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The relationship of photography to painting, the polarity of the fine art and vernacular traditions, and the connection between photography and modernism are some of the topics which crop up again and again in this collection of 16 essays which explore the works of a number of photographers. The ess
Tin House 74: Winter Reading offers the best of both New Voices and established favorites in fiction, nonfiction, and poetry.
Camden Joy’s hero can’t wrap up the quickie biography of rock star Liz Phair he’s been commissioned to write. Instead, the shaky author finds himself recounting the troubled events of his own life. His ex-girlfriend (who just might be the illegitimate daughter of dead Rolling Stone Brian Jones), Liz Phair (whom he’s never met), and a mystery girl seen looting a shop in an old newspaper photo all start to blur together in his mind. If only he could get closer to his subject before the assignment spins out of control, maybe he’d have a shot at the distinction he feels he deserves . . . First published in 1998, The Last Rock Star Book has become an underground cult classic.
You won't have to search for excuses to stay in this winter. With engaging prose, poetry, and interviews from established writers you love and new voices you're bound to fall in love with, this issue of Tin House is brimming with literature that ignites your imagination and provokes your senses.
A Vulture Best Short Book A She Reads Indie Book Club Pick for Summer “Alexis Smith’s brilliant debut novel is filled with kaleidoscopic pleasures. Line by line, in and out of time, this is a haunted, joyful, beautiful book—a true gift.” —Karen Russell “Her story could be told in other people’s things. The postcards and the photographs. A garnet ring and a needlepoint of the homestead. The aprons hanging from her kitchen door. Her soft, faded, dog-eared copy of Little House in the Big Woods. A closet full of dresses sewn before she was born. All these things tell a story, but is it hers?” Isabel is a single twenty-something in Portland, Oregon, who repairs damaged books in the basement of the local library, dreaming of a life she can’t quite reach. She is filled with longing—for a life in Amsterdam even though she’s never visited, for the unrequited love of a coworker, for a simpler time from her childhood in Alaska among the threatened glaciers she loves, and for the perfect vintage dress to wear to a party that just might change everything. Unfolding over the course of a single day, Alexis M. Smith’s shimmering debut finds Isabel looking into her past—remembering her parents’ separation, a meeting with an astrologer, and a life-changing encounter with a glacier—and shows us how fleeting, everyday moments can reveal an entire life. In classic movies, in old photographs and unsent postcards, rare books, and thrifted gems, Glaciers tells the story of a young woman’s love of the past and a hope to make something new and all her own.
In her electric fourth collection, Melissa Broder penetrates the itch of existence and explores numberless deaths: the annihilation of self, the bereavement of love, the destruction of fantasy, the transmutation, even, of our ideas of dying. One of the New Yorker's Books We Loved in 2016 What emerges is an infinite series of false endings—each a trap door containing the possibility for alchemy, rebirth, and renewal. Part elegy, part confessional, part battle cry, Last Sext confronts both eternal longing and the mystery of mortality, with language hot, primal, and dark, as Broder’s fans have come to love.
A Russian spy and scientist imparts to his paramour interconnected memories detailing his early days as a Bolshevik-era theremin innovator through his Moscow imprisonment and assignments to eavesdrop on Stalin. By the award-winning founder of the Said the Gramophone blog. Original.
ANTHONY AWARD WINNER FOR BEST FIRST NOVEL THRILLER AWARD WINNER FOR BEST FIRST NOVEL EDGAR AWARD NOMINEE FOR BEST FIRST NOVEL “Winter Counts is a marvel. It’s a thriller with a beating heart and jagged teeth.” —Tommy Orange, author of There There A Best Book of 2020: NPR * Publishers Weekly * Library Journal * CrimeReads * Goodreads * Sun Sentinel * SheReads * MysteryPeople A groundbreaking thriller about a vigilante on a Native American reservation who embarks on a dangerous mission to track down the source of a heroin influx. Virgil Wounded Horse is the local enforcer on the Rosebud Indian Reservation in South Dakota. When justice is denied by the American legal system or the tribal council, Virgil is hired to deliver his own punishment, the kind that’s hard to forget. But when heroin makes its way into the reservation and finds Virgil’s nephew, his vigilantism suddenly becomes personal. He enlists the help of his ex-girlfriend and sets out to learn where the drugs are coming from, and how to make them stop. They follow a lead to Denver and find that drug cartels are rapidly expanding and forming new and terrifying alliances. And back on the reservation, a new tribal council initiative raises uncomfortable questions about money and power. As Virgil starts to link the pieces together, he must face his own demons and reclaim his Native identity. He realizes that being a Native American in the twenty-first century comes at an incredible cost. Winter Counts is a tour-de-force of crime fiction, a bracingly honest look at a long-ignored part of American life, and a twisting, turning story that’s as deeply rendered as it is thrilling. Winner, Spur Awards for Best Contemporary Novel and Best First Novel * Winner, Lefty Award for Best Debut Mystery Novel * Shortlisted, Best First Novel, Bouchercon Anthony Awards * Shortlisted, Best First Novel, International Thriller Writers * Shortlisted, Dashiell Hammett Prize for Literary Excellence in Crime Writing, International Association of Crime Writers * Longlisted, VCU Cabell First Novel Award * Shortlisted, Barry Award for Best First Novel * Shortlisted, Reading the West Award * Shortlisted, Colorado Book Award (Thriller)
From the author of the critically acclaimed story collection How This Night Is Different comes a dark, arresting, fearlessly funny story of one young woman's terminal illness. In The Book of Dahlia, Elisa Albert walks a dazzling line between gravitas and irreverence, mining an exhilarating blend of skepticism and curiosity, compassion and candor, high and low culture. Meet Dahlia Finger: twenty-nine, depressed, whip-smart, occasionally affable, bracingly honest, resolutely single, and perennially unemployed. She spends her days stoned in front of the TV, watching the same movies repeatedly, like "a form of prayer." But Dahlia's so-called life is upended by an aggressive, inoperable brain tumor. Stunned and uncomprehending, Dahlia must work toward reluctant emotional reckoning with the aid of a questionable self-help guide. She obsessively revisits the myriad heartbreaks, disappointments, rages, and regrets that comprise the story of her life -- from her parents' haphazard Israeli courtship to her kibbutz conception; from the role of beloved daughter and little sister to that of abandoned, suicidal adolescent; from an affluent childhood in Los Angeles to an aimless existence in the gentrified wilds of Brooklyn; from a girl with "options" to a girl with none -- convinced that cancer struck because she herself is somehow at fault. With her take-no-prisoners perspective, her depressive humor, and her extreme vulnerability, Dahlia Finger is an unforgettable anti-heroine. This staggering portrait of one young woman's life and death confirms Elisa Albert as a "witty, incisive" (Variety) and even "wonder-inducing" writer (Time Out New York).