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"Previously published by Kilgore Books."
The laugh-out-loud true story of one girl's experience of life on Tinder. Rosy Edwards is the epitome of a contradictory twenty-something year old. She’s frugal when it comes to food shopping, but is willing to splash out on shampoo. She’s career minded, she just doesn’t know which career to have in mind right now. And although she’s happy being single, a part of her kind of wants a boyfriend. So after a few unsuccessful dates with friends of friends (read: being forced to date their shortest/dullest/oddest acquaintance), she put herself on Tinder, the app that has transformed the world of online dating. And she soon learns the unspoken rules the hard way: always reject a guy with black and white profile pics (he is ginger and/or ugly); is wearing a hat (bald); has a shot of his torso (moron) or is not standing beside anything scaleable (5”8 and under). And then there are the dates themselves. From a sky-high dinner date to a borderline drug bust in Chelsea, Rosy has experienced it all, swinging through her love life on the trapeze of Tinder. She falls for the wrong guys, ditches the nice ones, but can she finally find her happy ending. Brilliantly honest and hilariously funny, Rosy’s story shows us all that the key to a successful love life could just be a swipe away.
Is there such a thing as having it all? A Soulmate? A True Love?
Turns out you only know half of the story of Cinderella. Learn the rest in this mathmatically enjoyable fractioned fairy tale! Cinderella had a twin sister, Tinderella. They each did half the housework, half the mending, and half the mean step-sister tending. But when they meet only one prince, what will they do? The whole story has twice the magic and double the fun! From the author The Three Ninja Pigs comes the fractioned fairy tale of Cinderella and her less-famous sister.
Come along for the ride as Lexi Knight, at age 40 and married to her high school sweetheart, embarks on an erotic personal journey of self-discovery via sexual exploration. In equal doses of passion, frankness, humor and heart, Lexi encounters a brave new world of sex, dating, and romance with a bevy of men she meets through Tinder during an unprecedented era of hook-up culture, social media, and sexting. As one-night stands with awkward strangers, trysts with fantasy lovers, and pseudo-romances ensue during a hot and wild San Fernando Valley summer, Lexi grows to love and enjoy her body and redefine herself as a sexual woman in the prime of her life.
In M.S. Harkness' (Tinderella) second graphic novel, she weaves in and out of non-relationships, drug dealing, and sex work with the subtlety of a blunt axe. She's constantly searching for care and fulfillment, but never quite gets it right. Desperate Pleasures is a fearless autobiographical account that contextualizes the inter-relational difficulties of a young woman with years of trauma and abuse. Uncomfortably close-up, filled with dark humor, Desperate Pleasures is an unrelenting read and M.S. Harkness' best work to date.
A completely revised and updated edition of a bestseller, Maintenance, Replacement, and Reliability: Theory and Applications, Second Edition supplies the tools needed for making data-driven physical asset management decisions. The well-received first edition quickly became a mainstay for professors, students, and professionals, with its clear prese
Cinderella’s transformation from a lowly, overlooked servant into a princess who attracts everyone’s gaze has become a powerful trope within many cultures. Inspired by the Cinderella archive of books and collectables at the University of Bedfordshire, the essays in this collection demonstrate how the story remains active in various different societies where social and family relationships are adapting to modern culture. The volume explores the social arenas of dating apps and prom nights, as well as contemporary issues about women’s roles in the home, and gender identity. Cinderella’s cultural translation is seen through the contributors’ international perspectives: from Irish folklore to the Colombian Cenicienta costeña (Cinderella of the coast) and Spanish literary history. Its transdisciplinarity ranges from fashion in Charles Perrault and the Brothers Grimm’s publications to a comparison of Cinderella and Galatea on film, and essays on British authors Nancy Spain, Anne Thackeray Ritchie and Frances Hodgson Burnett.
Privacy has become a pressing concern for many users of digital platforms who fear legal or social liability for sharing personal details online. Yet for queer women and others, an emphasis on privacy fails to reflect the creativity and struggles of everyday people seeking to represent themselves and form meaningful connections through social media. Personal but Not Private explores how queer women share and maintain their identities through digital technologies despite overlapping technological, social, economic, and political concerns. Focusing on representations of sexual identity through Tinder, Instagram, and Vine, this volume uncovers how queer women are continuously engaging in identity modulation, or the process through which people and platforms adjust or modify personal information, to form relationships, increase their social and economic participation, and counter intersecting forms of oppression. While queer women's representations of sexual identity give rise to publics and counterpublics through intimate and collective self-representation, platform-specific elements like design and governance place limitations on queer women's agency and often make them targets of censorship, harassment, and discrimination. This book also considers how identity modulation can be applied to a range of people negotiating digital contexts and promotes tangible changes to digital platforms and their broader social, economic, and political structures to empower individuals and their personal sharing on social media. Bringing together personal interviews and empirical research, Personal but Not Private offers a new lens for examining digitally mediated identities and highlights how platforms act as complicated sites of transformation.