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"Set against the backdrop of Victorian and Edwardian society, a portrait of the three Jerome sisters--Jennie, Clara, and Leonie, American heiresses who married into the heights of British society -- spans three generations, from their parents through their children, including Jennie's son, Winston Churchill."--Publisher.
Perfect for all Downton Abbey fans, this is the 1890 book behind the marriage of Lord and Lady Grantham. In an age when securing a prudent match was all-important for both sexes, Titled Americans offered a glance guide to recent high society marriages and a list of eligible bachelors who were still on the lookout for love. It explores and explains the trend for well-heeled European gents selecting American wives, discusses the relative merits of attaching oneself to an American or an English girl (”the American girl comes along, prettier than her English sister, dazzling and audacious, and she is a revelation to the Englishman”), and examines in detail the various titled families of Europe. Included to “arouse the ambition of the American girl”, there is a list of unmarried English Peers, making this a fantastic glimpse of the stately homes, relative fortunes and social lives of the glamorous English and American upper-classes at the turn of the century.
In the depths of the Great Recession, a cancer nurse, a car dealership worker, and an insurance fraud specialist helped uncover the largest consumer crime in American history—a scandal that implicated dozens of major executives on Wall Street. They called it foreclosure fraud: millions of families were kicked out of their homes based on false evidence by mortgage companies that had no legal right to foreclose. Lisa Epstein, Michael Redman, and Lynn Szymoniak did not work in government or law enforcement. They had no history of anticorporate activism. Instead they were all foreclosure victims, and while struggling with their shame and isolation they committed a revolutionary act: closely reading their mortgage documents, discovering the deceit behind them, and building a movement to expose it. Fiscal Times columnist David Dayen recounts how these ordinary Floridians challenged the most powerful institutions in America armed only with the truth—and for a brief moment they brought the corrupt financial industry to its knees.
* Finalist for the National Book Award in Poetry * * Winner of the National Book Critics Circle Award in Poetry * Finalist for the National Book Critics Circle Award in Criticism * Winner of the NAACP Image Award * Winner of the L.A. Times Book Prize * Winner of the PEN Open Book Award * ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Boston Globe, The Atlantic, BuzzFeed, NPR. Los Angeles Times, Publishers Weekly, Slate, Time Out New York, Vulture, Refinery 29, and many more . . . A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric. Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.
Why America Failed shows how, from its birth as a nation of "hustlers" to its collapse as an empire, the tools of the country's expansion proved to be the instruments of its demise Why America Failed is the third and most engaging volume of Morris Berman's trilogy on the decline of the American empire. In The Twilight of American Culture, Berman examined the internal factors of that decline, showing that they were identical to those of Rome in its late-empire phase. In Dark Ages America, he explored the external factors—e.g., the fact that both empires were ultimately attacked from the outside—and the relationship between the events of 9/11 and the history of U.S. foreign policy. In his most ambitious work to date, Berman looks at the "why" of it all Probes America's commitment to economic liberalism and free enterprise stretching back to the late sixteenth century, and shows how this ideology, along with that of technological progress, rendered any alternative marginal to American history Maintains, more than anything else, that this one-sided vision of the country's purpose finally did our nation in Why America Failed is a controversial work, one that will shock, anger, and transform its readers. The book is a stimulating and provocative explanation of how we managed to wind up in our current situation: economically weak, politically passe, socially divided, and culturally adrift. It is a tour de force, a powerful conclusion to Berman's study of American imperial decline.
Perfect for all Downton Abbey fans, this is the 1890 book behind the marriage of Lord and Lady Grantham. In an age when securing a prudent match was all-important for both sexes, Titled Americans offered a glance guide to recent high society marriages and a list of eligible bachelors who were still on the lookout for love. It explores and explains the trend for well-heeled European gents selecting American wives, discusses the relative merits of attaching oneself to an American or an English girl (”the American girl comes along, prettier than her English sister, dazzling and audacious, and she is a revelation to the Englishman”), and examines in detail the various titled families of Europe. Included to “arouse the ambition of the American girl”, there is a list of unmarried English Peers, making this a fantastic glimpse of the stately homes, relative fortunes and social lives of the glamorous English and American upper-classes at the turn of the century.
With an ambitious sweep over two hundred years, Paul Freedman’s lavishly illustrated history shows that there actually is an American cuisine. For centuries, skeptical foreigners—and even millions of Americans—have believed there was no such thing as American cuisine. In recent decades, hamburgers, hot dogs, and pizza have been thought to define the nation’s palate. Not so, says food historian Paul Freedman, who demonstrates that there is an exuberant and diverse, if not always coherent, American cuisine that reflects the history of the nation itself. Combining historical rigor and culinary passion, Freedman underscores three recurrent themes—regionality, standardization, and variety—that shape a completely novel history of the United States. From the colonial period until after the Civil War, there was a patchwork of regional cooking styles that produced local standouts, such as gumbo from southern Louisiana, or clam chowder from New England. Later, this kind of regional identity was manipulated for historical effect, as in Southern cookbooks that mythologized gracious “plantation hospitality,” rendering invisible the African Americans who originated much of the region’s food. As the industrial revolution produced rapid changes in every sphere of life, the American palate dramatically shifted from local to processed. A new urban class clamored for convenient, modern meals and the freshness of regional cuisine disappeared, replaced by packaged and standardized products—such as canned peas, baloney, sliced white bread, and jarred baby food. By the early twentieth century, the era of homogenized American food was in full swing. Bolstered by nutrition “experts,” marketing consultants, and advertising executives, food companies convinced consumers that industrial food tasted fine and, more importantly, was convenient and nutritious. No group was more susceptible to the blandishments of advertisers than women, who were made feel that their husbands might stray if not satisfied with the meals provided at home. On the other hand, men wanted women to be svelte, sporty companions, not kitchen drudges. The solution companies offered was time-saving recipes using modern processed helpers. Men supposedly liked hearty food, while women were portrayed as fond of fussy, “dainty,” colorful, but tasteless dishes—tuna salad sandwiches, multicolored Jell-O, or artificial crab toppings. The 1970s saw the zenith of processed-food hegemony, but also the beginning of a food revolution in California. What became known as New American cuisine rejected the blandness of standardized food in favor of the actual taste and pleasure that seasonal, locally grown products provided. The result was a farm-to-table trend that continues to dominate. “A book to be savored” (Stephen Aron), American Cuisine is also a repository of anecdotes that will delight food lovers: how dry cereal was created by William Kellogg for people with digestive and low-energy problems; that chicken Parmesan, the beloved Italian favorite, is actually an American invention; and that Florida Key lime pie goes back only to the 1940s and was based on a recipe developed by Borden’s condensed milk. More emphatically, Freedman shows that American cuisine would be nowhere without the constant influx of immigrants, who have popularized everything from tacos to sushi rolls. “Impeccably researched, intellectually satisfying, and hugely readable” (Simon Majumdar), American Cuisine is a landmark work that sheds astonishing light on a history most of us thought we never had.