives, revealing the core of human sorrow and the transcendent quality of compassion.' -Chukwudi Okpala, author of The Uncircumcised
New York Times bestselling author Ann Rule brings several riveting accounts of seemingly normal men and women who are compelled by a murderous rage to suddenly lash out in this installment of her Crime Files. Ann Rule dives into one of Seattle’s most infamous crimes: a city bus ride that turned into mayhem and murder at the hands of a gunman. With her signature “devastatingly accurate insight” (The New York Times Book Review), she unmasks the forces that drove quiet, clean-cut Silas Cool to shoot the driver, causing the bus to plunge off the Aurora Bridge into an apartment building. Included here are nine other cases that illuminate Rule’s unique and authoritative view of the human psyche gone temporarily berserk. In A Rage to Kill, Ann Rule frighteningly shows that none of us are truly protected from the flashes of irrational violence that can erupt from the killers among us.
A New York Times Notable Book A revised collection with thirteen essays, including six new to this edition and seven from the original edition, by the “star in the American literary firmament, with a voice that is courageous, honest, loving, and singularly beautiful” (NPR). Brilliant and uncompromising, piercing and funny, How to Slowly Kill Yourself and Others in America is essential reading. This new edition of award-winning author Kiese Laymon’s first work of nonfiction looks inward, drawing heavily on the author and his family’s experiences, while simultaneously examining the world—Mississippi, the South, the United States—that has shaped their lives. With subjects that range from an interview with his mother to reflections on Ole Miss football, Outkast, and the labor of Black women, these thirteen insightful essays highlight Laymon’s profound love of language and his artful rendering of experience, trumpeting why he is “simply one of the most talented writers in America” (New York magazine).
Time to Kill is a collection of short stories showcasing Madhav Desais storytelling talent. Set in India in the 1980s, this collection of six short stories is replete with elements of mystery, suspense, and surprise. From the tale of a clairvoyant woman on a noble mission to warn future victims, to the bizarre suicide of a successful business executive, to a fun-loving but naive village woman being stranded during her first visit to a large city, to the title story, which is a classic whodunit set in what appears to be a warm and carefree reunion of old friendsthe author keeps the readers at the edge of their seats with unexpected plot twists in this thrilling page-turner.
With World War II on the horizon, Nazi sympathizers and fascists have taken root on American soil in alarming numbers, intending to push the U.S. towards and alliance with Germany. When the lone hope of stopping the American Nazi movement falls to Jewish-American gangsters currently entrenched in a violent turf war, the gangsters find that there’s only one thing they hate more than each other: Nazis. Collects We Only Kill Each Other from the ComiXology original digital series in print for the first time.
Traces the life of Bugsy Siegel, the successful bootlegger who helped build the Las Vegas Strip and was mysteriously murdered at age forty-one
'Tomorrow morning, the men will sing again. Their spears, pangas, inculas and sticks will clatter menacingly. They will recite battle cries from their homelands, and move about in organised columns, raising clouds of dust. But 34 of them will sing for the very last time.' In August 2012, after a standoff lasting several days, South African police opened fire on armed mineworkers who had gathered on a koppie at Marikana in North West Province. The mineworkers were on strike in defiance of their employer, their trade union, formal wage agreements, and ultimately, the South African state. Thirty-four were killed, and many more were wounded. The shootings provoked a national and international outcry, and invited comparisons with the Sharpeville massacre that happened under apartheid. Describing the loss of life among workers and others as 'tragic and regrettable', the government appointed a commission of inquiry which was still in session ten months later. Among the people drawn to Marikana were reporters and photographers working for the newspaper City Press. Profoundly affected by their experiences, they embarked on a journey to uncover the 'story behind the story' - where the mineworkers had come from, how they had lived, the impacts of their deaths on their families and communities, and what had driven them to take such drastic action. Their quest took them into the sprawling shack settlements around Marikana, poverty-stricken neighbouring states, and the desolate hinterlands of the Eastern Cape. Their reportage won the 'story of the year' category in the 2013 Standard Bank Sikuvile Journalism Awards. This book draws on and extends their prize-winning work. Poignant, revealing, and sometimes shocking, it provides a riveting account of the events before, during, and after the strike, and its significance for post-apartheid South Africa. In this book their accounts are enriched with valuable source material, including edited versions of evidence by key witnesses to the commission of inquiry, and a seminal analysis of the causal role played by the migrant labour system in the ongoing labour crisis in the South African mining industry.
Bella Mackie’s How to Kill Your Family is a darkly humorous debut novel that follows a cunning antihero as she gets her revenge. When I think about what I actually did, I feel somewhat sad that nobody will ever know about the complex operation that I undertook. Getting away with it is highly preferable, of course, but perhaps when I’m long gone, someone will open an old safe and find this confession. The public would reel. After all, almost nobody else in the world can possibly understand how someone, by the tender age of twenty-eight, can have calmly killed six members of her family. And then happily got on with the rest of her life, never to regret a thing. When Grace Bernard discovers her absentee millionaire father has rejected her dying mother’s pleas for help, she vows revenge and coldly sets out to get her retribution—by killing them all, one by one. Compulsively readable, Bella Mackie’s debut novel is driven by a captivating first-person narrator who talks of self-care and social media while calmly walking the reader through her increasingly baroque acts of murder. But then, Grace is imprisoned for a murder she didn’t commit. Outrageously funny, compulsive, and subversive, How to Kill Your Family is a wickedly dark romp about class, family, love . . . and murder. “Funny, sharp, dark, and twisted.” —Jojo Moyes
A controversial psychological examination of how soldiers’ willingness to kill has been encouraged and exploited to the detriment of contemporary civilian society. Psychologist and US Army Ranger Dave Grossman writes that the vast majority of soldiers are loath to pull the trigger in battle. Unfortunately, modern armies, using Pavlovian and operant conditioning, have developed sophisticated ways of overcoming this instinctive aversion. The mental cost for members of the military, as witnessed by the increase in post-traumatic stress, is devastating. The sociological cost for the rest of us is even worse: Contemporary civilian society, particularly the media, replicates the army’s conditioning techniques and, Grossman argues, is responsible for the rising rate of murder and violence, especially among the young. Drawing from interviews, personal accounts, and academic studies, On Killing is an important look at the techniques the military uses to overcome the powerful reluctance to kill, of how killing affects the soldier, and of the societal implications of escalating violence.