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One of the most eclectic, celebrated and influential figures of the second half of the twentieth century, Andy Warhol is an emblem of American culture of the sixties and seventies. The Andy Warhol Show sheds light not only on the revolutionary role that Warhol played in art but also his influence on graphic design, communication and fashion. Introduced by the editors Gianni Mercurio and Daniela Morera, the exhibition catalogue includes new essays by Bruno Bischofberger, Victor Bokris, Ronald Feldman, Glenn 'O Brien and a critical essay by Demetrio Paparoni. The main nucleus of works reproduced in this striking catalogue is impressive: in addition to the 200 paintings which span his entire career, the book showcases a rich collection of photographs, graphic works and drawings, including Warhol's early illustrations for fashion magazines. The fundamental themes of the Warhol aesthetic can be seen here in some of their most representative examples: the beauty-success-power myth (portraits of Marilyn, Liz Taylor, Elvis Presley, Jaqueline Kennedy, Mao); consumerism (Campbell's Soup, Brillo Box, Dollar Sign); advertising, serial repetition of an image, the tragic symbols of catastrophe and death (Suicide, Electric Chair); portraits of artists, dealers, friends such as Leo Castelli, Keith Haring, Dennis Hopper; the passage through abstract art (Camouflage, Shadows); collaborations with Jean-Michel Basquiat and Francesco Clemente; and The Last Supper, Warhol's final series of works.
Text by Germano Celant, David Vaughan, Barbara Frost, Yvonne Rainer, Paul Taylor, Lucinda Childs, John Cage, Karole Armitage, Nam June Paik, Jasper Johns, Merce Cunningham, et al.
Artwork by Merce Cunningham. Edited by Germano Celant. Contributions by David Vaughn. Text by Melissa Harris.
Jane Austen's career as a novelist began in 1811 with the publication of Sense and Sensibility. Her work was finally adapted for the big screen with the 1940 filming of Pride and Prejudice (very successful at the box office). No other film adaptation of an Austen novel was made for theatrical release until 1995. Amazingly, during 1995 and 1996, six film and television adaptations appeared, first Clueless, then Persuasion, followed by Pride and Prejudice, Sense and Sensibility, the Miramax Emma, and the Meridian/A&E Emma. This book traces the history of film and television adaptations (nearly 30 to date) of Jane Austen manuscripts, compares the adaptations to the manuscripts, compares the way different adaptations treat the novels, and analyzes the adaptations as examples of cinematic art. The first of seven chapters explains why the novels of Jane Austen have become a popular source of film and television adaptations. The following six chapters each cover one of Austen's novels: Sense and Sensibility, Pride and Prejudice, Emma, Mansfield Park, Persuasion, and Northanger Abbey. Each chapter begins with a summary of the main events of the novel. Then a history of the adaptations is presented followed by an analysis of the unique qualities of each adaptation, a comparison of these adaptations to each other and to the novels on which they are based, and a reflection of relevant film and literary criticism as it applies to the adaptations.
The graceful line of the eye and its colors, and its leading place in our senses has intrigued thepainter and sculptor from antiquity to today's art movements. For eons the eye performed wellfor humans and animals, receiving and signaling perceptions and, now, in its new host ? amachine's screen. Each work in the "The Eyes Have It" explores the eye in a human, predatory, ortechnological context. Interlocking themes encompass ageless associations from classicalmythology to today's threat of cyber-surveillance. The artists also contrast the strength and weakness of the human eye with the power of the animal eye - the watchful, predatory owl and the peacock with a thousand "eyes" set within the sweeping train of its tail.The eye remains a symbol of power, protection and rebirth, a symbol that dates back to themost ancient civilizations. A talisman against evil, a harbinger of observation, and a comfortingsign of God's watchfulness, artists have always incorporated the eye into portrayals of humanendeavor. Today, the eye continues to enthrall artists: its powerful associations and captivatinggaze are coupled with its roles as the physical embodiment of sight and as visual metaphor forour need to see and be seen.Artists include: Humaira Abid, Rodolfo Abularach, Derrick Adams, Carlos Aires, Janine Antoni,Firelei Báez, Gina Beavers, Angelica Bergamini, Huma Bhabha, Zach Blas, Justin Bower,Francesco Clemente, Julie Cockburn, Peter Combe, Esperanza Cortes, Diana Corvelle, VanezzaCruz, Timothy Cummings, DAS INSTITUT (Kerstin Brätsch and Adele Röder), Dennis Delgado,Dale Dunning, Lauren Fensterstock, Stephen Frailey, Carla Gannis, Laurent Grasso, GregoryHalili, Peter Hamlin, Valerie Hammond, HoruX, James Jean, Laura Karetzky, Katherine Knauer,Fay Ku, Caroline Larsen, Ted Lawson, Lysiane Luong, Civil Milieu, Marilyn Minter, Felek?an Onar,Tony Oursler, Alex Prager, Joseph Raffael, Jamel Robinson, Dan Schaub, Sima I. Schloss, LaurieSimmons, Chris Smith, and William Villalongo"The Eyes Have It" was organized by Bartholomew F. Bland and Laura J. A. De RiggiThe catalogue of the exhibition is published by Lehman College, City University of New York
Combining the by-the-bootstraps work ethic of Nikki Haley’s Can’t Is Not an Option with the military pluck of MJ Heger’s Shoot Like a Girl, Joni Ernst’s candid memoir details the rise of one of the most inspiring and authentic women in the United States Senate. The daughter of hardworking farmers in the heartland, Joni Ernst has never been afraid to roll up her sleeves and get the job done. Raised in rural Iowa, Joni grew up cleaning stalls, hauling grain, and castrating hogs. Farm life forged her work ethic. She developed grit and tenacity, attributes that would later be put to the test when she faced abuse, sexism, and harassment. First, as a Lieutenant Colonel in the Army and later as an underdog candidate in the US Senate, Joni has proven to be a natural leader who proudly serves her fellow Americans. She had to learn to believe when others didn’t, to raise her own voice for those who couldn’t, and to silence the naysayers (even herself) to become a bold leader and a fierce advocate. In her inspiring memoir, Joni shares her struggles and the invaluable lessons she learned through hardship—on the farm, in the home, and at work. As a woman fighting for position in the boys’ clubs of the military and politics, she found strength in courage and vulnerability, becoming a role model for women everywhere. As a US Senator, Joni is well-known and respected for her fight to hold Washington accountable and her demand for bipartisanship in a time of fierce tribalism. Daughter of the Heartland tells Joni’s incredible story in four parts, defined by the values she’s learned along the way—leadership, service, courage, and gratitude. Written in an honest and compelling voice, Daughter of the Heartland is Joni’s inspirational story of finding her place as a champion for Iowa, a defender of our armed forces, and a voice for women.
This is the perfect overview of the Irish novel from the seventeenth century to the present day.