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a comedy philosophy fantasy where the villagers of Merton Worthshire people such as Professor Philosopher Mike Georgian Merchant Heldis Jones the Reverend Freddie Lawrenns Tommy and Johnny Faust husband and wife Bill and Joy Eva Goode and many others love and discuss philosophy in search of what seems a mythic and evasive Absolute Truth their thoughts and adventures take them abroad to Venezuela and other places around the world they live learn and laugh together discovering new minds and ways of perceiving
an atypical story of two children who under terrifying stress change their lives and the world around them and eventually the galaxy
When I started translating Kalki’s Ponniyin Selvan in 2010, blissfully unaware of the depth and the magnitude of the work, several people tried to dissuade me. One potential publisher even lured me with an offer to translate another work of Kalki. Reason: there were already many translations around. Yes, there were. But most of them, though done with utmost sincerity, failed to create the emotional bond with the readers which the original author had effortlessly done in the Fifties when Ponniyin Selvan was serialised in a popular magazine. I did not rush up. I did not have a target or deadline. I let the translation work progress in its own pace. That explains the six long years I spent for this project. I read and re-read the first draft a dozen times before handing it over to my editors. There were many points of contention. There were issues where we could not reach a consensus easily. Finally the hard copy was ready for publication in 2016. The publisher had jitters and so did I. We got ready rough copies of two volumes. I gave it to two of my friends, who had read the original more than sixty times, with a mandate to read them in one go. They did and said “This is the best you can do in English.” The work culminated not when the book was released by a former Central Minister in 2016, not even when it went for three editions but when an ardent fan of Kalki sent a mail to me in 2019. “It was as if Kalki himself rendered his great work in English.”
Hop on a roller-coaster ride of comedy and tragedy and suspense. Follow the lively dips and turns of characters who are as real as your next-door neighbors.
Bloodlist introduces Jack Fleming, an investigative journalist in Prohibition-era Chicago who got bitten by a vampire. In Lifeblood and Bloodcircle Jack hunted for the men who killed him, and for his long-lost love, Maureen. Now, the original vampire-noir cult classics by P.N. Elrod are together for the first time in one volume-easier for fans to sink their teeth into.
Increasingly over the past decade, fan credentials on the part of writers, directors, and producers have come to be seen as a guarantee of quality media making—the “fanboy auteur.” Figures like Joss Whedon are both one of “us” and one of “them.” This is a strategy of marketing and branding—it is a claim from the auteur himself or industry PR machines that the presence of an auteur who is also a fan means the product is worth consuming. Such claims that fan credentials guarantee quality are often contested, with fans and critics alike rejecting various auteur figures as the true leader of their respective franchises. That split, between assertions of fan and auteur status and acceptance (or not) of that status, is key to unravelling the fan auteur. In A Portrait of the Auteur as Fanboy: The Construction of Authorship in Transmedia Franchises, authors Anastasia Salter and Mel Stanfill examine this phenomenon through a series of case studies featuring fanboys. The volume discusses both popular fanboys, such as J. J. Abrams, Kevin Smith, and Joss Whedon, as well as fangirls like J. K. Rowling, E L James, and Patty Jenkins, and dissects how the fanboy-fangirl auteur dichotomy is constructed and defended by popular media and fans in online spaces, and how this discourse has played in maintaining the exclusionary status quo of geek culture. This book is particularly timely given current discourse, including such incidents as the controversy surrounding Joss Whedon’s so-called feminism, the publication of Harry Potter and the Cursed Child, and contestation over authorial voices in the DC cinematic universe, as well as broader conversations about toxic masculinity and sexual harassment in Hollywood.
This eBook was created to make the vision of Soft Diamond Light more accessible to a global audience, and more importantly, to add the powerful energy of Soft Diamond Light to the online consciousness' of the internet. It is based on Part one of the hardcover, full color book, Soft Diamond Light, Only love Matters. The response to Soft Diamond Light has been that it raises the vibratory atmosphere of wherever it resides. It uplifts everyone who comes within its field of influence. It emanates a powerful electromagnetic field. It seems to activate and clean the inner superphysical atmosphere of your home or office space. The eBook explores the bridge between exoteric and esoteric science and introduces a new perspective on the science of physical manifestation. It explores how we can manifest the full superhuman potential of our spiritual selves into our physical reality. The Soft Diamond Light image originated from a deep meditation experience and subsequently became the catalyst for the creation of the book. The image is a symbol of love, which is soft and tender, yet still as strong and brilliant as a magnificent diamond. It inspires us to see the vision of Soft Diamond Light and the powerful potential within each of us to make a contribution towards a better world for our family, community, nation and planet. Every act of contribution, however simple, shifts the balance towards love and connection, away from the precipice of fear and separation. This shift can turn our lives here on this planet into a heaven on earth.