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The narrative in this book, in abridged form, was awarded 1st prize at the UIA (International Union of Architects) 2014 International Architectural Ideas Competition Utopia and Happiness. This is a story revealed in a Manuscript written by Ladislas, a 14th century Lithuanian explorer, who traveled in remote regions of the East and discovered ruins of Tln, a, hitherto unknown, utopian civilisation. Ladislas describes a society which practiced peaceful co-existence and tolerance in all its manifestations and whose mainstream philosophy was idealism. The extraordinary fact was that the Manuscript remained in obscurity for about five hundred years until it passed, sometime in the middle of the 19th century, to the posession of Leonid Krk, one of the leading rare book collectors in London. Krk, a notable scholar in Baltic literature, who translated the manuscript into English, was later sentenced for fraud; most of his possessions and his Drury Lane residence, or what remained of it after the 1868 fire, were confiscated. The manuscript was sold at an auction to Caspar Amorson, a Scandinavian urban planner, who donated to the author an english copy. The Manuscript contains entities about the language, the philosophy, the social values, and the history of the civilisation discovered; it also describes, in an extended section, its architecture and town design and building. As the reader travels through the story, it becomes increasingly clearer that the four Ages in the history of Tln resemble, in some ways, our stages of evolution. In particular the third, alluding to the environmental crisis, forewarns a Huxley-like scenario of overcoming it.
The narrative in this book, in abridged form, was awarded 1st prize at the UIA (International Union of Architects) 2014 International Architectural Ideas Competition "Utopia and Happiness." This is a story revealed in a Manuscript written by Ladislas, a 14th century Lithuanian explorer, who traveled in remote regions of the East and discovered ruins of Tlon, a, hitherto unknown, utopian civilisation. Ladislas describes a society which practiced peaceful co-existence and tolerance in all its manifestations and whose mainstream philosophy was idealism. The extraordinary fact was that the Manuscript remained in obscurity for about five hundred years until it passed, sometime in the middle of the 19th century, to the posession of Leonid Krk, one of the leading rare book collectors in London. Krk, a notable scholar in Baltic literature, who translated the manuscript into English, was later sentenced for fraud; most of his possessions and his Drury Lane residence, or what remained of it after the 1868 fire, were confiscated. The manuscript was sold at an auction to Caspar Amorson, a Scandinavian urban planner, who donated to the author an english copy. The Manuscript contains entities about the language, the philosophy, the social values, and the history of the civilisation discovered; it also describes, in an extended section, its architecture and town design and building. As the reader travels through the story, it becomes increasingly clearer that the four Ages in the history of Tlon resemble, in some ways, our stages of evolution. In particular the third, alluding to the environmental crisis, forewarns a Huxley-like scenario of overcoming it."
The idea of Utopia springs from a natural desire of transformation, of evolution pertaining to humankind and, therefore, one can find expressions of “utopian” desire in every civilization. Having to do explicitly with human condition, Utopia accompanies closely cultural evolution, almost as a symbiotic organism. Maintaining its roots deeply attached to ancient myths, utopian expression followed, and sometimes preceded cultural transformation. Through the next almost five hundred pages (virtually one for each year since Utopia was published) researchers in the fields of Architecture and Urbanism, Arts and Humanities present the results of their studies within the different areas of expertise under the umbrella of Utopia. Past, present, and future come together in one book. They do not offer their readers any golden key. Many questions will remain unanswered, as they should. The texts presented in Proportion Harmonies and Identities - UTOPIA(S) WORLDS AND FRONTIERS OF THE IMAGINARY were compiled with the intent to establish a platform for the presentation, interaction and dissemination of researches. It aims also to foster the awareness and discussion on the topics of Harmony and Proportion with a focus on different utopian visions and readings relevant to the arts, sciences and humanities and their importance and benefits for the community at large.
