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“A page-turner. The portrait of Africa that emerges is disturbing, tender, and harsh. . . . A tremendous read. I couldn’t put it down.” —Abraham Verghese, New York Times–bestselling author of The Covenant of Water A seasoned war correspondent, Jeffrey Gettleman has covered every major conflict over the past twenty years, from Afghanistan to Iraq to the Congo. For the past decade, he has served as the East Africa bureau chief for the New York Times, fulfilling a teenage dream. At nineteen, Gettleman fell in love, twice. On a do-it-yourself community service trip in college, he went to East Africa—a terrifying, exciting, dreamlike part of the world in the throes of change that imprinted itself on his imagination and on his heart. But around that same time he also fell in love with a fellow Cornell student—the brightest, classiest, most principled woman he’d ever met. To say they were opposites was an understatement. She became a criminal lawyer in America; he hungered to return to Africa. For the next decade he would be torn between these two abiding passions. A sensually rendered coming-of-age story, Love, Africa is a tale of passion, violence, far-flung adventure, tortuous long-distance relationships, screwing up, forgiveness, parenthood, and happiness that explores the power of finding yourself in the most unexpected of places. “Aptly displays why [Gettleman's] a Pulitzer Prize winner and a New York Times bureau chief . . . there's a thrilling immediacy and attention to detail in Gettleman's writing that puts the reader right beside him. . . . An absolute must-read.” —Booklist, starred review “Love, Africa offers a key to understanding humankind’s past and future and a key to understanding our hearts.” —Sheryl Sandberg
In recent years, scholarly interest in love has flourished. Historians have addressed the rise of romantic love and marriage in Europe and the United States, while anthropologists have explored the ways globalization has reshaped local ideas about those same topics. Yet, love in Africa has been peculiarly ignored, resulting in a serious lack of understanding about this vital element of social life—a glaring omission given the intense focus on sexuality in Africa in the wake of HIV/AIDS. Love in Africa seeks both to understand this failure to consider love and to begin to correct it. In a substantive introduction and eight essays that examine a variety of countries and range in time from the 1930s to the present, the contributors collectively argue for the importance of paying attention to the many different cultural and historical strands that constitute love in Africa. Covering such diverse topics as the reception of Bollywood movies in 1950s Zanzibar, the effects of a Mexican telenovela on young people’s ideas about courtship in Niger, the models of romance promoted by South African and Kenyan magazines, and the complex relationship between love and money in Madagascar and South Africa, Love in Africa is a vivid and compelling look at love’s role in African society.
Mel’s Crush on Philo had her drag others with her into an adventure of discovery about Christian mission in contemporary Africa. Set in the fictional African country of Holima, a tumultuous sequence of events sees Mel and her friends learn of the need for Christian mission to Africa to be long term and vulnerable. From unsuspecting lovers to deep-rooted resistance, this book blends all aspects of a good novel with real African experiences. ‘It would be a great read for people doing short-term mission,’ says Dave, Philo’s great friend.
In his 1903 hit "Congo Love Song," James Weldon Johnson recounts a sweet if seemingly generic romance between two young Africans. While the song's title may appear consistent with that narrative, it also invokes the site of King Leopold II of Belgium's brutal colonial regime at a time when African Americans were playing a central role in a growing Congo reform movement. In an era when popular vaudeville music frequently trafficked in racist language and imagery, "Congo Love Song" emerges as one example of the many ways that African American activists, intellectuals, and artists called attention to colonialism in Africa. In this book, Ira Dworkin examines black Americans' long cultural and political engagement with the Congo and its people. Through studies of George Washington Williams, Booker T. Washington, Pauline Hopkins, Langston Hughes, Malcolm X, and other figures, he brings to light a long-standing relationship that challenges familiar presumptions about African American commitments to Africa. Dworkin offers compelling new ways to understand how African American involvement in the Congo has helped shape anticolonialism, black aesthetics, and modern black nationalism.
