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The profound effects of colonialism and its legacies on African cultures have led postcolonial scholars of recent African literature to characterize contemporary African novels as, first and foremost, responses to colonial domination by the West. In Africa Writes Back to Self, Evan Maina Mwangi argues instead that the novels are primarily engaged in conversation with each other, particularly over emergent gender issues such as the representation of homosexuality and the disenfranchisement of women by male-dominated governments. He covers the work of canonical novelists Nadine Gordimer, Chinua Achebe, NguÅgiÅ wa Thiong'o, and J. M. Coetzee, as well as popular writers such as Grace Ogot, David Maillu, Promise Okekwe, and Rebeka Njau. Mwangi examines the novels' self-reflexive fictional strategies and their potential to refigure the dynamics of gender and sexuality in Africa and demote the West as the reference point for cultures of the Global South.
I was scared to death. I had just told God I would do WHATEVER HE ASKED. Now I waited to hear what He wanted me to do, and where He wanted me to go. Would I be able to do what He asked? Would I like it? Would I hate it? Would it be too hard? Where would He send me? What if I failed? All these questions were running through my head, but I knew that once I made a commitment, I would keep it. Eventually God did unveil His plan. I was supposed to go to Bible School, then get a degree in Elementary Education, and go to Africa to teach the children of missionaries. This involved language study in Switzerland. WOW! That sounded like fun! Join me as I describe what it was like to live in a Swiss Pension, to study French, and to visit Dr. Francis Schaeffer. While in Europe, I had to go to Paris to get a visa. I was scared of traveling alone, but read how God provided a traveling companion at the very last minute and gave us a great weekend in Paris. I was originally scheduled to teach in the Congo, but due to a serious rebellion there, I was sent to the Central African Republic where I taught five students in a little thatched roof schoolhouse. Between the bats in the attic, the army ants, the red ants, the flying termites, and the huge flying roaches, I slowly began to adjust to African life and actually enjoyed it. A year later I was sent to the Congo. The rebellion was over (or so we thought) but during our five day trip to my mission station, we were met by rebels with machine guns demanding our truck. As I slept on the floor in a bullet-ridden room with no food or water, I thought to myself that I should be afraid. But I was calm and peaceful, for in spite of the circumstances, I knew that I was in the center of Gods will, the safest place in the world. The rest of the book describes the joy of teaching at Rethy Academy, the frustration of learning Swahili, the excitement of village evangelism, the seasons of loneliness, the experience of visiting a Pygmy village, the trials and joys of starting youth camps, and the MANY, MANY lessons that I learned about God and how you can trust Him completely, for what He has planned for your life will be good, acceptable, and perfect, and you cant improve on that!
Intended for high school and college students, teachers, adult educational groups, and general readers, this book is of value to them primarily as a learning and reference tool. It also provides a critical perspective on the actions and legacies of ordinary and elite blacks and their non-black allies.
Liberia was founded by the American Colonization Society (ACS) in the 1820s as an African refuge for free blacks and liberated American slaves. While interest in African migration waned after the Civil War, it roared back in the late nineteenth century with the rise of Jim Crow segregation and disfranchisement throughout the South. The back-to-Africa movement held great new appeal to the South's most marginalized citizens, rural African Americans. Nowhere was this interest in Liberia emigration greater than in Arkansas. More emigrants to Liberia left from Arkansas than any other state in the 1880s and 1890s. In Journey of Hope, Kenneth C. Barnes explains why so many black Arkansas sharecroppers dreamed of Africa and how their dreams of Liberia differed from the reality. This rich narrative also examines the role of poor black farmers in the creation of a black nationalist identity and the importance of the symbolism of an ancestral continent. Based on letters to the ACS and interviews of descendants of the emigrants in war-torn Liberia, this study captures the life of black sharecroppers in the late 1800s and their dreams of escaping to Africa.
This title looks at the story of African literature and its dissemination in the latter half of the 20th century.
In Out of Africa, author Isak Dinesen takes a wistful and nostalgic look back on her years living in Africa on a Kenyan coffee plantation. Recalling the lives of friends and neighbours—both African and European—Dinesen provides a first-hand perspective of colonial Africa. Through her obvious love of both the landscape and her time in Africa, Dinesen’s meditative writing style deeply reflects the themes of loss as her plantation fails and she returns to Europe. HarperTorch brings great works of non-fiction and the dramatic arts to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperTorch collection to build your digital library.