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Eager to find a new life and, hopefully, true love, Lauren Celeste Newman moves from California for a new beginning in Cape May, New Jersey. The move quickly becomes her worst nightmare...a haunted mansion. Afraid of haunting's in her new home, Lauren is drawn to Hank, who is everything she has ever wanted. He is tall, dark, captivatingly handsome, filthy rich, and a genuine gentleman. Meanwhile, after meeting Lauren, Hank's hopes for a true and deep kind of love emerge. But he has a long, dark secret. Will Hank risk telling Lauren of his true identity, that he is actually Sir Hendrick Scott Saylor, a 16th century explorer? Nothing is as it appears to be in this epic, paranormal love story. See if desires can become a reality.
Timeless Heartbeat: A Yearlong Melody of Feelings Delving into the depths of each passing month, let's embark on a poetic symphony, celebrating their unique essence and transformative power. From the blossoming hope of spring to the introspective whispers of winter, the author's pen dances across the pages, capturing the fleeting moments and eternal emotions in our hearts that define our existence. This enchanting melody through time explores the kaleidoscope of feelings that each month unravels. Open your heart, embrace the rhythm of the seasons, and allow words to be your guide.
There are all kinds of kisses... Cheep kisses. Moo kisses. Maaa kisses. Coo kisses... But the best kiss of all... Is Mommy's kiss goodnight. Sweet dreams, little one! Mommies and babies aren't the only ones who enjoy sharing kisses. All throughout the farm, animal families snuggle up with their little ones, offering them warmth and love. Following a mama bird on her journey back to the nest to give her own baby some special cuddles, Nancy Tafuri uses beautiful, inviting illustration to share how different creatures, from peeping ducks to mooing cows, show their love and affection in very similar ways. A heartfelt homage to all of the wonderful kinds of kisses
(CONTINUED from AUTHOR BIO)To Lestat My writing of the book seems that of memory. But my writing of the book is LOVE ; because Love dwells in Memory Lestat. And because Love dwells in Memory, my writing of the book is the same as I LOVE YOU. So I Love You. With Love, and thereof Memory, With Memory, and thereof Love, Red-breasted Tongueless Bird Tearing the Sky throatily, Ariel Wolfe * * * * * There has been a lot about Love. And this book may tell 'about' the same. However, it is different because it was originally written for the sake of a melancholy Genius who constantly is to be replenished with a nightly dose of novel passion, and because it is written by a passionate Asian woman whose mind is always seething with fleeting thoughts and imagination and whose heart is full of passion, pity and love. Apparently it is a love story in a form of verse extracted from over 1,200 letters between an Asian poetess and an American musician (or a Vampire and a Vampire-Lover; or simply two Pain-kissers) that have never met in person but through music and internet, and pain - And both egos are alike in that they hated the world from the bottom of the guts, although they emulated each other in demonstrating how much they loved the world - yet at once they always wanted to create something more than the world. It is not about pinky rosy weakling Love. It is much of blood from naked soul. It is a voice unique, something else than human that has been sleeping in the human. And it is not for people. Pain is how these two souls were connected at first and Passion comes in place. To quote her: "Without pain, neither pleasure nor happiness can be. Even beauty, without suffering, cannot be true beauty enduring. Sheer happiness, with passion castrated, is simply incomplete. Therefore, it is about pleasure, happiness, beauty and passion embracing pain within." -Editor M. Channdler- * * * * * Introduction October 3, 2004, I release the heavy fardel long-loaded upon my soul into the lighted world, from my own secret terrain, that darkly shadowed nook of my heart, encysting a seed of ever-implacable fire, hotly transfused into the pith of my bone, marked by a rebellious sensation of constant burning. Amongst all those humanities, ghosts and specters, aged and ageless, formed and formless, somewhere distant by a half round of the planet, there existed an eclipsed ego of a Genius, J. Lestat S., a soul kindred to mine who managed, Oh blind God, to crash into my soul this life again on that narrow path of fate, with all the labyrinthine, slow snaky trails that seem interminable, heavily packed with the despairingly huge, pitiably blind multitude of crowd aimlessly revolving among. Oh, blind God, You there over stared at us, that, Ah, look of fate, of permanent pity and apathy, of indelible mark of lugubrious memory, and of implacable hunger and of unspeakable grief ever unfathomed so far and forever. Amidst an irreparable fever, Besieged by a thickened air of exile, And in the spinning axis of time, Ariel Wolfe from the counterpoint shore-end of the Haven of origin * * * * * To the Reader: With Tears, Liquors & Roses Ah, Lord, I cannot speak, for I am a child. [Jeremiah 1:6] We were two isolated continents parted by the gaping gulf of grieved water whose rumpled page margins were not to be met together, nor whose benign surface to cut short to bump together, or whose hospitable current to dwindle to one slim graceful confluence to crash together. Such is the same as the wor
On August 14, 1945, Alfred Eisenstaedt took a picture of a sailor kissing a nurse in Times Square, minutes after they heard of Japan’s surrender to the United States. Two weeks later LIFE magazine published that image. It became one of the most famous WWII photographs in history (and the most celebrated photograph ever published in the world’s dominant photo-journal), a cherished reminder of what it felt like for the war to finally be over. Everyone who saw the picture wanted to know more about the nurse and sailor, but Eisenstaedt had no information and a search for the mysterious couple’s identity took on a dimension of its own. In 1979 Eisenstaedt thought he had found the long lost nurse. And as far as almost everyone could determine, he had. For the next thirty years Edith Shain was known as the woman in the photo of V-J Day, 1945, Times Square. In 1980 LIFE attempted to determine the sailor’s identity. Many aging warriors stepped forward with claims, and experts weighed in to support one candidate over another. Chaos ensued. For almost two decades Lawrence Verria and George Galdorisi were intrigued by the controversy surrounding the identity of the two principals in Eisenstaedt’s most famous photograph and collected evidence that began to shed light on this mystery. Unraveling years of misinformation and controversy, their findings propelled one claimant’s case far ahead of the others and, at the same time, dethroned the supposed kissed nurse when another candidate’s claim proved more credible. With this book, the authors solve the 67-year-old mystery by providing irrefutable proof to identify the couple in Eisenstaedt’s photo. It is the first time the whole truth behind the celebrated picture has been revealed. The authors also bring to light the couple’s and the photographer’s brushes with death that nearly prevented their famous spontaneous Times Square meeting in the first place. The sailor, part of Bull Halsey’s famous task force, survived the deadly typhoon that took the lives of hundreds of other sailors. The nurse, an Austrian Jew who lost her mother and father in the Holocaust, barely managed to escape to the United States. Eisenstaedt, a World War I German soldier, was nearly killed at Flanders.
