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Handy archive of royalty-free typefaces ideal for ads, signs, menus, etc. Calico Casual, Designer Raleigh, Easter Gothic, Galaxy One, many other fonts. Use with any copier for an endless source of condensed type.
Treasury of eye-catching light, bold, open fonts: Acantha, Caprice, Decorette, Flemish Wide, Lion, Mystic, Stereo, dozens more. Each with complete uppercase alphabet; most with lowercase alphabet, numbers, punctuation, etc.
Words becoming pictures: a rich typographical resource of images and inspiration for designers. Expressive lettering and illustrated words: here is a kaleidoscope of highly animated text and type from a broad spectrum of styles and effects. Psychedelia, Hip-Hop, Gothic, flowers, smoke, hair, electricity, and monuments are just a few of the creative allusions for the dramatic and intricate examples inspired by nature, history, and just about anything that is visually provocative. Beginning with an historical overview of ornamental type and how it has evolved through the major creative periods from the beginning of the twentieth century to the present, the book includes hundreds of contemporary examples from around the world, organized into three sections: History Lesson, Au Naturel, and Eclectic. Each includes a brief essay introducing the background, influences, and outstanding aspects of the graphic work so beautifully displayed. New Ornamental Type is an essential reference for practitioners and students, and for anyone who appreciates the sheer delight of type as illustration.
A Revival and Celebration of the Golden Age of Typography Any type user and enthusiast will doubtless derive joy from the letters and ornaments in Vintage Graphic Design, gathered from the rare and forgotten sources that authors Steven Heller and Louise Fili have collected over the years. As type gourmets, Heller and Fili savor type in many forms—especially the aesthetically idiosyncratic and the printed artifacts of which historical or retro typefaces are samples. A period of rapid innovation and growth in printing and type technology, the late 1800s and early 1900s saw type foundries in Europe and America burst into wellsprings for bold compositions and arresting typefaces However, this is not a history book; rather, it is a sampler of tasty typographic confections or so-called eye candy. The curated selection here reflects this era’s printing material, including stock pictorial cuts, filigree borders, and cartouches galore. These aesthetic gems are the fruit of Heller’s and Fili’s labors after spending decades scouring the antiquarian book and flea markets of Paris, Berlin, Rome, Florence, Barcelona, eastern Europe, and elsewhere online and in auction catalogs to find examples of graphic design worth preserving and reviving. These beautiful—yet often absurd—rarities represent historic typeface catalogs and specimen sheets from an age when craftsmanship was at its zenith and attention to manufacture was rigorous. Paired best with the authors’ 2011 book, Vintage Type & Graphics, this full color volume is not just about delectation for its own sake, but to prove beyond a drop-shadow of a doubt that just because a typeface or decorative device is “old” does not mean it is “old-fashioned.”
A treasure trove of lettering styles and decorative elements, this handy reference offers an abundance of eye-catching alphabets, numerals, ribbons, borders, flowers, banners, and other easy-to-trace embellishments. With this guide, it's easy to add a personal touch—humorous, dramatic, or romantic—to any handwritten message or meditative journal. Hundreds of ornaments, all of them hand-drawn by the author, include dozens of alphabets and numerals. You'll also find frames, flourishes, and corner designs that provide pages with a stylish finishing touch. Decorative motifs range from arrows, hearts, and stars to leaves, blossoms, and wreaths. A wealth of fanciful graphics for special occasions includes designs for birthdays, weddings, holidays, and all four seasons. Calligraphers, crafters, and illustrators as well as anyone who wants to add a bit of pizzazz to their writing will prize this imaginative source of inspiration.
Covering the 17th through the early 20th centuries, each title in this renowned series concentrates on a specific theme from the rich and varied world of ornamental design. Each high quality volume is accompanied by a CD-ROM containing thousands of high-resolution, copyright-free images, allowing for easy transfers of selected items. This edition includes English, German, French, Russian, and Spanish.
In the mid-19th century, typefounders plied their trade with an extraordinary exuberance, creating a new and dazzling range of typefaces and ornamentation that in sheer versatility, ornate beauty, and sumptuousness remain unsurpassed. Today, as never before, their work is sought by artists, designers, and craftspeople for its elegance, expressiveness, and ability to command attention. This unique volume contains the work of one of the most celebrated typefounders of that glorious era in type design: Charles Derriey, who, from his Parisian foundry, fed the Victorians' insatiable appetite for decoration and embellishment with a truly fabulous assortment of display types and printers' ornaments. The 113 plates reprinted here from his 1862 typographic catalog include over 2,500 royalty-free type forms and ornamental designs. Here is an incredibly rich source of intricately ornamented typefaces along with an eye-catching array of vignettes (dingbats, headpieces, tailpieces, etc.), rules, flourishes, corner elements, and much more, including a wide selection of Victorian frames and border material. Leaf through it and you will find it to be not only a fascinating presentation of type design, but also an extensive sampler of Victorian ornamentation — a valuable reference book and source of royalty-free graphics, sturdily yet inexpensively produced, that will offer you years of inspiration, enjoyment, and practical use.