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This book digs deeper and sheds new light on the decision to start a colony in Australia. He examines the impact of the American War of Independence and Britain's shifting strategic aims, the role of ministerial incompetence and ambition, and the concerns of a turbulent society obsessed with law and order. In doing so, he questions several accepted ideas about how and why Britain set its sights on an Australian colony.
Shrewd publishers exploited the famous name and presented a seamless and colourful assemblage cut from official journals, revealing the extent of close contact with aboriginal peoples, the treatment of convicts and discovery of unusual plants and animals. Bearing all the hallmarks of authenticity, Barrington's account gained a singular place in popular contemporary travel and exploration literature, providing the foundation for a long series of embellished and illustrated histories. Botany Bay's reputation for cruel deprivation often overshadowed tales of opportunity presented to the talented. Barrington's revival as a reformed convict helped transform his own image, while the narrative's insights into the rigours of transportation, the struggle for survival and daily life in the penal colony initiated a lively convict travel literature."--BOOK JACKET.
Madness stalked the colony of New South Wales and tracing its wild path changes the way we look at our colonial history. What happened when people went mad in the fledgling colony of New South Wales? In this important new history, we find out through the tireless correspondence of governors and colonial secretaries, the delicate descriptions of judges and doctors, the brazen words of firebrand politicians, and the heartbreaking letters of siblings, parents and friends. We also hear from the mad themselves. Legal and social distinctions faded as delusion and disorder took root — in convicts exiled from their homes and living under the weight of imperial justice, in ex-convicts and small settlers as they grappled with the country they had taken from its Indigenous inhabitants, and in government officers and wealthy colonists who sought to guide the course of European history in Australia. These stories of madness are woven together into a narrative about freedom and possibilities, unravelling and collapse. Bedlam at Botany Bay looks at people who found themselves not only at the edge of the world, but at the edge of sanity. It shows their worlds colliding.
The contest between Arthur Phillip and Jean-Francois Laperouse to get to Botany Bay first and to claim rights to sovereignty of either Britain or France over the Australian continent
Botany Bay is renowned as the site of Captain Cook's first landing on the east coast of New Holland in 1770, infamous as the place chosen by the British as a dumping ground for convicts, and celebrated as the birthplace of Australia. In this remarkable history, Maria Nugent takes her readers on a journey to find what lies behind, beneath and beyond these familiar associations. Drawing on stories, objects, images, memories and the landscape itself, she collects the threads of other pasts to weave a rich, compelling and often surprising account. Local meanings jostle with national mythologies, Aboriginal remembrance disturbs white forgetting, the natural environment struggles for survival amid the smokestacks. In the process, Botany Bay becomes a site for meditating on questions of history, myth, memory and politics in Australia. Botany Bay: where histories meet explores the role both Aboriginal and non-Aboriginal history-making plays in creating and sustaining local and national communities.
Literary representations of British convicts exiled to Australia were the most likely way that the typical English reader would learn about the new colonies there. In Transported to Botany Bay, Dorice Williams Elliott examines how writers—from canonical ones such as Dickens and Trollope to others who were themselves convicts—used the figure of the felon exiled to Australia to construct class, race, and national identity as intertwined. Even as England’s supposedly ancient social structure was preserved and venerated as the “true” England, the transportation of some 168,000 convicts facilitated the birth of a new nation with more fluid class relations for those who didn’t fit into the prevailing national image. In analyzing novels, broadsides, and first-person accounts, Elliott demonstrates how Britain linked class, race, and national identity at a key historical moment when it was still negotiating its relationship with its empire. The events and incidents depicted as taking place literally on the other side of the world, she argues, deeply affected people’s sense of their place in their own society, with transnational implications that are still relevant today.
"Embark on a compelling and daring journey to the early days of Australia with George Barrington in 'A Voyage to Botany Bay.' Penned in the late 18th century, this literary work offers readers a captivating firsthand account of Barrington's experiences as he voyages to the newly established penal colony in Botany Bay. As Barrington explores the challenges of the sea and the harsh realities of the Australian landscape, 'A Voyage to Botany Bay' becomes more than a travel narrative—it's a historical chronicle that delves into the complexities of the convict experience in the early days of the colony. Join Barrington on this literary expedition where each page unveils a new chapter of discovery and survival, making 'A Voyage to Botany Bay' an essential read for those intrigued by tales of early Australian history and the resilience of its early settlers."
Reproduction of the original.
The remaindered issue of the 1st. ed. of 1789, self-described 'third' edition in its deluxe form with hand coloured plates. The rarest form of Stockdale's edition of the official account of the first settlement of Australia. Excludes preliminary pages and some plates. Stockdale includes handcoloured plates on laid paper from his remaining first edition stock, but where a handcoloured plate was no longer available he included an uncoloured impression on wove paper in its place or left it out.