Covers the history of the entire African continent, from prehistory to the present day A Companion to African History embraces the diverse regions, subject matter, and disciplines of the African continent, while also providing chronological and geographical coverage of basic historical developments. Two dozen essays by leading international scholars explore the challenges facing this relatively new field of historical enquiry and present the dynamic ways in which historians and scholars from other fields such as archaeology, anthropology, political science, and economics are forging new directions in thinking and research. Comprised of six parts, the book begins with thematic approaches to African history—exploring the environment, gender and family, medical practices, and more. Section two covers Africa’s early history and its pre-colonial past—early human adaptation, the emergence of kingdoms, royal power, and warring states. The third section looks at the era of the slave trade and European expansion. Part four examines the process of conquest—the discovery of diamonds and gold, military and social response, and more. Colonialism is discussed in the sixth section, with chapters on the economy transformed due to the development of agriculture and mining industries. The last section studies the continent from post World War II all the way up to modern times. Aims at capturing the enthusiasms of practicing historians, and encouraging similar passion in a new generation of scholars Emphasizes linkages within Africa as well as between the continent and other parts of the world All chapters include significant historiographical content and suggestions for further reading Written by a global team of writers with unique backgrounds and views Features case studies with illustrative examples In a field traditionally marked by narrow specialisms, A Companion to African History is an ideal book for advanced students, researchers, historians, and scholars looking for a broad yet unique overview of African history as a whole.
This is a striking memoir of one determined woman's attempt to reclaim her family's proud legacy in the midst of the chaos of daily life in Africa.
During the height of the Cold War, passionate idealists across the US and Africa came together to fight for Black self-determination and the antiracist remaking of society. Beginning with the 1957 Ghanaian independence celebration, the optimism and challenges of African independence leaders were publicized to African Americans through community-based newspapers and Historically Black Colleges and Universities. Inspired by African independence—and frustrated with the slow pace of civil rights reforms in the US—a new generation of Black Power activists embarked on nonviolent direct action campaigns and built alternative institutions designed as spaces of freedom from racial subjugation. Featuring interviews with activists, extensive archival research, and media analysis, Robin Hayes reveals how Black Power and African independence activists created a diaspora underground, characterized by collaboration and reciprocal empowerment. Together, they redefined racial discrimination as an international human rights issue requiring education, sustained collective action, and global solidarity—laying the groundwork for future transnational racial justice movements, such as Black Lives Matter.
Inspired by movies the missionaries showed in Casamance, Senegal (NW Africa), Abdalla Ndao has attended film school at NYU and is now working on a documentary film. He wonders about Nowace, the gem he left behind. He is not aware that she has been sending him monthly letters-even though she has received no reply to any of them. When the Ndao farmland is used as a test case, Abdalla must return to Casamance, find a lawyer, and raise the question as to the reasons the government has fenced the property. Once in town, however, he wonders if he can find Nowace Waldo and whether she even remembers him from eight years ago. Meanwhile, people encourage Abdalla to boost his documentary to a feature film. When he asks his former professor about this, the man cautions Abdalla not to make any family move or large changes in life. It's too risky to raise another three million dollars in the late 1960s. Courtney Alexander Williams completes his second novel of a trilogy. His first book, Faithful Brothers? begins with the youngest brother discovering diamonds in the peanut crops and fencing them in the local market. The elder brother is in New York at film school. The younger brother links up with unsavory elements. Meanwhile, the government pursues the family. In From Africa with Love, the elder brother now needs to go back to Africa to retain the family farmland. These stories grow out of Williams's experience of living as an adopted son with a family in Senegal, Africa. Williams is a member of the Screen Actors Guild (SAG), American Federation of Television and Radio Artists (AFTRA), and Actors' Equity Association (AEA). Although he lives in and around the New York City area, he has also trained in Los Angeles. He has performed in over a dozen movies, nearly a dozen television programs, and half-dozen off-Broadway theater productions.