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During his terms in the U.S. Senate, Bill Bradley won a national reputation for thoughtfulness, decency, and a willingness to take controversial positions on issues ranging from tax reform to the rights of Native Americans. All these qualities inform this best-selling memoir, in which Bradley assesses his political career and the experiences that shaped his convictions, and looks beyond them to consider the state of the American union on the eve of the 21st century. Time Present, Time Past offers an intimate portrait of the day-to-day working of the Senate: how legislation gets passed and sometimes thwarted; how money is raised and at what cost. But Bradley also writes about deeper questions: What does it means to be an American in an ago of dwindling opportunities and increasing inequality? How much can we expect from our public servants? What do we owe our fellow citizens? The result is a genuinely revelatory book, informed by intelligence, compassion, and unprecedented candor. "Strikingly reflects the realities of modern politics, what it looks like, feels like, from the inside."--New York Times Book Review
Fintan Buckley is a pleasant, rather conventional and unimaginative man, who works as a legal adviser in an import/export firm in Dublin. He lives in Howth and is married to Colette. They have two sons who are at university, and a small daughter. As he goes about his life, working and spending time with his family, Fintan begins to experience states of altered consciousness and auditory hallucinations, which seem to take him out of a linear experience of time. He becomes interested in how we remember or imagine the past, an interest trigged by becoming aware of early photography, particularly early colour photography. He also finds himself thinking more about his own past, including time spent holidaying in the north of Ireland as a child with his father's family. Over the years he has become distanced from them, and in the course of the novel this link is re-established and helps to bring him understanding and peace, although in a most unexpected way. Time Present and Time Past, Deirdre Madden's eighth novel for adults, is about time: about how not just daily life and one's own, or one's family's past, intersect with each other.
The last major verse written by Nobel laureate T. S. Eliot, considered by Eliot himself to be his finest work Four Quartets is a rich composition that expands the spiritual vision introduced in “The Waste Land.” Here, in four linked poems (“Burnt Norton,” “East Coker,” “The Dry Salvages,” and “Little Gidding”), spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and Western thought. It is the culminating achievement by a man considered the greatest poet of the twentieth century and one of the seminal figures in the evolution of modernism.
Discusses how time relates to past, present, and future as well as what people have done, are doing, and will do.
John Everett Millais (1829-1896) is undoubtedly among the most important of Victorian artists. In his day, and our own, he remains also the most controversial. While, during his lifetime, controversy centred around his early Pre-Raphaelite paintings, in particular Christ in the house of his Parents (1850), during the twentieth century the most intense criticism has been directed towards Millais's later works, such as Bubbles (1886), which has been widely condemned as sentimental 'kitsch'. These later paintings have been held up as the epitome of the degradation of art, against which avant-garde and Modernist pioneers struggled. None of the existing literature on Millais addresses the fundamental problem that this double-identity reveals. While there is extensive material on the Pre-Raphaelite movement in general, Millais's own work after the 1850s is rarely discussed in detail, despite the fact that he lived and worked for another 30 years after his abandonment of the Pre-Raphaelite style. Time Present and Time Past: The Art of John Everett Millais presents the first comprehensive account of Millais's artistic career from beginning to end. The book considers the question of 'high' and 'low' cultural status in debates during Millais's own day, and in subsequent critical thinking, situating Millais's art as a whole within this cultural framework.
Drawing on Japanese and Western-language sources, this work presents an overview of Toyohara Kunichika's life and his prints of beautiful women and actors. Over 135 of Kunichika's prints are illustrated. The appendices contain carvers' seals and Kunichika's representative signature forms.
‘An exceptionally well-written book’ Ian Talbot In over three decades as a police officer, Kirpal Dhillon handled some of the most challenging assignments in independent India, from anti-dacoity operations in Madhya Pradesh to revamping a demoralized force as police chief of Punjab in the aftermath of Operation Blue Star. These memoirs describe his experiences in fascinating detail, and present vivid portraits of a range of people, including sadhus and swindlers, maharajas and brigands, scheming politicians and back-stabbing colleagues. There are evocative descriptions of his village in Punjab, of Partition, and of the leaders he worked with, such as Nehru, Indira Gandhi and Morarji Desai. He writes with insight and expertise about terrorism, law-and-order problems, the training of administrators and policemen, and what can be done to ensure that they function with greater autonomy, accountability and humanity.
In this intriguing book G.J. Whitrow traces the evolution of our general awareness of time and its significance from the dawn of history to the present day. His absorbing study ranges from Ancient Egypt and Persia, Greece, and Israel, to the Islamic world, India and China, and Europe andAmerica, showing the different ways time has been perceived by various civilizations.
CHAPTER SIX: "KVN Is an Honest Game": Game Shows and the Problem of Authority -- CHAPTER SEVEN: A Dress Rehearsal for Life: Artloto and What? Where? When? -- Epilogue: The Origins of Central Television's Perestroika -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z
Stories of time travel have been part of science fiction since H. G. Wells sent his nameless hero hurtling into Earth’s distant future in The Time Machine. Time travel enables the storyteller to depict alternate realities, bring fictional characters face to face with historical figures, and depict moral and ethical dilemmas in which millions of lives (or the world as we know it) are at stake. From Doctor Who and Quantum Leap to the multiple incarnations of Star Trek, time travel has been a staple of science fiction television for more than fifty years. Time-Travel Television: The Past from the Present, the Future from the Pastsurveys the whole range of time travel stories on the small screen. The essays in this collection explore time travel series both familiar (Babylon 5, Stargate SG-1) and forgotten (The Time Tunnel, Voyagers!), as well as time-travel themed episodes and arcs in series where it is not central, such as Red Dwarf, Lost, and Heroes. Contributors to this volume consider some of the classic themes of time-travel stories: the promise (and peril) of “fixing” the past, the chance to experience (and choose) possible futures, and the potential for small changes to have great effects. Exploring time travel as a teaching tool, as a vehicle for moral lessons, and as a background for high adventure, this book offers new perspectives on many familiar programs and the first serious study of several unjustly neglected ones. Time-Travel Television is essential reading for science fiction scholars and fans, and for anyone interested in the many ways that television brings the fantastic into viewers’ living rooms.