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This is a view of Lake Okeechobee in south Florida. Th is is an exciting story full of danger at every turn, a story that some people will know as the truth and the others will believe it to be impossible. Th is author is an old man telling the stories of his life 65 years ago. Some parts are true but it is all listed as fi ction. Th is is the fi rst book for Larry English and it has discoveries that may or may not be true, Larry English lived in the North Georgia mountains in Clayton, Georgia for about 30 years, then moved to Florida where he still lives to-day.
These memoirs trace the wild and adventurous life of Pérez Rosales from his childhood up to the 1860s. During that approximately half-century he saw and did more than a dozen ordinary men. At age eleven in Argentina he witnessed the executions of Luis and Juan Jose Carrera. From there, his activities and adventures took him on several journeys on sailing vessels around Cape Horn; to Paris, where he witnessed the July revolution of 1830; to various commercial endeavors including a distillery, the practice of medicine, and cattle smuggling; into service as an advisor to an Argentine warlord; as a miner for precious metals in the north of Chile; as participant in the California Gold Rush in 1849; as director of the government's project for German immigration and settlement in the wild south of Chile; and also as Chilean consul and immigration agent in Hamburg. Around the world, Rosales lived through many of his era's watershed moments. His exciting memoirs offer a chance to relive the rush and chaos of these times--from a much safer vantage.
This is a book of dedications of some of the people I associated with and who touched my heart through the years. We enjoyed one another’s company, especially when I was young, at our family cottage.
After getting left at the altar, Kenzie Gifford flees to San Francisco to start her life over, determined never to love again. She's made new friends and has a good job in the office of her cousin's chocolate factory. The only thorn in her side is Dr. Micah Fisher, who insists on pursuing her despite her constant rejection. Then the Great 1906 Earthquake strikes the city, and everything changes. The devastation all around her makes Kenzie reevaluate her outlook on life--and possibly even her feelings for Micah. But then her world is rocked again when her ex-fiancé appears, full of apologies and determined to win her back. But Arthur already broke her heart once. Does she dare trust him again? The sudden arrival of a hidden danger will expose the motivations of all involved, but it could cost Kenzie her life--as well as her heart.
What is time? How fast does time travel? We have our understanding of time. Was it only yesterday that the Sioux had their own land as Blue Feather describes? It is very alive in his memory. He wants to take us back to his time. To me it is so vivid! The ice cold water in the streams as it collects the snow melt, hear the rattle of the stones as the water rushes down. Come and experience the life of the Sioux when their land was free. Claire Loryman 2021
Louis Barfe's elegantly written, authoritative and highly entertaining history charts the meteoric rise and slow decline of the popular recording industry. Barfe shows how the 1920s and 1930s saw the departure of Edison from the phonograph business he created and the birth of EMI and CBS. In the years after the war, these companies, and the buccaneers, hucksters, impresarios and con-men who ran them, reaped stupendous commercial benefits with the arrival of Elvis Presley, who changed popular music (and sales of popular music) overnight. After Presley came the Beatles, when the recording industry became global and record sales reached all time highs. Where Have All The Good Times Gone? also charts the decline from that high-point a generation ago. The 1990s ushered in a period of profound crisis and uncertainty in the industry, encapsulated in one word: Napster. Barfe shows how the almost infinite amounts of free music available online have traumatic and disastrous consequences for an industry that has become cautious and undynamic.
Beautifully illuminated by a color insert and with black-and-white illustrations throughout, this compelling narrative of night is panoramic in scope yet fashioned on an intimate scale and enriched by personal stories.
James Willard Schultz first encountered the Blackfeet Indians in Montana Territory in 1877 when he was seventeen. In time, he married a Blackfeet woman, formed close friendships with many in the tribe, and lived with them off and on for the next seventy years until his death. Why Gone Those Times? is based on his experiences among the Blackfeet, who gave him the name Apikuni. Apikuni’s adventures include taming a wolf, raiding in Old Mexico, and stalking a black buffalo. Although Schultz was neither historian nor ethnologist, he filled his stories with Indian history and detailed descriptions of Blackfeet daily life and culture.
For anyone who has ever felt like they don't belong, Sigh, Gone shares an irreverent, funny, and moving tale of displacement and assimilation woven together with poignant themes from beloved works of classic literature. In 1975, during the fall of Saigon, Phuc Tran immigrates to America along with his family. By sheer chance they land in Carlisle, Pennsylvania, a small town where the Trans struggle to assimilate into their new life. In this coming-of-age memoir told through the themes of great books such as The Metamorphosis, The Scarlet Letter, The Iliad, and more, Tran navigates the push and pull of finding and accepting himself despite the challenges of immigration, feelings of isolation, and teenage rebellion, all while attempting to meet the rigid expectations set by his immigrant parents. Appealing to fans of coming-of-age memoirs such as Fresh Off the Boat, Running with Scissors, or tales of assimilation like Viet Thanh Nguyen's The Displaced and The Refugees, Sigh, Gone explores one man’s bewildering experiences of abuse, racism, and tragedy and reveals redemption and connection in books and punk rock. Against the hairspray-and-synthesizer backdrop of the ‘80s, he finds solace and kinship in the wisdom of classic literature, and in the subculture of punk rock, he finds affirmation and echoes of his disaffection. In his journey for self-discovery Tran ultimately finds refuge and inspiration in the art that shapes—and ultimately saves—him.
A New York Times Best Seller 2019 National Book Award Longlist, Nonfiction 2019 Kirkus Book Prize Finalist, Nonfiction A February IndieNext Pick Named A Most Anticipated Book of 2019 by Buzzfeed, Nylon, The A. V. Club, CBC Books, and The Rumpus, and a Winter's Most Anticipated Book by Vanity Fair and The Week Starred Reviews: Kirkus and Booklist "Warm, immediate and intensely personal."—New York Times How does one pay homage to A Tribe Called Quest? The seminal rap group brought jazz into the genre, resurrecting timeless rhythms to create masterpieces such as The Low End Theory and Midnight Marauders. Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . . . Thank You 4 Your Service, which arrived when fans needed it most, in the aftermath of the 2016 election. Poet and essayist Hanif Abdurraqib digs into the group’s history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. The result is as ambitious and genre-bending as the rap group itself. Abdurraqib traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws that forced a reinvention in production methods, the East Coast–West Coast rivalry that threatened to destroy the genre, and some record labels’ shift from focusing on groups to individual MCs. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact. Whether he’s remembering The Source magazine cover announcing the Tribe’s 1998 breakup or writing personal letters to the group after bandmate Phife Dawg’s death, Abdurraqib seeks the deeper truths of A Tribe Called Quest; truths that—like the low end, the bass—are not simply heard in the head, but felt in the chest.