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Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.
In A Time of One’s Own Catherine Grant examines how contemporary feminist artists are turning to broad histories of feminism ranging from political organizing and artworks from the 1970s to queer art and activism in the 1990s. Exploring artworks from 2002 to 2017 by artists including Sharon Hayes, Mary Kelly, Allyson Mitchell, Deirdre Logue, Lubaina Himid, Pauline Boudry, and Renate Lorenz, Grant maps a revival of feminism that takes up the creative and political implications of forging feminist communities across time and space. Grant characterizes these artists’ engagement with feminism as a fannish, autodidactic, and collective form of learning from history. This fandom of feminism allows artists to build relationships with previous feminist ideas, artworks, and communities that reject a generational model and embrace aspects of feminism that might be seen as embarrassing, queer, or anachronistic. Accounting for the growing interest in feminist art, politics, and ideas across generations, Grant demonstrates that for many contemporary feminist artists, the present moment can only be understood through an embodied engagement with history in which feminist pasts are reinhabited and reimagined.
Shulgi-simti is an important example of a woman involved in sponsoring religious activities though having a family life. An Ox of One’s Own will be of interest to Assyriologists, particularly those interested in Early Mesopotamia, and scholars working on women in religion. An Ox of One’s Own centers on the archive of a woman who died about 2050 B.C., one of King Shulgi’s many wives. Her birth name is unknown, but when she married, she became Shulgi-simti, “Suitable for Shulgi.” Attested for only about 15 years, she existed among a court filled with other wives, who probably outranked her. A religious foundation was run on her behalf whereby courtiers, male and female, donated livestock for sacrifices to an unusual mix of goddesses and gods. Previous scholarship has declared this a rare example of a queen conducting women’s religion, perhaps unusual because they say she came from abroad. The conclusions of this book are quite different. An Ox of One’s Own lays out the evidence that another woman was queen at this time in Nippur while Shulgi-simti lived in Ur and was a third-ranking concubine at best, with few economic resources. Shulgi-simti’s religious exercises concentrated on a quartet of north Babylonian goddesses.
Are you ready to embark on a life-altering adventure that will redefine your perspectives and open your heart to boundless possibilities? In this compelling memoir, travel writer Kate Wills fearlessly delves into her personal experiences, weaving a captivating narrative of hope, healing, and self-discovery. With courage as her compass, she embarks on solo expeditions across the globe, unearthing profound insights along the way. Follow Kate on her adventures through bustling cities, awe-inspiring landscapes, and tranquil retreats. Feel the rush of adrenaline as she embraces thrilling escapades, and share in her moments of vulnerability as she navigates through heartbreak and loneliness. A Trip of One's Own not only showcases the sheer joy of independent travel but also delves into the empowering and life-changing effects it can have. As you turn each page, you'll find yourself irresistibly drawn into Kate's world, feeling the warmth of new friendships and experiencing the freedom that only solo travel can offer. Embrace her triumphs, share her laughter, and learn from her challenges as you embark on this remarkable voyage together. A Trip of One's Own is not just a travel memoir; it's a profound testament to the transformative power of traversing the world on your own terms. Whether you're a seasoned traveler or a novice adventurer, this book will ignite your wanderlust and motivate you to chart your course towards self-discovery and personal growth.
This is a book about time--about one's own journey through it and, more important, about enlarging the pleasure one takes in that journey. It's about memory of the past, hope and fear for the future, and how they color, for better and for worse, one's experience of the present. Ultimately, it's a book about freedom--freedom from despair of the clock, of the aging body, of the seeming waste of one's daily routine, the freedom that comes with acceptance and appreciation of the human dimensions of time and of the place of each passing moment on life's bounteous continuum. For Robert Grudin, living is an art, and cultivating a creative partnership with time is one of the keys to mastering it. In a series of wise, witty, and playful meditations, he suggests that happiness lies not in the effort to conquer time but rather in learning to bend to its curve, in hearing its music and learning to dance to it. Grudin offers practical advice and mental exercises designed to help the reader use time more effectively, but this is no ordinary self-help book. It is instead a kind of wisdom literature, a guide to life, a feast for the mind and for the spirit.