In Rethinking Philosophy with Borges, Zambrano, Paz, and Plato, Hugo Moreno argues that in Ficciones, Claros del bosque, and El mono gramático, Jorge Luis Borges, María Zambrano, and Octavio Paz practice a literary way of philosophizing—a way of seeking and communicating knowledge of reality that takes up analogical procedures. They deploy analogy as an indispensable and irreplaceable heuristic tool and literary device to convey their insight and perplexities on the nature of existence. Borges’ ironic approach involves reading and writing philosophy as fiction. Zambrano’s poetic reason is a mode of writing and thinking based on an imaginative sort of recollection that is ultimately a visionary’s poetizing technique. Paz’s poetic thinking relies on analogy to correlate and harmonize an array of worldviews, ideas, and discourses. In the appendix, Moreno shows that Plato's Republic is a forerunner of this way of philosophizing in literature. Moreno suggests that in the Republic, Plato reconciles philosophy and poetry and creates a rational prose poetry that fuses argumentation and narration, dialectical and analogical reasoning, and abstract concepts and poetic images.
Controversial manifesto by acclaimed cultural theorist debated by leading writers Fredric Jameson’s pathbreaking essay “An American Utopia” radically questions standard leftist notions of what constitutes an emancipated society. Advocated here are—among other things—universal conscription, the full acknowledgment of envy and resentment as a fundamental challenge to any communist society, and the acceptance that the division between work and leisure cannot be overcome. To create a new world, we must first change the way we envision the world. Jameson’s text is ideally placed to trigger a debate on the alternatives to global capitalism. In addition to Jameson’s essay, the volume includes responses from philosophers and political and cultural analysts, as well as an epilogue from Jameson himself. Many will be appalled at what they will encounter in these pages—there will be blood! But perhaps one has to spill such (ideological) blood to give the Left a chance. Contributing are Kim Stanley Robinson, Jodi Dean, Saroj Giri, Agon Hamza, Kojin Karatani, Frank Ruda, Alberto Toscano, Kathi Weeks, and Slavoj Žižek.
Ghostwriting provides the first comprehensive analysis of the fictional prose narratives of one of contemporary Germany's most recognized authors, the émigré writer W. G. Sebald. Examining Sebald's well-known published texts in the context of largely unknown unpublished works, and informed by documents and information from Sebald's literary estate, this book offers a detailed portrait of his characteristic literary techniques and how they emerged and matured out of the practices and attitudes he represented in his profession as a literary scholar. The title "Ghostwriting†? signals the convergence in Sebald's works of a set of diverse historical questions, philosophical views, and literary practices. Many historical ghosts haunt Sebald's narratives on the level of story. Moreover, Sebald's narrator plays the role of a ghostwriter in the profound sense that his stories fictionally re-enact the histories of obscure, but once-living individuals whose lives they revitalize, and whose fates are tied up with the most virulent historical conjunctures of the modern world. This study thus seeks to comprehend the constitutive elements of Sebald's "poetics of history,†? his implementation of literary tools for effective historical memorializing.
Technics and Civilization first presented its compelling history of the machine and critical study of its effects on civilization in 1934—before television, the personal computer, and the Internet even appeared on our periphery. Drawing upon art, science, philosophy, and the history of culture, Lewis Mumford explained the origin of the machine age and traced its social results, asserting that the development of modern technology had its roots in the Middle Ages rather than the Industrial Revolution. Mumford sagely argued that it was the moral, economic, and political choices we made, not the machines that we used, that determined our then industrially driven economy. Equal parts powerful history and polemic criticism, Technics and Civilization was the first comprehensive attempt in English to portray the development of the machine age over the last thousand years—and to predict the pull the technological still holds over us today. “The questions posed in the first paragraph of Technics and Civilization still deserve our attention, nearly three quarters of a century after they were written.”—Journal of Technology and Culture
From the author of Eichmann in Jerusalem and The Origins of Totalitarianism, “a book to think with through the political impasses and cultural confusions of our day” (Harper’s Magazine) Hannah Arendt’s insightful observations of the modern world, based on a profound knowledge of the past, constitute an impassioned contribution to political philosophy. In Between Past and Future Arendt describes the perplexing crises modern society faces as a result of the loss of meaning of the traditional key words of politics: justice, reason, responsibility, virtue, and glory. Through a series of eight exercises, she shows how we can redistill the vital essence of these concepts and use them to regain a frame of reference for the future. To participate in these exercises is to associate, in action, with one of the most original and fruitful minds of the twentieth century.
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.