I remember the reason I started this biz, it was about a beautiful friend named Anne-Marie. She lived most of her life in suffering. Try as she may she could not find peace. Until the moment came, she brought me in so that I could see something that was meant only for me. I stood and I watched as she was released hovering about with no pain for she was finally at peace. She looked to me she wanted to go back but then she realized Im free, free at last! She showed me a few more unique things to confirm that this was no ordinary dream. So to her I write this intro and to let others know no longer do they have to live in suffering, no longer does death have to loom over them. As I stood there watchingsaying goodbye, yet not to that of the unseen. I had no fear; I had no grief; because I knewI knew she was finally at peace. Please read on to the tales that have been interwoven into my life as it has unfolded. There is much truth to each tale, many of which have come from voices that guided me to hear of their tales and to write of their truths. When the final ticket is called, where would we goif not back home? This book goes out to my beautiful friend who planted the seed so many years ago, though forgotten for a time until just a few years back. As I lie aching in pain, in doubt, that doctors could not explain a voice gently said to me blocking out all the painturn your poems into cards.
Inspiring essays on love shared by men, women, and young people from all walks of life In the 1950's, Edward R. Murrow's radio program, This I Believe, gave voice to the feelings and treasured beliefs of Americans around the country. Fifty years later, the popular update of the series, which now continues on Bob Edwards Weekend on public radio, explores the beliefs that people hold dear today. This book brings together essays on love from ordinary people far and wide whose sentiments and stories will surprise, inspire, and move you. Includes extraordinary essays written by "ordinary" Americans on love in its many manifestations-from romantic love and love of family to love of place and love of animals Paints a compelling portrait of the diverse range of beliefs and experiences related to what is perhaps the most powerful and complex of human emotions-love Based on the popular This I Believe radio series and thisibelieve.org Web site By turns funny and profound, yet always engaging, This I Believe: On Love is a perfect gift to give or to keep.
Thirty years in the making, Audacious is a deep dive into the message that has compelled Beth Moore to serve women around the globe. Glancing over the years of ministry behind her and strengthening her resolve to the call before her, she came to the realization that her vision for women was incomplete. It lacked something they were aching for. Something Jesus was longing for. Beth identifies that missing link by digging through Scripture, unearthing life experiences, and spotlighting a turning point with the capacity to infuse any life with holy passion and purpose. What was missing? Well, let's just say, it's audacious and it's for all of us. And it's the path to the life you were born to live.
In Travesties and Transgressions, David Cressy examines how the orderly, Protestant, and hierarchical society of post-Reformation England coped with the cultural challenges posed by beliefs and events outside the social norm. He uses a series of linked stories and close readings of local texts and narratives to investigate unorthodox happenings such as bestiality and monstrous births, seduction and abortion, excommunication and irregular burial, nakedness and cross-dressing. Each story, and the reaction it generated, exposes the strains and stresses of its local time and circumstances. The reigns of Elizabeth, James, and Charles I were witness to endless religious disputes, tussles for power within the aristocracy, and arguments galore about the behaviour and beliefs of common people. Questions raised by 'unnatural' episodes were debated throughout society at local and national levels, and engaged the attention of the magistrates, the bishops, the crown, and the court. The resolution of such questions was not taken lightly in a world in which God and the devil still fought for people's souls.
These poems are a unique incantation of the psychic being, always tangibly in front. Rod Hemsell, poet Dream Threshold is the second volume in a poetic trilogy on love, following Coming Home, which describes poet Ajit Sripad Rao Nalkurs spiritual journey back to India from the West. His time abroad included living, working, and travelling through Australia, Europe, and the United States. This collection characterizes the poets gaze into the future of his search for the beloved. The poetry in this volume covers such topics as the pureness of rain in paradise and an examination of what love is really all about. In Dream Threshold, Nalkur continues to explore the theme of relationships and the need to be true to oneself. Haven Give me a place where beautys face Gazes ever on my soul, A sacred haven for the grace Of loves sweet and endless flow, Words and silence filling hearts That sing of things tomorrow knows Is home to where the deeper arts Of living thrive, the golden glow Of spirit shines in all its trees, Its very soil breathes strength and shows A way to live in harmony With all around, lifes constant blows