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Throw on your sunglasses and prop up the parasol, Tin House is back with another Summer Reading edition. Enjoy the hottest new fiction, shine some light with uniquely personal nonfiction, and then cool off in the shade with the poets.
An award-winning quarterly, Tin House started in 1999, the singular love child of an eclectic literary journal and a beautiful glossy magazine. Drop it in your beach bag with the sunscreen and kadima paddles—our annual summer reading issue will feature a smorgasbord of new writing from established and new voices.
A collection of the best American science fiction and fantasy stories from 2017.
An award-winning quarterly, Tin House started in 1999, the singular love child of an eclectic literary journal and a beautiful glossy magazine. Our fall issue will be packing stories, essays, and poems inspired by poison pens, poison pills, and general-use poisons. But don't worry, reading is the antidote, too. Featuring Elisa Albert, Melissa Febos, Ethan Rutherford, Shane McCrae, Deb Olin Unferth, and more.
An acclaimed expert illuminates the distinctive role that white women play in perpetuating racism, and how they can work to fight it In a nation deeply divided by race, the “Karens” of the world are easy to villainize. But in Nice White Ladies, Jessie Daniels addresses the unintended complicity of even well-meaning white women. She reveals how their everyday choices harm communities of color. White mothers, still expected to be the primary parents, too often uncritically choose to send their kids to the “best” schools, collectively leading to a return to segregation. She addresses a feminism that pushes women of color aside, and a wellness industry that insulates white women in a bubble of their own privilege. Daniels then charts a better path forward. She looks to the white women who fight neo-Nazis online and in the streets, and who challenge all-white spaces from workplaces to schools to neighborhoods. In the end, she shows how her fellow white women can work toward true equality for all.
The best short fiction published by Singaporean writers in 2017 and 2018. The Epigram Books Collection of Best New Singaporean Short Stories: Volume Four gathers the finest Singaporean stories published in 2017 and 2018, selected by guest editor Pooja Nansi from hundreds published in journals, magazines, anthologies and single-author collections. Accompanying the stories are the editor’s preface and an extensive list of honourable mentions for further reading. Reader Reviews "The stories range from intimate family portraits to speculative science fiction, but every piece speaks to universal experiences of love, loss, desire, and disappointment ... If you've either never read Singaporean literature, this would be a good place to start. If Crazy Rich Asians was the last thing you read by a local author, even better." — Wonderwall.sg
A collection of the year's best essays selected by Robert Atwan and guest editor Rebecca Solnit. "Essays are restless literature, trying to find out how things fit together, how we can think about two things at once, how the personal and the public can inform each other, how two overtly dissimilar things share a secret kinship," contends Rebecca Solnit in her introduction. From lost languages and extinct species to life-affirming cosmologies and literary myths that offer cold comfort, the personal and the public collide in The Best American Essays 2019. This searching, necessary collection grapples with what has preoccupied us in the past year--sexual politics, race, violence, invasive technologies--and yet, in reading for the book, Solnit also found "how discovery can be a deep pleasure." The Best American Essays 2019 includes Michelle Alexander, Jabari Asim, Alexander Chee, Masha Gessen, Jean Guerrero, Elizabeth Kolbert, Terese Marie Mailhot, Jia Tolentino, and others.
Best American Experimental Writing 2020, guest-edited by Joyelle McSweeney and Carmen Maria Machado, is the sixth edition of the critically acclaimed anthology series compiling an exciting mix of fiction, poetry, non-fiction, and genre-defying work. Featuring a diverse roster of writers and artists culled from both established authors—including Anne Boyer and Alice Notley—as well as new and unexpected voices, like Kamden Hilliard and Kanika Agrawal, BAX 2020 presents an expansive view of today's experimental and high-energy writing practices. A perfect gift for discerning readers as well as an important classroom tool, Best American Experimental Writing 2020 is a vital addition to the American literary landscape.
Learning to write starts with learning to do one big thing: pay attention to the world around you, even though just about everything in modern life makes this more difficult than it needs to be. Developing habits and practices of observing, and writing down what you notice, can be the first step away from the anxieties and doubts that can hold you back from your ultimate goal as a writer: discovering something to say and a voice to say it in. The Writer's Eye is an inspiring guide for writers at all stages of their writing lives. Drawing on new research into creative writers and their relationship with the physical world, Amy E. Weldon shows us how to become more attentive observers of the world and find inspiration in any environment. Including exercises, writing prompts and sample texts and spanning multiple genres from novels to nonfiction to poetry, this is the ideal starting point for anyone beginning to write seriously and offers refreshing perspectives for experienced writers seeking new inspiration.
Featuring fiction, nonfiction, and poetry from established authors and new voices alike, the Candy Issue explores those sweet, seductive things we crave, but that might also ruin us. Candy is all sugary, brightly colored, dangerous temptation—from jawbreakers to candy floss. From the comforting and childlike to those desirable things that can easily turn lurid and even destructive.Featuring stories, essays, and poems on appetites and the pursuit of pleasure, the hard edge on something sickly sweet, and the eternal allure of something you can’t quite trust. Candy—everyone wants more than is good for them.