Covering over 10,000 idioms and collocations characterized by similarity in their wording or metaphorical idea which do not show corresponding similarity in their meanings, this dictionary presents a unique cross-section of the English language. Though it is designed specifically to assist readers in avoiding the use of inappropriate or erroneous phrases, the book can also be used as a regular phraseological dictionary providing definitions to individual idioms, cliches, and set expressions. Most phrases included in the dictionary are in active current use, making information about their meanings and usage essential to language learners at all levels of proficiency.
A study of the emergence in post-Kantian continental philosophy of a focus on the lived experience of temporality. The project of all philosophy may be to gain reconciliation with time, even if not every philosopher has dealt with time expressly. A confrontation with the passing of time and with human finitude runs through the history of philosophy as an ultimate concern. In this genealogy of the concept of temporality, David Hoy examines the emergence in a post-Kantian continental philosophy of a focus on the lived experience of the “time of our lives” rather than on the time of the universe. The purpose is to see how phenomenological and poststructuralist philosophers have tried to locate the source of temporality, how they have analyzed time's passing, and how they have depicted our relation to time once it has been—in a Proustian sense—regained. Hoy engages with competing theoretical tactics for reconciling us to our fleeting temporality, drawing on work by Kant, Heidegger, Hegel, Husserl, Merleau-Ponty, Nietzsche, Gadamer, Sartre, Bourdieu, Foucault, Bergson, Deleuze, Žižek, and Derrida. Hoy considers four existential strategies for coping with the apparent flow of temporality, including Proust's passive and Walter Benjamin's active reconciliation through memory, Žižek's critique of poststructuralist politics, Foucault's confrontation with the temporality of power, and Deleuze's account of Aion and Chronos. He concludes by exploring whether a dual temporalization could be what constitutes the singular “time of our lives.”
'This is what I really want. I want to discover ways to discriminate the important things in human life. I want to find ways of getting past this blind fumbling with existence.' - Marion Milner, from A Life of One’s Own. How often do we really ask ourselves, 'What will make me happy? What do I really want from life?' In A Life of One’s Own Marion Milner, a renowned British psychoanalyst, artist and autobiographer, takes us on an extraordinary and compelling seven-year inward journey to discover what it is that makes her happy. On its first publication, W. H. Auden found the book 'as exciting as a detective story' and, as Milner searches out clues, the reader quickly becomes involved in the chase. Using her own personal diaries, she analyses moments of everyday life that can bring surprising joy, such as walking, listening to music, and drawing. She also records, in a disarmingly clear and insightful manner, the struggle between the urge to order and control one’s thoughts and standing back to let them wander where they may. A pioneering account of lived experience that also anticipates the contemporary phenomenon of mindfulness, A Life of One’s Own is a great adventure in thinking and living whose insights remain as fresh today as they were on the book’s first publication in the 1930s. This Routledge Classics edition includes a revised Introduction by Rachel Bowlby.
Social constructionists argue that our inner selves and our actions in the world are socially produced. Meta-realists, on the other hand, say that human consciousness is stratified, and not socially shaped at all levels. How do the human acts of creativity and resistance illuminate these different perspectives on human consciousness? This book explores theories of self and agency through a critical discourse analysis of the accounts of five British artists talking about their motivations, their creative processes and their experiences of the practices and institutions of visual art. Throughout the analysis the author considers how we voice dimensions of being that are 'beyond' language, and how these words impact on our sense of self and actions. The concept of self realisation is at the centre of this book and is critically examined. The analysis also explores the construction of social identities through family relations and institutional art practices and the media. It shows how they can provide solidarity for those who risk breaking social norms, but at the same time build barriers of difference.
Practical reasoning in contemporary Western societies is characterised by an unprecedented degree of idiosyncrasy and demands of personal authenticity. This has resulted from the decline of traditional moral authorities, the rise of individualistic lifestyles, increasing multiculturalism and rapid technological advance. These developments have given rise to reflection on the notion of 'reasons of one's own', an examination of the intelligibility of reasons that are closely connected to a particular agent, and recognised as such by others, although not shared by them. Problems addressed by the contributors include; How to account for the cognitive overtones in moral and motivational language given the apparent 'agent-relativity' of reasons. How to retain the 'agent-relativity' of reasons for action given that they require articulation through a language shared by the community, and how to account for the practical rationality required for co-operation between persons in view of the idiosyncrasy of a person's motivating reasons. In dealing with these issues this book presents a range of investigative essays on the concept of reasons of one's own by leading authors from all relevant philosophical areas of expertise.