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Barnyard animals offer help to a goat with a toothache.
First in the classic gothic trilogy. “A masterpiece . . . a moody, melancholy comedy with an underlying wit and profundity that cannot be denied.” —Speculiction The basis for the 2000 BBC series Now in development by Showtime As the novel opens, Titus, heir to Lord Sepulchrave, has just been born. He stands to inherit the miles of rambling stone and mortar that form Gormenghast Castle. Meanwhile, far away and in the kitchen, a servant named Steerpike escapes his drudgework and begins an auspicious ascent to power. Inside of Gormenghast, all events are predetermined by complex rituals, the origins of which are lost in time. The castle is peopled by dark characters in half-lit corridors. Dreamlike and macabre, Peake’s extraordinary novel is one of the most astonishing and fantastic works in modern fiction. Praise the Gormenghast Trilogy “Mervyn Peake is a finer poet than Edgar Allan Poe, and he is therefore able to maintain his world of fantasy brilliantly through three novels. It is a very, very great work.” —Robertson Davies, New York Times-bestselling author “A sumptuous, poetic epic . . . considered by some to have an equal or even greater degree of importance to the development of modern fantasy as Tolkien’s The Lord of the Rings.” —SFF180 “Mervyn Peake’s gothic masterpiece, the Gormenghast trilogy, begins with the superlative Titus Groan, a darkly humorous, stunningly complex tale of the first two years in the life of the heir to an ancient, rambling castle . . . This true classic is a feast of words unlike anything else in the world of fantasy. Those who explore Gormenghast castle will be richly rewarded.” —SFF Book Reviews
"The Tragedy of Titus Andronicus" by William Shakespeare is a gripping and intense drama that explores themes of revenge, betrayal, and the destructive consequences of violence. Set in ancient Rome, the play follows the tragic downfall of the noble general Titus Andronicus and his family as they become embroiled in a cycle of vengeance and bloodshed. At the heart of the story is the brutal conflict between Titus Andronicus and Tamora, Queen of the Goths, whose sons are executed by Titus as retribution for their crimes. In retaliation, Tamora and her lover, Aaron the Moor, orchestrate a series of heinous acts of revenge against Titus and his family, plunging them into a spiral of madness and despair. As the body count rises and the atrocities escalate, Titus is consumed by grief and rage, leading to a climactic showdown that culminates in a shocking and tragic conclusion. Along the way, Shakespeare explores themes of honor, justice, and the nature of humanity, offering a searing indictment of the cycle of violence and the capacity for cruelty that lies within us all.
Identity crises, consumerism, and star-crossed teenage love in a futuristic society where people connect to the Internet via feeds implanted in their brains. Winner of the LA Times Book Prize. For Titus and his friends, it started out like any ordinary trip to the moon - a chance to party during spring break and play around with some stupid low-grav at the Ricochet Lounge. But that was before the crazy hacker caused all their feeds to malfunction, sending them to the hospital to lie around with nothing inside their heads for days. And it was before Titus met Violet, a beautiful, brainy teenage girl who knows something about what it’s like to live without the feed-and about resisting its omnipresent ability to categorize human thoughts and desires. Following in the footsteps of George Orwell, Anthony Burgess, and Kurt Vonnegut, Jr., M. T. Anderson has created a brave new world - and a hilarious new lingo - sure to appeal to anyone who appreciates smart satire, futuristic fiction laced with humor, or any story featuring skin lesions as a fashion statement.
Discover: ·How the springs at Hierapolis help us understand why Jesus described the church at Laodicea as “lukewarm” ·The background and circumstances of certificates of divorce in Judaism ·How Jewish dietary laws provided a powerful metaphor for God’s acceptance of the Gentiles Brimming with photos and graphics, the Zondervan Illustrated Bible Backgrounds Commentary walks you verse by verse through all the books of the New Testament. It’s like slipping on a set of glasses that lets you read the Bible through the eyes of a first-century reader! Discoveries await you that will snap the world of the New Testament into gripping immediacy. Things that seem mystifying, puzzling, or obscure will take on tremendous meaning when you view them in their ancient context. You’ll deepen your understanding of the teachings of Jesus. You’ll discover the close, sometimes startling interplay between God’s kingdom and the practical affairs of the church. Best of all, you’ll gain a deepened awareness of the Bible’s relevance for your life. Written in a clear, engaging style, this beautiful set provides a new and accessible approach that more technical expository and exegetical commentaries don’t offer. It features: ·Commentary based on relevant papyri, inscriptions, archaeological discoveries, and studies of Judaism, Roman culture, Hellenism, and other features of the world of the New Testament ·Hundreds of photographs, illustrations, and line drawings ·Copious maps, charts, and timelines·Sidebar articles and insights ·“Reflections” on the Bible’s relevance for 21st-century living Written by leading evangelical contributors: Clinton E. Arnold (Ph.D., University of Aberdeen), General Editor S. M. Baugh (Ph.D., University of California, Irvine) Peter H. Davids (Ph.D., University of Manchester) David E. Garland (Ph.D., Southern Baptist Theological Seminary) David W. J. Gill (D.Phil., University of Oxford) George H. Guthrie (Ph.D., Southwestern Baptist Theological Seminary) Moyer V. Hubbard (D.Phil., University of Oxford) Andreas J. Köstenberger (Ph.D., Trinity Evangelical Divinity School) Ralph P. Martin (Ph.D., University of London, King’s College) Douglas J. Moo (Ph.D., University of St. Andrews) Mark L. Strauss (Ph.D., University of Aberdeen) Frank Thielman (Ph.D., Duke University) Jeffrey A. D. Weima (Ph.D., University of Toronto) Michael J. Wilkins (Ph.D., Fuller Theological Seminary) Mark W. Wilson (D.Litt. et Phil., University of South Africa) Julie L. Wu (Ph.D., Fuller Theological Seminary) Robert W. Yarbrough (Ph.D., University of Aberdeen)
At the dawn of Reconstruction, a freed slave comes home to enforce the law For two weeks, Titus has been running. He is so tired and so hungry that part of him yearns to stop and throw himself on the mercy of the dogs. But he knows what happens to runaway slaves, so he presses on until he reaches a Union army camp. He sneaks into the cook tent and is about to help himself to some soup when the cook catches him. Soup is only for soldiers, he tells Titus—so Titus joins up. Four years later, the war is over and Titus is a corporal, with calloused hands and a heart toughened by battle. He gets a commission to return to Shannon, the county where he was born a slave, to act as the lawman for the reconstructed South. But the people of the plantation will accept no rule from a black man—which means that Titus Gamble’s war is not over yet.