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These original, antique illustrations, garnered from exquisite European and Asian art and ephemera of centuries past, are a virtual feast of games and visual tricks. Full color.
From bestselling author of The Book of Delights and award-winning poet, a book of lyrical mini-essays celebrating the everyday that will inspire readers to rediscover the joys in the world around us. In Ross Gay’s new collection of small, daily wonders, again written over the course of a year, one of America’s most original voices continues his ongoing investigation of delight. For Gay, what delights us is what connects us, what gives us meaning, from the joy of hearing a nostalgic song blasting from a passing car to the pleasure of refusing the “nefarious” scannable QR code menus, from the tiny dog he fell hard for to his mother baking a dozen kinds of cookies for her grandchildren. As always, Gay revels in the natural world—sweet potatoes being harvested, a hummingbird carousing in the beebalm, a sunflower growing out of a wall around the cemetery, the shared bounty from a neighbor’s fig tree—and the trillion mysterious ways this glorious earth delights us. The Book of (More) Delights is a volume to savor and share.
Visual Delight in Architecture examines the many ways that our lives are enriched by the presence of natural daylight and window views within our buildings. It makes a compelling case that daily exposure to the rhythms of daylight is essential to our health and well-being, tied to the very genetic foundations of our physiology and cognitive function. It describes all the subtlety, beauty, and pleasures of well-daylit spaces and attractive window views, and explains how these are woven into the fabric of both our everyday sensory experience and enduring cultural perspectives. All types of environmental designers, along with anyone interested in human health and well- being, will fi nd new insights offered by Visual Delight in Architecture. The book is both accessible and provocative, full of personal stories and persuasive research, helping designers to gain a deeper understanding of the scientific basis of their designs, scientists to better grasp the real-world implications of their work, and everyone to more fully appreciate the role of windows in their lives.
Beauty is more than skin deep— it starts in the heart and works outward Exploring the timeless wisdom of Proverbs 31, Bible teacher Elizabeth George reveals how you can become a woman of true beauty—a woman who desires to honor God in all that she says and does. Beautiful in God's Eyes helps you make each day immensely meaningful as you delight in God and discover how to... experience instant progress toward personal goals manage daily life more effectively tap into unlimited energy apply biblical principles to enhance relationships move from the ordinary to the extraordinary You can experience a richer, more exciting spiritual walk as you embrace God's design for true beauty in your life.
For almost fifty years, through her tireless service to the poor and her courageous witness for peace, Dorothy Day offered an example of the gospel in action. Now the publication of her diaries, previously sealed for twenty-five years after her death, offers a uniquely intimate portrait of her struggles and concerns. Beginning in 1934 and ending in 1980, these diaries reflect her response to the vast changes in America, the Church, and the wider world. Day experienced most of the great social movements of her time but, as these diaries reveal, even while she labored for a transformed world, she simultaneously remained grounded in everyday human life: the demands of her extended Catholic worker family; her struggles to be more patient and charitable; the discipline of prayer and worship that structured her days; her efforts to find God in all the tasks and encounters of daily life. A story of faithful striving for holiness and the radical transformation of the world, Day’s life challenges readers to imagine what it would be like to live as if the gospels were true.
When we tell the story of God, where do we start? As the pandemic disrupted the ways we worship and practice our faith, we've been given an opportunity to reevaluate everything. Perhaps the better question now is this: Where do we restart? Whatever a church or a community of faith will be, we will always be telling the story of God. But how do we tell it best in a post-pandemic world? How would you tell it to a child? Or to someone who has never heard it before? Maybe the best place to begin is still here: "In the beginning..." The things we want to believe most about God are often present in the story's first truths from the Garden of Eden. And in those first truths, we also find the most important things to believe about ourselves. In a season of renewal for people and for churches, the opening story of Genesis reminds us of who God is, who we are, and the call of creation. It's a story about so much more than sin. And it's a good place to begin, again. Roots of Eden explores the first truths of scripture. What's the first thing the story tells us about God? About ourselves? What's the first thing God says to human beings? What is the first truth of the relationship between Adam and Eve? How can we see the events of Genesis 3 through the first truths of Genesis 1? And what does all of this mean for life outside the garden? The roots of Eden still run deep into the world we've made. And from the beginning, it's a world that can be good.
Our eyes see flies. Our eyes see ants. Sometimes they see pink underpants. Oh, say can you see? Dr. Seuss’s hilarious ode to eyes gives little ones a whole new appreciation for all the wonderful things to be seen!
The Education of the Eye examines the origins of visual culture in eighteenth-century Britain, setting out to reclaim visual culture for the democracy of the eye and to explain how aesthetic contemplation may, once more, be open to all who have eyes to look.
The influence of contemporary literary theory on art history is increasingly evident, but there is little or no agreement about the nature and consequence of this new intersection of the visual and the textual. Vision and Textuality brings together essays by many of the most influential scholars in the field--both young and more established writers from the United States, England, and France--to address the emergent terms and practices of contemporary art history. With essays by Rosalind Krauss, Hal Foster, Norman Bryson, Victor Burgin, Martin Jay, Louis Marin, Thomas Crow, Griselda Pollock, and others, the volume is organized into sections devoted to the discipline of art history, the implications of semiotics, the new cultural history of art, and the impact of psychoanalysis. The works discussed in these essays range from Rembrandt's Danae to Jorge Immendorf's Café Deutschland, from Vauxhall Gardens to Max Ernst, and from the Imagines of Philostratus to William Godwin's novel Caleb Williams. Each section is preceded by a short introduction that offers further contexts for considering the essays that follow, while the editors' general introduction presents an overall exploration of the relation between vision and textuality in a variety of both institutional and theoretical contexts. Among other issues, it examines the relevance of aesthetics, the current concern with modernism and postmodernism, and the possible development of new disciplinary formations in the humanities. Contributors. Mieke Bal, John Bender, Norman Bryson, Victor Burgin, Thomas Crow, Peter de Bolla, Hal Foster, Michael Holly, Martin Jay, Rosalind Krauss, Françoise Lucbert, Louis Martin, Stephen Melville, Griselda Pollock, Bill Readings, Irit Rogoff, Bennet Schaber, John Tagg
"Kooser has written more perfect poems than any poet of his generation." -Dana Gioia, Can Poetry Matter?