Download Free Tin House Winter Reading 2017 Tin House Magazine Book in PDF and EPUB Free Download. You can read online Tin House Winter Reading 2017 Tin House Magazine and write the review.

Tin House 74: Winter Reading offers the best of both New Voices and established favorites in fiction, nonfiction, and poetry. Featuring fiction, nonfiction, and poetry from established writers and new voices, Issue 74 will keep you warm on a cold night.
A Vulture Best Short Book A She Reads Indie Book Club Pick for Summer “Alexis Smith’s brilliant debut novel is filled with kaleidoscopic pleasures. Line by line, in and out of time, this is a haunted, joyful, beautiful book—a true gift.” —Karen Russell “Her story could be told in other people’s things. The postcards and the photographs. A garnet ring and a needlepoint of the homestead. The aprons hanging from her kitchen door. Her soft, faded, dog-eared copy of Little House in the Big Woods. A closet full of dresses sewn before she was born. All these things tell a story, but is it hers?” Isabel is a single twenty-something in Portland, Oregon, who repairs damaged books in the basement of the local library, dreaming of a life she can’t quite reach. She is filled with longing—for a life in Amsterdam even though she’s never visited, for the unrequited love of a coworker, for a simpler time from her childhood in Alaska among the threatened glaciers she loves, and for the perfect vintage dress to wear to a party that just might change everything. Unfolding over the course of a single day, Alexis M. Smith’s shimmering debut finds Isabel looking into her past—remembering her parents’ separation, a meeting with an astrologer, and a life-changing encounter with a glacier—and shows us how fleeting, everyday moments can reveal an entire life. In classic movies, in old photographs and unsent postcards, rare books, and thrifted gems, Glaciers tells the story of a young woman’s love of the past and a hope to make something new and all her own.
The literary magazine people are talking about.
As a girl growing up in remote central Oregon, Sarahlee Lawrence dreamed of leaving her small town in search of adventure. By the age of twenty-one, she had rafted some of the most dangerous rivers of the world as an accomplished river guide. But living her dream as guide and advocate, riding and cleaning the arteries of the world, led her back to the place she least expected to find herself--her dusty beginnings and her family's ranch. River House is the beautiful chronicle of a daughter's return and her relationship with her father, whom she enlists to brave the cold winter and help her build a log house"--Cover flap.
A New York Times Editors’ Choice and Best Book of the Year at TIME, Esquire, Amazon, Kirkus, and Electric Literature Jeannie Vanasco has had the same nightmare since she was a teenager. It is always about him: one of her closest high school friends, a boy named Mark. A boy who raped her. When her nightmares worsen, Jeannie decides—after fourteen years of silence—to reach out to Mark. He agrees to talk on the record and meet in person. Jeannie details her friendship with Mark before and after the assault, asking the brave and urgent question: Is it possible for a good person to commit a terrible act? Jeannie interviews Mark, exploring how rape has impacted his life as well as her own. Unflinching and courageous, Things We Didn’t Talk About When I Was a Girl is part memoir, part true crime record, and part testament to the strength of female friendships—a recounting and reckoning that will inspire us to ask harder questions, push towards deeper understanding, and continue a necessary and long overdue conversation.
A book-length poem about how an American Indian writer can’t bring himself to write about nature, but is forced to reckon with colonial-white stereotypes, manifest destiny, and his own identity as an young, queer, urban-dwelling poet. A Best Book of the Year at BuzzFeed, Interview, and more. Nature Poem follows Teebs—a young, queer, American Indian (or NDN) poet—who can’t bring himself to write a nature poem. For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky. He’d slap a tree across the face. He’d rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he’d rather write odes to Aretha Franklin and Hole. While he’s adamant—bratty, even—about his distaste for the word “natural,” over the course of the book we see him confronting the assimilationist, historical, colonial-white ideas that collude NDN people with nature. The closer his people were identified with the “natural world,” he figures, the easier it was to mow them down like the underbrush. But Teebs gradually learns how to interpret constellations through his own lens, along with human nature, sexuality, language, music, and Twitter. Even while he reckons with manifest destiny and genocide and centuries of disenfranchisement, he learns how to have faith in his own voice.
A TIME Magazine Best Paperback of 2017 One of Oprah Magazine's "Ten Best Books of 2017" "This singular poetry collection is a dynamic meditation on the experience of, and societal narratives surrounding, contemporary black womanhood. . . . These exquisite poems defy categorization." —The New Yorker The only thing more beautiful than Beyoncé is God, and God is a black woman sipping rosé and drawing a lavender bath, texting her mom, belly-laughing in the therapist’s office, feeling unloved, being on display, daring to survive. Morgan Parker stands at the intersections of vulnerability and performance, of desire and disgust, of tragedy and excellence. Unrelentingly feminist, tender, ruthless, and sequined, these poems are an altar to the complexities of black American womanhood in an age of non-indictments and deja vu, and a time of wars over bodies and power. These poems celebrate and mourn. They are a chorus chanting: You’re gonna give us the love we need.
Residents of a thriving port town in Russia's Far East are shaped by regional history and lore throughout the latter half of the twentieth century, from a local woman who considers an Italian footballer's proposition to a former Soviet boss' memories about a thorny friendship.
Presents twenty of the best works of short fiction of the past year from a variety of acclaimed sources.